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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD845C it is the complementary color #227BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD845C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DD845C: #E28457, #F3966A, #FFA87D, #FFBA90 and #FFCCA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD845C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DD845C: #DD845C, #CC7249, #BB6036, #AA4E23 and #993C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

Complementary color

CMYK 79 / 25 / 0 / 36

HEX #227BA3

RGB 34 123 163

HSL 198.6, 0.65%, 0.39%

LAB 48.45, -11.53, -28.7

 

CMYK 0 / 42 / 62 / 11

HEX #E28457

RGB 226 132 87

HSL 19.42, 0.71%, 0.61%

LAB 64.45, 32.05, 39.53

 

CMYK 0 / 38 / 56 / 5

HEX #F3966A

RGB 243 150 106

HSL 19.27, 0.85%, 0.68%

LAB 70.81, 30.72, 37.78

 

CMYK 0 / 34 / 51 / 0

HEX #FFA87D

RGB 255 168 125

HSL 19.85, 1%, 0.75%

LAB 76.52, 27.57, 35.3

 

CMYK 0 / 27 / 44 / 0

HEX #FFBA90

RGB 255 186 144

HSL 22.7, 1%, 0.78%

LAB 80.96, 19.95, 31.09

 

CMYK 0 / 20 / 36 / 0

HEX #FFCCA3

RGB 255 204 163

HSL 26.74, 1%, 0.82%

LAB 85.55, 12.62, 27.29

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 0 / 44 / 64 / 20

HEX #CC7249

RGB 204 114 73

HSL 18.78, 0.56%, 0.54%

LAB 57.42, 31.82, 37.86

 

CMYK 0 / 49 / 71 / 27

HEX #BB6036

RGB 187 96 54

HSL 18.95, 0.55%, 0.47%

LAB 50.92, 33.38, 39.86

 

CMYK 0 / 54 / 79 / 33

HEX #AA4E23

RGB 170 78 35

HSL 19.11, 0.66%, 0.4%

LAB 44.4, 35.09, 41.9

 

CMYK 0 / 61 / 90 / 40

HEX #993C10

RGB 153 60 16

HSL 19.27, 0.81%, 0.33%

LAB 37.92, 36.88, 43.51

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 0 / 31 / 59 / 14

HEX #DC975A

RGB 220 151 90

HSL 28.15, 0.65%, 0.61%

LAB 68.08, 19.69, 42.17

 

CMYK 0 / 22 / 59 / 14

HEX #DCAC5A

RGB 220 172 90

HSL 37.85, 0.65%, 0.61%

LAB 73.19, 8.43, 48.2

 

CMYK 0 / 12 / 59 / 14

HEX #DCC25A

RGB 220 194 90

HSL 48, 0.65%, 0.61%

LAB 78.77, -3.13, 54.6

 

CMYK 0 / 2 / 59 / 14

HEX #DCD75A

RGB 220 215 90

HSL 57.69, 0.65%, 0.61%

LAB 84.25, -13.81, 60.7

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 0 / 41 / 59 / 93

HEX #110A07

RGB 17 10 7

HSL 18, 0.42%, 0.05%

LAB 3.18, 1.8, 1.91

 

CMYK 0 / 40 / 59 / 73

HEX #44291C

RGB 68 41 28

HSL 19.5, 0.42%, 0.19%

LAB 19.63, 10.94, 13.71

 

CMYK 0 / 40 / 58 / 53

HEX #774732

RGB 119 71 50

HSL 18.26, 0.41%, 0.33%

LAB 35.32, 18.23, 21.23

 

CMYK 0 / 40 / 58 / 33

HEX #AA6647

RGB 170 102 71

HSL 18.79, 0.41%, 0.47%

LAB 50.1, 24.23, 29

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 30 / 0 / 59 / 14

HEX #9BDC5A

RGB 155 220 90

HSL 90, 0.65%, 0.61%

LAB 81.23, -41.45, 56.11

 

CMYK 59 / 53 / 0 / 14

HEX #5A67DC

RGB 90 103 220

HSL 234, 0.65%, 0.61%

LAB 48.31, 29.72, -61.6

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 59 / 0 / 41 / 14

HEX #5ADC81

RGB 90 220 129

HSL 138, 0.65%, 0.61%

LAB 79.01, -55.38, 34.26

 

CMYK 41 / 59 / 0 / 14

HEX #815ADC

RGB 129 90 220

HSL 258, 0.65%, 0.61%

LAB 48.44, 45.24, -61.23

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 30 / 0 / 59 / 14

HEX #9BDC5A

RGB 155 220 90

HSL 90, 0.65%, 0.61%

LAB 81.23, -41.45, 56.11

 

CMYK 59 / 18 / 0 / 14

HEX #5AB5DC

RGB 90 181 220

HSL 198, 0.65%, 0.61%

LAB 69.75, -15.85, -27.79

 

CMYK 30 / 59 / 0 / 14

HEX #9B5ADC

RGB 155 90 220

HSL 270, 0.65%, 0.61%

LAB 51.21, 51.09, -56.64

 

CMYK 0 / 40 / 58 / 13

HEX #DD845C

RGB 221 132 92

HSL 18.6, 0.65%, 0.61%

LAB 63.87, 30.41, 36.01

 

CMYK 47 / 0 / 59 / 14

HEX #74DC5A

RGB 116 220 90

HSL 108, 0.65%, 0.61%

LAB 79.41, -54.08, 53.55

 

CMYK 59 / 18 / 0 / 14

HEX #5AB5DC

RGB 90 181 220

HSL 198, 0.65%, 0.61%

LAB 69.75, -15.85, -27.79

 

CMYK 12 / 59 / 0 / 14

HEX #C25ADC

RGB 194 90 220

HSL 288, 0.65%, 0.61%

LAB 56.04, 60.48, -48.65

 

Description

Color code: HEX #DD845C | qconv.com Color code: HEX #DD845C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 132 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 132 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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