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Color name
HEX #CBA347

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA347 it is the complementary color #345CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA347 shade: #D0A342, #E1B555, #F2C768, #FFD97B and #FFEB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA347 shade: #CBA347, #BA9134, #A97F21, #986D0E and #875B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA347 shade: #CBA448, #CB8048, #CB5D48 and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA347 shade: #CBA448, #CBC748, #ACCB48, #89CB48 and #65CB48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA347 shade matches the following richer shades: #CBA448, #DEAB35 and #F1B322

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA347 shade: #CBA448, #B89C5B, #A5956E, #928D81 and #7F8694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA347 shade: #CB5C48, #CB7F48, #CBA248, #CBC548 and #AFCB48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA347 shade: #96762A, #B78F34, #CBA448, #D4B468 and #DEC488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA347 shade: #CBA347, #57CB48 and #6D48CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA347 shade: #CBA347, #48CBA2 and #A248CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA347 shade: #CBA347, #57CB48, #4872CB and #BC48CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA347 shade: #CBA347, #48CB60, #4872CB and #CB48B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

Complementary color

CMYK 72 / 50 / 0 / 28

HEX #345CB8

RGB 52 92 184

HSL 221.82, 0.56%, 0.46%

LAB 40.97, 17.84, -52.82

 

CMYK 0 / 22 / 68 / 18

HEX #D0A342

RGB 208 163 66

HSL 40.99, 0.6%, 0.54%

LAB 69.47, 6.59, 54.89

 

CMYK 0 / 20 / 62 / 12

HEX #E1B555

RGB 225 181 85

HSL 41.14, 0.7%, 0.61%

LAB 75.89, 5.42, 53.79

 

CMYK 0 / 18 / 57 / 5

HEX #F2C768

RGB 242 199 104

HSL 41.3, 0.84%, 0.68%

LAB 82.23, 4.41, 52.58

 

CMYK 0 / 15 / 52 / 0

HEX #FFD97B

RGB 255 217 123

HSL 42.73, 1%, 0.74%

LAB 88.12, 1.94, 50.8

 

CMYK 0 / 8 / 44 / 0

HEX #FFEB8E

RGB 255 235 142

HSL 49.38, 1%, 0.78%

LAB 92.85, -5.45, 47.43

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 0 / 22 / 72 / 27

HEX #BA9134

RGB 186 145 52

HSL 41.64, 0.56%, 0.47%

LAB 62.46, 5.99, 52.97

 

CMYK 0 / 25 / 80 / 34

HEX #A97F21

RGB 169 127 33

HSL 41.47, 0.67%, 0.4%

LAB 55.81, 7.49, 53.45

 

CMYK 0 / 28 / 91 / 40

HEX #986D0E

RGB 152 109 14

HSL 41.3, 0.83%, 0.33%

LAB 49.06, 9.31, 52.82

 

CMYK 0 / 33 / 100 / 47

HEX #875B00

RGB 135 91 0

HSL 40.44, 1%, 0.26%

LAB 42.21, 11.48, 50.22

 

CMYK 0 / 19 / 65 / 20

HEX #CBA448

RGB 203 164 72

HSL 42.14, 0.56%, 0.54%

LAB 69.27, 4.25, 51.83

 

CMYK 0 / 37 / 65 / 20

HEX #CB8048

RGB 203 128 72

HSL 25.65, 0.56%, 0.54%

LAB 60.43, 23.81, 41.89

 

CMYK 0 / 54 / 65 / 20

HEX #CB5D48

RGB 203 93 72

HSL 9.62, 0.56%, 0.54%

LAB 52.94, 42.18, 33

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 19 / 65 / 20

HEX #CBA448

RGB 203 164 72

HSL 42.14, 0.56%, 0.54%

LAB 69.27, 4.25, 51.83

 

CMYK 0 / 2 / 65 / 20

HEX #CBC748

RGB 203 199 72

HSL 58.17, 0.56%, 0.54%

LAB 78.47, -14, 61.64

 

CMYK 15 / 0 / 65 / 20

HEX #ACCB48

RGB 172 203 72

HSL 74.2, 0.56%, 0.54%

LAB 77.25, -28.7, 59.65

 

CMYK 33 / 0 / 65 / 20

HEX #89CB48

RGB 137 203 72

HSL 90.23, 0.56%, 0.54%

LAB 75.14, -41.98, 56.77

 

CMYK 50 / 0 / 65 / 20

HEX #65CB48

RGB 101 203 72

HSL 106.72, 0.56%, 0.54%

LAB 73.51, -53.56, 54.53

 

CMYK 0 / 19 / 65 / 20

HEX #CBA448

RGB 203 164 72

HSL 42.14, 0.56%, 0.54%

LAB 69.27, 4.25, 51.83

 

CMYK 0 / 23 / 76 / 13

HEX #DEAB35

RGB 222 171 53

HSL 41.89, 0.72%, 0.54%

LAB 72.83, 7.74, 64

 

CMYK 0 / 26 / 86 / 5

HEX #F1B322

RGB 241 179 34

HSL 42.03, 0.88%, 0.54%

LAB 76.71, 11.1, 74.07

 

