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Color name
HEX #DEC489

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEC489 it is the complementary color #213B76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEC489. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEC489 shade: #E3C484, #F4D697, #FFE8AA, #FFFABD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEC489. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEC489 shade: #DEC489, #CDB276, #BCA063, #AB8E50 and #9A7C3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEC489 shade: #DDC388, #DDAC88, #DD9588 and #DD8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEC489 shade: #DDC388, #DDDA88, #C9DD88, #B2DD88 and #9BDD88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEC489 shade matches the following richer shades: #DDC388, #EAC87B and #F6CD6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEC489 shade: #DDC388, #D1BE94, #C5BAA0, #B8B5AD and #ACB0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEC489 shade: #DD9588, #DDAB88, #DDC288, #DDD988 and #CBDD88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEC489 shade: #CBA347, #D4B367, #DDC388, #E6D3A8 and #EFE3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEC489 shade: #DEC489, #92DD88 and #A088DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEC489 shade: #DEC489, #88DDC2 and #C288DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEC489 shade: #DEC489, #92DD88, #88A3DD and #D388DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEC489 shade: #DEC489, #88DD97, #88A3DD and #DD88CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

Complementary color

CMYK 72 / 50 / 0 / 54

HEX #213B76

RGB 33 59 118

HSL 221.65, 0.56%, 0.3%

LAB 26.04, 11.74, -36.82

 

CMYK 0 / 14 / 42 / 11

HEX #E3C484

RGB 227 196 132

HSL 40.42, 0.63%, 0.7%

LAB 80.45, 2.4, 36.15

 

CMYK 0 / 12 / 38 / 4

HEX #F4D697

RGB 244 214 151

HSL 40.65, 0.81%, 0.77%

LAB 86.78, 1.84, 34.96

 

CMYK 0 / 9 / 33 / 0

HEX #FFE8AA

RGB 255 232 170

HSL 43.76, 1%, 0.83%

LAB 92.52, -0.94, 33.05

 

CMYK 0 / 2 / 26 / 0

HEX #FFFABD

RGB 255 250 189

HSL 55.45, 1%, 0.87%

LAB 97.35, -7.6, 29.94

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

CMYK 0 / 13 / 42 / 20

HEX #CDB276

RGB 205 178 118

HSL 41.38, 0.47%, 0.63%

LAB 73.63, 1.53, 34.22

 

CMYK 0 / 15 / 47 / 26

HEX #BCA063

RGB 188 160 99

HSL 41.12, 0.4%, 0.56%

LAB 67.08, 2.2, 35.5

 

CMYK 0 / 17 / 53 / 33

HEX #AB8E50

RGB 171 142 80

HSL 40.88, 0.36%, 0.49%

LAB 60.41, 3, 36.84

 

CMYK 0 / 19 / 60 / 40

HEX #9A7C3D

RGB 154 124 61

HSL 40.65, 0.43%, 0.42%

LAB 53.62, 3.96, 38.2

 

CMYK 0 / 12 / 38 / 13

HEX #DDC388

RGB 221 195 136

HSL 41.65, 0.56%, 0.7%

LAB 79.72, 0.98, 33.03

 

CMYK 0 / 22 / 38 / 13

HEX #DDAC88

RGB 221 172 136

HSL 25.41, 0.56%, 0.7%

LAB 73.97, 13.17, 25.39

 

CMYK 0 / 33 / 38 / 13

HEX #DD9588

RGB 221 149 136

HSL 9.18, 0.56%, 0.7%

LAB 68.49, 25.53, 17.92

 

CMYK 0 / 38 / 38 / 13

HEX #DD8888

RGB 221 136 136

HSL 0, 0.56%, 0.7%

LAB 65.56, 32.48, 13.84

 

CMYK 0 / 12 / 38 / 13

HEX #DDC388

RGB 221 195 136

HSL 41.65, 0.56%, 0.7%

LAB 79.72, 0.98, 33.03

 

CMYK 0 / 1 / 38 / 13

HEX #DDDA88

RGB 221 218 136

HSL 57.88, 0.56%, 0.7%

LAB 85.65, -10.83, 40.71

 

CMYK 9 / 0 / 38 / 13

HEX #C9DD88

RGB 201 221 136

HSL 74.12, 0.56%, 0.7%

LAB 84.95, -20.02, 39.51

 

CMYK 19 / 0 / 38 / 13

HEX #B2DD88

RGB 178 221 136

HSL 90.35, 0.56%, 0.7%

LAB 83.42, -28.54, 37.23

 

CMYK 30 / 0 / 38 / 13

HEX #9BDD88

RGB 155 221 136

HSL 106.59, 0.56%, 0.7%

LAB 82.09, -36.53, 35.25

 

CMYK 0 / 12 / 38 / 13

HEX #DDC388

RGB 221 195 136

HSL 41.65, 0.56%, 0.7%

LAB 79.72, 0.98, 33.03

 

CMYK 0 / 15 / 47 / 8

HEX #EAC87B

RGB 234 200 123

HSL 41.62, 0.73%, 0.7%

LAB 81.96, 2.23, 42.79

 

