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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEAD74 it is the complementary color #21528B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEAD74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DEAD74: #E3AD6F, #F4BF82, #FFD195, #FFE3A8 and #FFF5BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEAD74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DEAD74: #DEAD74, #CD9B61, #BC894E, #AB773B and #9A6528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

Complementary color

CMYK 76 / 41 / 0 / 45

HEX #21528B

RGB 33 82 139

HSL 212.26, 0.62%, 0.34%

LAB 34.44, 4.45, -36.43

 

CMYK 0 / 24 / 51 / 11

HEX #E3AD6F

RGB 227 173 111

HSL 32.07, 0.67%, 0.66%

LAB 74.42, 12.5, 39.31

 

CMYK 0 / 22 / 47 / 4

HEX #F4BF82

RGB 244 191 130

HSL 32.11, 0.84%, 0.73%

LAB 80.8, 11.61, 37.96

 

CMYK 0 / 18 / 42 / 0

HEX #FFD195

RGB 255 209 149

HSL 33.96, 1%, 0.79%

LAB 86.52, 8.49, 35.83

 

CMYK 0 / 11 / 34 / 0

HEX #FFE3A8

RGB 255 227 168

HSL 40.69, 1%, 0.83%

LAB 91.25, 1.36, 32.37

 

CMYK 0 / 4 / 27 / 0

HEX #FFF5BB

RGB 255 245 187

HSL 51.18, 1%, 0.87%

LAB 96.06, -5.37, 29.2

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 0 / 24 / 53 / 20

HEX #CD9B61

RGB 205 155 97

HSL 32.22, 0.52%, 0.59%

LAB 67.49, 11.85, 37.43

 

CMYK 0 / 27 / 59 / 26

HEX #BC894E

RGB 188 137 78

HSL 32.18, 0.45%, 0.52%

LAB 60.9, 12.94, 38.89

 

CMYK 0 / 30 / 65 / 33

HEX #AB773B

RGB 171 119 59

HSL 32.14, 0.49%, 0.45%

LAB 54.2, 14.22, 40.38

 

CMYK 0 / 34 / 74 / 40

HEX #9A6528

RGB 154 101 40

HSL 32.11, 0.59%, 0.38%

LAB 47.41, 15.75, 41.79

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 0 / 15 / 49 / 13

HEX #DEBD72

RGB 222 189 114

HSL 41.67, 0.62%, 0.66%

LAB 77.96, 2.26, 42.08

 

CMYK 0 / 7 / 49 / 13

HEX #DECF72

RGB 222 207 114

HSL 51.67, 0.62%, 0.66%

LAB 82.58, -7.05, 47.75

 

CMYK 2 / 0 / 49 / 13

HEX #DADE72

RGB 218 222 114

HSL 62.22, 0.62%, 0.66%

LAB 86.19, -16.19, 52.02

 

CMYK 10 / 0 / 49 / 13

HEX #C8DE72

RGB 200 222 114

HSL 72.22, 0.62%, 0.66%

LAB 84.86, -23.26, 50.11

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 0 / 22 / 50 / 93

HEX #120E09

RGB 18 14 9

HSL 33.33, 0.33%, 0.05%

LAB 4.18, 0.67, 2.57

 

CMYK 0 / 22 / 48 / 73

HEX #453624

RGB 69 54 36

HSL 32.73, 0.31%, 0.21%

LAB 23.77, 3.8, 13.84

 

CMYK 0 / 22 / 48 / 53

HEX #785E3F

RGB 120 94 63

HSL 32.63, 0.31%, 0.36%

LAB 41.78, 6.21, 21.77

 

CMYK 0 / 22 / 48 / 33

HEX #AB8559

RGB 171 133 89

HSL 32.2, 0.33%, 0.51%

LAB 58.18, 8.87, 29.23

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 36 / 0 / 49 / 13

HEX #8FDE72

RGB 143 222 114

HSL 103.89, 0.62%, 0.66%

LAB 81.45, -43.86, 45.18

 

CMYK 42 / 49 / 0 / 13

HEX #8072DE

RGB 128 114 222

HSL 247.78, 0.62%, 0.66%

LAB 53.92, 31.73, -53.57

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 49 / 0 / 23 / 13

HEX #72DEAB

RGB 114 222 171

HSL 151.67, 0.62%, 0.66%

LAB 81.16, -42.82, 15.58

 

CMYK 23 / 49 / 0 / 13

HEX #AB72DE

RGB 171 114 222

HSL 271.67, 0.62%, 0.66%

LAB 58.01, 42.76, -46.83

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 36 / 0 / 49 / 13

HEX #8FDE72

RGB 143 222 114

HSL 103.89, 0.62%, 0.66%

LAB 81.45, -43.86, 45.18

 

CMYK 49 / 26 / 0 / 13

HEX #72A4DE

RGB 114 164 222

HSL 212.22, 0.62%, 0.66%

LAB 66.06, -0.87, -34.5

 

CMYK 13 / 49 / 0 / 13

HEX #C172DE

RGB 193 114 222

HSL 283.89, 0.62%, 0.66%

LAB 60.47, 48.78, -42.78

 

CMYK 0 / 22 / 48 / 13

HEX #DEAD74

RGB 222 173 116

HSL 32.26, 0.62%, 0.66%

LAB 73.98, 10.92, 36.05

 

CMYK 49 / 0 / 47 / 13

HEX #72DE76

RGB 114 222 118

HSL 122.22, 0.62%, 0.66%

LAB 80.25, -52.01, 41.47

 

CMYK 49 / 26 / 0 / 13

HEX #72A4DE

RGB 114 164 222

HSL 212.22, 0.62%, 0.66%

LAB 66.06, -0.87, -34.5

 

CMYK 0 / 49 / 2 / 13

HEX #DE72DA

RGB 222 114 218

HSL 302.22, 0.62%, 0.66%

LAB 63.86, 56.15, -34.97

 

Description

Color code: HEX #DEAD74 | qconv.com Color code: HEX #DEAD74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 173 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 173 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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