CMYK 0 / 19 / 65 / 20

HEX #CBA448

RGB 203 164 72

HSL 42.14, 0.56%, 0.54%

LAB 69.27, 4.25, 51.83

 

CMYK 0 / 15 / 51 / 28

HEX #B89C5B

RGB 184 156 91

HSL 41.94, 0.4%, 0.54%

LAB 65.53, 1.91, 37.67

 

CMYK 0 / 10 / 33 / 35

HEX #A5956E

RGB 165 149 110

HSL 42.55, 0.23%, 0.54%

LAB 62.19, -0.09, 22.79

 

CMYK 0 / 3 / 12 / 43

HEX #928D81

RGB 146 141 129

HSL 42.35, 0.07%, 0.54%

LAB 58.74, -0.34, 7.05

 

CMYK 14 / 9 / 0 / 42

HEX #7F8694

RGB 127 134 148

HSL 220, 0.09%, 0.54%

LAB 55.79, 0.44, -8.36

 

CMYK 0 / 55 / 65 / 20

HEX #CB5C48

RGB 203 92 72

HSL 9.16, 0.56%, 0.54%

LAB 52.75, 42.67, 32.76

 

CMYK 0 / 37 / 65 / 20

HEX #CB7F48

RGB 203 127 72

HSL 25.19, 0.56%, 0.54%

LAB 60.2, 24.36, 41.62

 

CMYK 0 / 20 / 65 / 20

HEX #CBA248

RGB 203 162 72

HSL 41.22, 0.56%, 0.54%

LAB 68.75, 5.33, 51.27

 

CMYK 0 / 3 / 65 / 20

HEX #CBC548

RGB 203 197 72

HSL 57.25, 0.56%, 0.54%

LAB 77.93, -12.99, 61.08

 

CMYK 14 / 0 / 65 / 20

HEX #AFCB48

RGB 175 203 72

HSL 72.82, 0.56%, 0.54%

LAB 77.46, -27.5, 59.93

 

CMYK 0 / 21 / 72 / 41

HEX #96762A

RGB 150 118 42

HSL 42.22, 0.56%, 0.38%

LAB 51.39, 4.29, 44.82

 

CMYK 0 / 22 / 72 / 28

HEX #B78F34

RGB 183 143 52

HSL 41.68, 0.56%, 0.46%

LAB 61.62, 5.75, 52.02

 

CMYK 0 / 19 / 65 / 20

HEX #CBA448

RGB 203 164 72

HSL 42.14, 0.56%, 0.54%

LAB 69.27, 4.25, 51.83

 

CMYK 0 / 15 / 51 / 17

HEX #D4B468

RGB 212 180 104

HSL 42.22, 0.56%, 0.62%

LAB 74.6, 1.98, 42.76

 

CMYK 0 / 12 / 39 / 13

HEX #DEC488

RGB 222 196 136

HSL 41.86, 0.57%, 0.7%

LAB 80.06, 0.85, 33.5

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 57 / 0 / 65 / 20

HEX #57CB48

RGB 87 203 72

HSL 113.13, 0.56%, 0.54%

LAB 73.03, -57.28, 53.86

 

CMYK 46 / 65 / 0 / 20

HEX #6D48CB

RGB 109 72 203

HSL 256.95, 0.56%, 0.54%

LAB 41.53, 46.44, -62.78

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 65 / 0 / 20 / 20

HEX #48CBA2

RGB 72 203 162

HSL 161.22, 0.56%, 0.54%

LAB 74, -45.41, 10.06

 

CMYK 20 / 65 / 0 / 20

HEX #A248CB

RGB 162 72 203

HSL 281.22, 0.56%, 0.54%

LAB 47.79, 57.73, -52.36

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 57 / 0 / 65 / 20

HEX #57CB48

RGB 87 203 72

HSL 113.13, 0.56%, 0.54%

LAB 73.03, -57.28, 53.86

 

CMYK 65 / 44 / 0 / 20

HEX #4872CB

RGB 72 114 203

HSL 220.76, 0.56%, 0.54%

LAB 49.16, 13.88, -50.61

 

CMYK 7 / 65 / 0 / 20

HEX #BC48CB

RGB 188 72 203

HSL 293.13, 0.56%, 0.54%

LAB 51.43, 63.74, -46.35

 

CMYK 0 / 20 / 65 / 20

HEX #CBA347

RGB 203 163 71

HSL 41.82, 0.56%, 0.54%

LAB 69, 4.73, 51.99

 

CMYK 65 / 0 / 53 / 20

HEX #48CB60

RGB 72 203 96

HSL 130.99, 0.56%, 0.54%

LAB 72.85, -57.81, 42.69

 

CMYK 65 / 44 / 0 / 20

HEX #4872CB

RGB 72 114 203

HSL 220.76, 0.56%, 0.54%

LAB 49.16, 13.88, -50.61

 

CMYK 0 / 65 / 12 / 20

HEX #CB48B3

RGB 203 72 179

HSL 310.99, 0.56%, 0.54%

LAB 52.49, 63.43, -30.63

 

Description

Color code: HEX #CBA347 | qconv.com Color code: HEX #CBA347 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 163 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 163 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 65% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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