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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAC9C it is the complementary color #225363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAC9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DDAC9C: #E2AC97, #F3BEAA, #FFD0BD, #FFE2D0 and #FFF4E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAC9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DDAC9C: #DDAC9C, #CC9A89, #BB8876, #AA7663 and #996450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

Complementary color

CMYK 66 / 16 / 0 / 61

HEX #225363

RGB 34 83 99

HSL 194.77, 0.49%, 0.26%

LAB 32.76, -11.03, -14.21

 

CMYK 0 / 24 / 33 / 11

HEX #E2AC97

RGB 226 172 151

HSL 16.8, 0.56%, 0.74%

LAB 74.77, 16.92, 18.45

 

CMYK 0 / 22 / 30 / 5

HEX #F3BEAA

RGB 243 190 170

HSL 16.44, 0.75%, 0.81%

LAB 81.17, 16.25, 17.39

 

CMYK 0 / 18 / 26 / 0

HEX #FFD0BD

RGB 255 208 189

HSL 17.27, 1%, 0.87%

LAB 87.02, 13.81, 15.66

 

CMYK 0 / 11 / 18 / 0

HEX #FFE2D0

RGB 255 226 208

HSL 22.98, 1%, 0.91%

LAB 91.78, 7.18, 12.43

 

CMYK 0 / 4 / 11 / 0

HEX #FFF4E3

RGB 255 244 227

HSL 36.43, 1%, 0.95%

LAB 96.62, 0.89, 9.49

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 25 / 33 / 20

HEX #CC9A89

RGB 204 154 137

HSL 15.22, 0.4%, 0.67%

LAB 67.84, 16.33, 16.18

 

CMYK 0 / 27 / 37 / 27

HEX #BB8876

RGB 187 136 118

HSL 15.65, 0.34%, 0.6%

LAB 61.2, 17.1, 17.35

 

CMYK 0 / 31 / 42 / 33

HEX #AA7663

RGB 170 118 99

HSL 16.06, 0.29%, 0.53%

LAB 54.45, 17.99, 18.65

 

CMYK 0 / 35 / 48 / 40

HEX #996450

RGB 153 100 80

HSL 16.44, 0.31%, 0.46%

LAB 47.58, 19.03, 20.12

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 18 / 29 / 13

HEX #DDB69C

RGB 221 182 156

HSL 24, 0.49%, 0.74%

LAB 76.82, 10.3, 18.52

 

CMYK 0 / 13 / 29 / 13

HEX #DDC19C

RGB 221 193 156

HSL 34.15, 0.49%, 0.74%

LAB 79.56, 4.46, 22.3

 

CMYK 0 / 8 / 29 / 13

HEX #DDCB9C

RGB 221 203 156

HSL 43.38, 0.49%, 0.74%

LAB 82.1, -0.77, 25.76

 

CMYK 0 / 3 / 29 / 13

HEX #DDD69C

RGB 221 214 156

HSL 53.54, 0.49%, 0.74%

LAB 84.93, -6.43, 29.58

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 24 / 29 / 93

HEX #110D0C

RGB 17 13 12

HSL 12, 0.17%, 0.06%

LAB 3.92, 1.2, 0.91

 

CMYK 0 / 22 / 29 / 73

HEX #443530

RGB 68 53 48

HSL 15, 0.17%, 0.23%

LAB 23.63, 5.8, 5.69

 

CMYK 0 / 22 / 29 / 53

HEX #775D54

RGB 119 93 84

HSL 15.43, 0.17%, 0.4%

LAB 41.83, 9.15, 9.21

 

CMYK 0 / 22 / 29 / 33

HEX #AA8478

RGB 170 132 120

HSL 14.4, 0.23%, 0.57%

LAB 58.42, 12.79, 12.07

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 13 / 0 / 29 / 13

HEX #C1DD9C

RGB 193 221 156

HSL 85.85, 0.49%, 0.74%

LAB 84.72, -20.39, 28.93

 

CMYK 29 / 24 / 0 / 13

HEX #9CA7DD

RGB 156 167 221

HSL 229.85, 0.49%, 0.74%

LAB 69.42, 8.32, -28.55

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 29 / 0 / 23 / 13

HEX #9CDDAB

RGB 156 221 171

HSL 133.85, 0.49%, 0.74%

LAB 82.76, -30.55, 18.1

 

CMYK 23 / 29 / 0 / 13

HEX #AB9CDD

RGB 171 156 221

HSL 253.85, 0.49%, 0.74%

LAB 67.77, 18.97, -31

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 13 / 0 / 29 / 13

HEX #C1DD9C

RGB 193 221 156

HSL 85.85, 0.49%, 0.74%

LAB 84.72, -20.39, 28.93

 

CMYK 29 / 7 / 0 / 13

HEX #9CCEDD

RGB 156 206 221

HSL 193.85, 0.49%, 0.74%

LAB 79.86, -12.72, -12.7

 

CMYK 17 / 29 / 0 / 13

HEX #B89CDD

RGB 184 156 221

HSL 265.85, 0.49%, 0.74%

LAB 68.89, 22.96, -29.18

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 22 / 0 / 29 / 13

HEX #ADDD9C

RGB 173 221 156

HSL 104.31, 0.49%, 0.74%

LAB 83.44, -27.46, 27

 

CMYK 29 / 7 / 0 / 13

HEX #9CCEDD

RGB 156 206 221

HSL 193.85, 0.49%, 0.74%

LAB 79.86, -12.72, -12.7

 

CMYK 8 / 29 / 0 / 13

HEX #CB9CDD

RGB 203 156 221

HSL 283.38, 0.49%, 0.74%

LAB 70.66, 28.93, -26.3

 

Description

Color code: HEX #DDAC9C | qconv.com Color code: HEX #DDAC9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 172 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 172 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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