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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE93C3 it is the complementary color #216C3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE93C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DE93C3: #E393BE, #F4A5D1, #FFB7E4, #FFC9F7 and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE93C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DE93C3: #DE93C3, #CD81B0, #BC6F9D, #AB5D8A and #9A4B77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

Complementary color

CMYK 69 / 0 / 44 / 58

HEX #216C3C

RGB 33 108 60

HSL 141.6, 0.53%, 0.28%

LAB 40.2, -34.64, 20.33

 

CMYK 0 / 35 / 16 / 11

HEX #E393BE

RGB 227 147 190

HSL 327.75, 0.59%, 0.73%

LAB 70.12, 36.18, -9.74

 

CMYK 0 / 32 / 14 / 4

HEX #F4A5D1

RGB 244 165 209

HSL 326.58, 0.78%, 0.8%

LAB 76.53, 35.45, -10.45

 

CMYK 0 / 28 / 11 / 0

HEX #FFB7E4

RGB 255 183 228

HSL 322.5, 1%, 0.86%

LAB 82.23, 32.75, -12.09

 

CMYK 0 / 21 / 3 / 0

HEX #FFC9F7

RGB 255 201 247

HSL 308.89, 1%, 0.89%

LAB 86.87, 26.52, -15.27

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 37 / 14 / 20

HEX #CD81B0

RGB 205 129 176

HSL 322.89, 0.43%, 0.65%

LAB 63.19, 36.04, -12.51

 

CMYK 0 / 41 / 16 / 26

HEX #BC6F9D

RGB 188 111 157

HSL 324.16, 0.36%, 0.59%

LAB 56.58, 36.83, -11.75

 

CMYK 0 / 46 / 19 / 33

HEX #AB5D8A

RGB 171 93 138

HSL 325.38, 0.32%, 0.52%

LAB 49.88, 37.64, -10.88

 

CMYK 0 / 51 / 23 / 40

HEX #9A4B77

RGB 154 75 119

HSL 326.58, 0.34%, 0.45%

LAB 43.11, 38.43, -9.84

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 34 / 24 / 13

HEX #DD91A9

RGB 221 145 169

HSL 341.05, 0.53%, 0.72%

LAB 68.38, 31.98, -0.66

 

CMYK 0 / 34 / 29 / 13

HEX #DD919D

RGB 221 145 157

HSL 350.53, 0.53%, 0.72%

LAB 68.06, 30.31, 5.6

 

CMYK 0 / 33 / 34 / 13

HEX #DD9391

RGB 221 147 145

HSL 1.58, 0.53%, 0.72%

LAB 68.23, 27.69, 12.55

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 33 / 11 / 93

HEX #120C10

RGB 18 12 16

HSL 320, 0.2%, 0.06%

LAB 3.87, 2.73, -1.16

 

CMYK 0 / 33 / 12 / 73

HEX #452E3D

RGB 69 46 61

HSL 320.87, 0.2%, 0.23%

LAB 22.15, 13.37, -5.25

 

CMYK 0 / 34 / 13 / 53

HEX #784F69

RGB 120 79 105

HSL 321.95, 0.21%, 0.39%

LAB 38.91, 21.55, -7.98

 

CMYK 0 / 34 / 12 / 33

HEX #AB7196

RGB 171 113 150

HSL 321.72, 0.26%, 0.56%

LAB 54.73, 28.63, -10.67

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 15 / 34 / 13

HEX #DDBB91

RGB 221 187 145

HSL 33.16, 0.53%, 0.72%

LAB 77.85, 6.24, 25.82

 

CMYK 34 / 0 / 2 / 13

HEX #91DDD9

RGB 145 221 217

HSL 176.84, 0.53%, 0.72%

LAB 83.31, -24.26, -5.5

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 12 / 0 / 34 / 13

HEX #C2DD91

RGB 194 221 145

HSL 81.32, 0.53%, 0.72%

LAB 84.6, -21.52, 34.42

 

CMYK 34 / 12 / 0 / 13

HEX #91C2DD

RGB 145 194 221

HSL 201.32, 0.53%, 0.72%

LAB 75.96, -9.54, -18.63

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 15 / 34 / 13

HEX #DDBB91

RGB 221 187 145

HSL 33.16, 0.53%, 0.72%

LAB 77.85, 6.24, 25.82

 

CMYK 34 / 0 / 22 / 13

HEX #91DDAC

RGB 145 221 172

HSL 141.32, 0.53%, 0.72%

LAB 82.22, -33.74, 16.74

 

CMYK 34 / 19 / 0 / 13

HEX #91B3DD

RGB 145 179 221

HSL 213.16, 0.53%, 0.72%

LAB 71.88, -1.47, -24.83

 

CMYK 0 / 34 / 12 / 13

HEX #DE93C3

RGB 222 147 195

HSL 321.6, 0.53%, 0.72%

LAB 69.71, 35.29, -13.19

 

CMYK 0 / 5 / 34 / 13

HEX #DDD291

RGB 221 210 145

HSL 51.32, 0.53%, 0.72%

LAB 83.71, -5.74, 33.63

 

CMYK 34 / 0 / 22 / 13

HEX #91DDAC

RGB 145 221 172

HSL 141.32, 0.53%, 0.72%

LAB 82.22, -33.74, 16.74

 

CMYK 34 / 29 / 0 / 13

HEX #919DDD

RGB 145 157 221

HSL 230.53, 0.53%, 0.72%

LAB 66.02, 10.83, -33.86

 

Description

Color code: HEX #DE93C3 | qconv.com Color code: HEX #DE93C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 147 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 147 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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