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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6370 it is the complementary color #229C8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DD6370: #E2636B, #F3757E, #FF8791, #FF99A4 and #FFABB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DD6370: #DD6370, #CC515D, #BB3F4A, #AA2D37 and #991B24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

Complementary color

CMYK 78 / 0 / 8 / 39

HEX #229C8F

RGB 34 156 143

HSL 173.61, 0.64%, 0.37%

LAB 58.13, -35.05, -2.48

 

CMYK 0 / 56 / 53 / 11

HEX #E2636B

RGB 226 99 107

HSL 356.22, 0.69%, 0.64%

LAB 58.18, 50.13, 20.36

 

CMYK 0 / 52 / 48 / 5

HEX #F3757E

RGB 243 117 126

HSL 355.71, 0.84%, 0.71%

LAB 64.39, 49.13, 18.33

 

CMYK 0 / 47 / 43 / 0

HEX #FF8791

RGB 255 135 145

HSL 355, 1%, 0.76%

LAB 69.92, 46.36, 15.53

 

CMYK 0 / 40 / 36 / 0

HEX #FF99A4

RGB 255 153 164

HSL 353.53, 1%, 0.8%

LAB 74.01, 39.34, 10.75

 

CMYK 0 / 33 / 28 / 0

HEX #FFABB7

RGB 255 171 183

HSL 351.43, 1%, 0.84%

LAB 78.35, 32.37, 6.54

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 0 / 60 / 54 / 20

HEX #CC515D

RGB 204 81 93

HSL 354.15, 0.55%, 0.56%

LAB 51.28, 49.74, 18.67

 

CMYK 0 / 66 / 60 / 27

HEX #BB3F4A

RGB 187 63 74

HSL 354.68, 0.5%, 0.49%

LAB 45.1, 50.48, 21.37

 

CMYK 0 / 74 / 68 / 33

HEX #AA2D37

RGB 170 45 55

HSL 355.2, 0.58%, 0.42%

LAB 39.07, 50.86, 24.69

 

CMYK 0 / 82 / 76 / 40

HEX #991B24

RGB 153 27 36

HSL 355.71, 0.7%, 0.35%

LAB 33.31, 50.53, 28.78

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 0 / 52 / 55 / 13

HEX #DD6A64

RGB 221 106 100

HSL 2.98, 0.64%, 0.63%

LAB 58.6, 44.42, 24.81

 

CMYK 0 / 43 / 55 / 13

HEX #DD7E64

RGB 221 126 100

HSL 12.89, 0.64%, 0.63%

LAB 62.69, 34.21, 30.14

 

CMYK 0 / 34 / 55 / 13

HEX #DD9264

RGB 221 146 100

HSL 22.81, 0.64%, 0.63%

LAB 67.16, 23.57, 35.83

 

CMYK 0 / 25 / 55 / 13

HEX #DDA664

RGB 221 166 100

HSL 32.73, 0.64%, 0.63%

LAB 71.94, 12.83, 41.74

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 0 / 53 / 47 / 93

HEX #110809

RGB 17 8 9

HSL 353.33, 0.36%, 0.05%

LAB 2.82, 2.88, 0.59

 

CMYK 0 / 56 / 50 / 73

HEX #441E22

RGB 68 30 34

HSL 353.68, 0.39%, 0.19%

LAB 16.86, 18.75, 5.83

 

CMYK 0 / 55 / 50 / 53

HEX #77353C

RGB 119 53 60

HSL 353.64, 0.38%, 0.34%

LAB 31.33, 29.6, 9.63

 

CMYK 0 / 55 / 49 / 33

HEX #AA4C56

RGB 170 76 86

HSL 353.62, 0.38%, 0.48%

LAB 44.78, 39.52, 13.13

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 5 / 0 / 55 / 13

HEX #D2DD64

RGB 210 221 100

HSL 65.45, 0.64%, 0.63%

LAB 85.17, -20.08, 57.11

 

CMYK 55 / 27 / 0 / 13

HEX #64A2DD

RGB 100 162 221

HSL 209.26, 0.64%, 0.63%

LAB 64.78, -3.18, -35.99

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 48 / 0 / 55 / 13

HEX #72DD64

RGB 114 221 100

HSL 113.06, 0.64%, 0.63%

LAB 79.73, -53.93, 49.4

 

CMYK 55 / 48 / 0 / 13

HEX #6472DD

RGB 100 114 221

HSL 233.06, 0.64%, 0.63%

LAB 51.8, 25.22, -56.52

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 5 / 0 / 55 / 13

HEX #D2DD64

RGB 210 221 100

HSL 65.45, 0.64%, 0.63%

LAB 85.17, -20.08, 57.11

 

CMYK 55 / 0 / 7 / 13

HEX #64DDCE

RGB 100 221 206

HSL 172.56, 0.64%, 0.63%

LAB 81.22, -37.47, -2.93

 

CMYK 50 / 55 / 0 / 13

HEX #6E64DD

RGB 110 100 221

HSL 244.96, 0.64%, 0.63%

LAB 49.07, 35.73, -60.87

 

CMYK 0 / 55 / 49 / 13

HEX #DD6370

RGB 221 99 112

HSL 353.61, 0.64%, 0.63%

LAB 57.53, 48.83, 16.43

 

CMYK 21 / 0 / 55 / 13

HEX #AEDD64

RGB 174 221 100

HSL 83.31, 0.64%, 0.63%

LAB 82.72, -34.05, 53.65

 

CMYK 55 / 0 / 7 / 13

HEX #64DDCE

RGB 100 221 206

HSL 172.56, 0.64%, 0.63%

LAB 81.22, -37.47, -2.93

 

CMYK 34 / 55 / 0 / 13

HEX #9264DD

RGB 146 100 221

HSL 262.81, 0.64%, 0.63%

LAB 52.34, 43.83, -55.45

 

Description

Color code: HEX #DD6370 | qconv.com Color code: HEX #DD6370 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 99 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 99 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 49 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 49% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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