CMYK 0 / 17 / 55 / 4

HEX #F6CD6F

RGB 246 205 111

HSL 41.78, 0.88%, 0.7%

LAB 84.18, 3.48, 51.63

 

CMYK 0 / 12 / 38 / 13

HEX #DDC388

RGB 221 195 136

HSL 41.65, 0.56%, 0.7%

LAB 79.72, 0.98, 33.03

 

CMYK 0 / 9 / 29 / 18

HEX #D1BE94

RGB 209 190 148

HSL 41.31, 0.4%, 0.7%

LAB 77.59, 0.36, 23.69

 

CMYK 0 / 6 / 19 / 23

HEX #C5BAA0

RGB 197 186 160

HSL 42.16, 0.24%, 0.7%

LAB 75.78, -0.4, 14.59

 

CMYK 0 / 2 / 6 / 28

HEX #B8B5AD

RGB 184 181 173

HSL 43.64, 0.07%, 0.7%

LAB 73.71, -0.38, 4.44

 

CMYK 7 / 5 / 0 / 27

HEX #ACB0B9

RGB 172 176 185

HSL 221.54, 0.08%, 0.7%

LAB 71.77, 0.36, -5.08

 

CMYK 0 / 33 / 38 / 13

HEX #DD9588

RGB 221 149 136

HSL 9.18, 0.56%, 0.7%

LAB 68.49, 25.53, 17.92

 

CMYK 0 / 23 / 38 / 13

HEX #DDAB88

RGB 221 171 136

HSL 24.71, 0.56%, 0.7%

LAB 73.72, 13.7, 25.06

 

CMYK 0 / 12 / 38 / 13

HEX #DDC288

RGB 221 194 136

HSL 40.94, 0.56%, 0.7%

LAB 79.46, 1.5, 32.7

 

CMYK 0 / 2 / 38 / 13

HEX #DDD988

RGB 221 217 136

HSL 57.18, 0.56%, 0.7%

LAB 85.39, -10.32, 40.38

 

CMYK 8 / 0 / 38 / 13

HEX #CBDD88

RGB 203 221 136

HSL 72.71, 0.56%, 0.7%

LAB 85.09, -19.26, 39.72

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 0 / 16 / 51 / 17

HEX #D4B367

RGB 212 179 103

HSL 41.83, 0.56%, 0.62%

LAB 74.33, 2.42, 42.93

 

CMYK 0 / 12 / 38 / 13

HEX #DDC388

RGB 221 195 136

HSL 41.65, 0.56%, 0.7%

LAB 79.72, 0.98, 33.03

 

CMYK 0 / 8 / 27 / 10

HEX #E6D3A8

RGB 230 211 168

HSL 41.61, 0.55%, 0.78%

LAB 85.12, 0.09, 23.72

 

CMYK 0 / 5 / 16 / 6

HEX #EFE3C8

RGB 239 227 200

HSL 41.54, 0.55%, 0.86%

LAB 90.53, -0.27, 14.65

 

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

CMYK 34 / 0 / 38 / 13

HEX #92DD88

RGB 146 221 136

HSL 112.94, 0.56%, 0.7%

LAB 81.62, -39.48, 34.55

 

CMYK 28 / 38 / 0 / 13

HEX #A088DD

RGB 160 136 221

HSL 256.94, 0.56%, 0.7%

LAB 61.91, 27.1, -40.18

 

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

CMYK 38 / 0 / 12 / 13

HEX #88DDC2

RGB 136 221 194

HSL 160.94, 0.56%, 0.7%

LAB 82.29, -31.84, 5.17

 

CMYK 12 / 38 / 0 / 13

HEX #C288DD

RGB 194 136 221

HSL 280.94, 0.56%, 0.7%

LAB 65.2, 37.1, -34.81

 

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

CMYK 34 / 0 / 38 / 13

HEX #92DD88

RGB 146 221 136

HSL 112.94, 0.56%, 0.7%

LAB 81.62, -39.48, 34.55

 

CMYK 38 / 26 / 0 / 13

HEX #88A3DD

RGB 136 163 221

HSL 220.94, 0.56%, 0.7%

LAB 67.01, 4.96, -32.37

 

CMYK 5 / 38 / 0 / 13

HEX #D388DD

RGB 211 136 221

HSL 292.94, 0.56%, 0.7%

LAB 67.03, 42.24, -31.82

 

CMYK 0 / 12 / 38 / 13

HEX #DEC489

RGB 222 196 137

HSL 41.65, 0.56%, 0.7%

LAB 80.08, 0.96, 33

 

CMYK 38 / 0 / 32 / 13

HEX #88DD97

RGB 136 221 151

HSL 130.59, 0.56%, 0.7%

LAB 81.39, -40.18, 26.48

 

CMYK 38 / 26 / 0 / 13

HEX #88A3DD

RGB 136 163 221

HSL 220.94, 0.56%, 0.7%

LAB 67.01, 4.96, -32.37

 

CMYK 0 / 38 / 7 / 13

HEX #DD88CE

RGB 221 136 206

HSL 310.59, 0.56%, 0.7%

LAB 67.6, 42.63, -22.51

 

Description

Color code: HEX #DEC489 | qconv.com Color code: HEX #DEC489 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 196 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 196 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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