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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE1BC1 it is the complementary color #21E43E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE1BC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DE1BC1: #E31BBC, #F42DCF, #FF3FE2, #FF51F5 and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE1BC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DE1BC1: #DE1BC1, #CD09AE, #BC009B, #AB0088 and #9A0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

Complementary color

CMYK 86 / 0 / 73 / 11

HEX #21E43E

RGB 33 228 62

HSL 128.92, 0.78%, 0.51%

LAB 79.7, -74.98, 64.41

 

CMYK 0 / 88 / 17 / 11

HEX #E31BBC

RGB 227 27 188

HSL 311.7, 0.79%, 0.5%

LAB 52.67, 82.25, -35.3

 

CMYK 0 / 82 / 15 / 4

HEX #F42DCF

RGB 244 45 207

HSL 311.16, 0.9%, 0.57%

LAB 57.67, 84.76, -38.19

 

CMYK 0 / 75 / 11 / 0

HEX #FF3FE2

RGB 255 63 226

HSL 309.06, 1%, 0.62%

LAB 61.92, 85.17, -42.14

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F5

RGB 255 81 245

HSL 303.45, 1%, 0.66%

LAB 64.75, 82.42, -48.26

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 96 / 15 / 20

HEX #CD09AE

RGB 205 9 174

HSL 309.49, 0.92%, 0.42%

LAB 47.28, 78.38, -35.85

 

CMYK 0 / 100 / 18 / 26

HEX #BC009B

RGB 188 0 155

HSL 310.53, 1%, 0.37%

LAB 42.85, 73.61, -31.68

 

CMYK 0 / 100 / 20 / 33

HEX #AB0088

RGB 171 0 136

HSL 312.28, 1%, 0.34%

LAB 38.61, 68.01, -26.97

 

CMYK 0 / 100 / 24 / 40

HEX #9A0075

RGB 154 0 117

HSL 314.42, 1%, 0.3%

LAB 34.3, 62.31, -22.08

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 88 / 27 / 13

HEX #DE1BA3

RGB 222 27 163

HSL 318.15, 0.78%, 0.49%

LAB 50.64, 78.27, -23.85

 

CMYK 0 / 88 / 41 / 13

HEX #DE1B83

RGB 222 27 131

HSL 328, 0.78%, 0.49%

LAB 49.44, 75, -6.48

 

CMYK 0 / 88 / 56 / 13

HEX #DE1B62

RGB 222 27 98

HSL 338.15, 0.78%, 0.49%

LAB 48.51, 72.39, 12.36

 

CMYK 0 / 88 / 70 / 13

HEX #DE1B42

RGB 222 27 66

HSL 348, 0.78%, 0.49%

LAB 47.89, 70.63, 31.12

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 89 / 11 / 93

HEX #120210

RGB 18 2 16

HSL 307.5, 0.8%, 0.04%

LAB 1.89, 6.79, -4.05

 

CMYK 0 / 88 / 13 / 73

HEX #45083C

RGB 69 8 60

HSL 308.85, 0.79%, 0.15%

LAB 14.2, 33.86, -16.76

 

CMYK 0 / 88 / 13 / 53

HEX #780F68

RGB 120 15 104

HSL 309.14, 0.78%, 0.26%

LAB 27.67, 51.05, -24.63

 

CMYK 0 / 88 / 13 / 33

HEX #AB1595

RGB 171 21 149

HSL 308.8, 0.78%, 0.38%

LAB 40.19, 67.06, -32.46

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 59 / 88 / 13

HEX #DE5C1B

RGB 222 92 27

HSL 20, 0.78%, 0.49%

LAB 55.34, 47.94, 58.06

 

CMYK 88 / 0 / 23 / 13

HEX #1BDEAA

RGB 27 222 170

HSL 164, 0.78%, 0.49%

LAB 79.26, -56.26, 13.16

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 12 / 0 / 88 / 13

HEX #C4DE1B

RGB 196 222 27

HSL 68, 0.78%, 0.49%

LAB 84, -29.87, 79.79

 

CMYK 88 / 12 / 0 / 13

HEX #1BC4DE

RGB 27 196 222

HSL 188, 0.78%, 0.49%

LAB 72.88, -30.36, -24.19

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 59 / 88 / 13

HEX #DE5C1B

RGB 222 92 27

HSL 20, 0.78%, 0.49%

LAB 55.34, 47.94, 58.06

 

CMYK 88 / 0 / 76 / 13

HEX #1BDE35

RGB 27 222 53

HSL 128, 0.78%, 0.49%

LAB 77.72, -74.39, 65.39

 

CMYK 88 / 29 / 0 / 13

HEX #1B9DDE

RGB 27 157 222

HSL 200, 0.78%, 0.49%

LAB 61.33, -10, -42.1

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 32 / 88 / 13

HEX #DE961B

RGB 222 150 27

HSL 37.85, 0.78%, 0.49%

LAB 67.59, 18.18, 67.65

 

CMYK 88 / 0 / 76 / 13

HEX #1BDE35

RGB 27 222 53

HSL 128, 0.78%, 0.49%

LAB 77.72, -74.39, 65.39

 

CMYK 88 / 56 / 0 / 13

HEX #1B62DE

RGB 27 98 222

HSL 218.15, 0.78%, 0.49%

LAB 44.58, 26.04, -68.91

 

Description

Color code: HEX #DE1BC1 | qconv.com Color code: HEX #DE1BC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 27 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 27 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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