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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6493 it is the complementary color #229B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD6493 shade: #E2648E, #F376A1, #FF88B4, #FF9AC7 and #FFACDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD6493 shade: #DD6493, #CC5280, #BB406D, #AA2E5A and #991C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD6493 shade: #DD6493, #DD6473 and #DD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD6493 shade: #DD6493, #DD64B4, #DD64D4, #C564DD and #A564DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD6493 shade matches the following richer shades: #DD6493, #EC5590 and #FC468C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD6493 shade: #DD6493, #CE7497, #BF839A, #AF929D and #A0A1A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD6493 shade: #DD64D5, #DD64B5, #DD6495, #DD6474 and #DD7464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD6493 shade: #C42B66, #D6427C, #DD6493, #E486AB and #ECA8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD6493 shade: #DD6493, #DDC564 and #64C5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD6493 shade: #DD6493, #95DD64 and #6495DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD6493 shade: #DD6493, #DDC564, #64DDAD and #647CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD6493 shade: #DD6493, #D1DD64, #64DDAD and #7064DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

Complementary color

CMYK 78 / 0 / 30 / 39

HEX #229B6C

RGB 34 155 108

HSL 156.69, 0.64%, 0.37%

LAB 56.94, -43.69, 15.61

 

CMYK 0 / 56 / 37 / 11

HEX #E2648E

RGB 226 100 142

HSL 340, 0.68%, 0.64%

LAB 59.19, 53.08, 1.41

 

CMYK 0 / 51 / 34 / 5

HEX #F376A1

RGB 243 118 161

HSL 339.36, 0.84%, 0.71%

LAB 65.42, 52.32, -0.13

 

CMYK 0 / 47 / 29 / 0

HEX #FF88B4

RGB 255 136 180

HSL 337.82, 1%, 0.77%

LAB 70.98, 49.86, -2.5

 

CMYK 0 / 40 / 22 / 0

HEX #FF9AC7

RGB 255 154 199

HSL 333.27, 1%, 0.8%

LAB 75.14, 43.36, -6.9

 

CMYK 0 / 33 / 15 / 0

HEX #FFACDA

RGB 255 172 218

HSL 326.75, 1%, 0.84%

LAB 79.52, 36.9, -10.75

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 60 / 37 / 20

HEX #CC5280

RGB 204 82 128

HSL 337.38, 0.54%, 0.56%

LAB 52.32, 52.68, -0.78

 

CMYK 0 / 66 / 42 / 27

HEX #BB406D

RGB 187 64 109

HSL 338.05, 0.49%, 0.49%

LAB 46.09, 53.1, 1.28

 

CMYK 0 / 73 / 47 / 33

HEX #AA2E5A

RGB 170 46 90

HSL 338.71, 0.57%, 0.42%

LAB 39.98, 53.1, 3.88

 

CMYK 0 / 82 / 54 / 40

HEX #991C47

RGB 153 28 71

HSL 339.36, 0.69%, 0.35%

LAB 34.1, 52.36, 7.26

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 55 / 48 / 13

HEX #DD6473

RGB 221 100 115

HSL 352.56, 0.64%, 0.63%

LAB 57.77, 48.63, 15.02

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 55 / 4 / 13

HEX #DD64D4

RGB 221 100 212

HSL 304.46, 0.64%, 0.63%

LAB 60.99, 61.43, -36.08

 

CMYK 11 / 55 / 0 / 13

HEX #C564DD

RGB 197 100 221

HSL 288.1, 0.64%, 0.63%

LAB 58.23, 56.7, -45.71

 

CMYK 25 / 55 / 0 / 13

HEX #A564DD

RGB 165 100 221

HSL 272.23, 0.64%, 0.63%

LAB 54.38, 48.51, -52.06

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 64 / 39 / 7

HEX #EC5590

RGB 236 85 144

HSL 336.56, 0.8%, 0.63%

LAB 58.36, 62.94, -0.78

 

CMYK 0 / 72 / 44 / 1

HEX #FC468C

RGB 252 70 140

HSL 336.92, 0.97%, 0.63%

LAB 58.95, 72.54, 2.74

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 44 / 27 / 19

HEX #CE7497

RGB 206 116 151

HSL 336.67, 0.48%, 0.63%

LAB 59.75, 39.51, -3.31

 

CMYK 0 / 31 / 19 / 25

HEX #BF839A

RGB 191 131 154

HSL 337, 0.32%, 0.63%

LAB 61.34, 26.48, -2.9

 

CMYK 0 / 17 / 10 / 31

HEX #AF929D

RGB 175 146 157

HSL 337.24, 0.15%, 0.63%

LAB 63.43, 12.72, -1.73

 

CMYK 1 / 0 / 0 / 37

HEX #A0A1A1

RGB 160 161 161

HSL 180, 0.01%, 0.63%

LAB 66.16, -0.35, -0.13

 

CMYK 0 / 55 / 4 / 13

HEX #DD64D5

RGB 221 100 213

HSL 303.97, 0.64%, 0.63%

LAB 61.04, 61.6, -36.57

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 55 / 33 / 13

HEX #DD6495

RGB 221 100 149

HSL 335.7, 0.64%, 0.63%

LAB 58.65, 52.28, -3.53

 

CMYK 0 / 55 / 48 / 13

HEX #DD6474

RGB 221 100 116

HSL 352.07, 0.64%, 0.63%

LAB 57.8, 48.72, 14.47

 

CMYK 0 / 48 / 55 / 13

HEX #DD7464

RGB 221 116 100

HSL 7.93, 0.64%, 0.63%

LAB 60.59, 39.39, 27.42

 

CMYK 0 / 78 / 48 / 23

HEX #C42B66

RGB 196 43 102

HSL 336.86, 0.64%, 0.47%

LAB 44.83, 62.48, 3.98

 

CMYK 0 / 69 / 42 / 16

HEX #D6427C

RGB 214 66 124

HSL 336.49, 0.64%, 0.55%

LAB 51.44, 61.87, 0.52

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 41 / 25 / 11

HEX #E486AB

RGB 228 134 171

HSL 336.38, 0.64%, 0.71%

LAB 66.89, 40.54, -3.88

 

CMYK 0 / 29 / 18 / 7

HEX #ECA8C2

RGB 236 168 194

HSL 337.06, 0.64%, 0.79%

LAB 75.91, 28.76, -3.26

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 11 / 55 / 13

HEX #DDC564

RGB 221 197 100

HSL 48.1, 0.64%, 0.63%

LAB 79.74, -3.52, 51.07

 

CMYK 55 / 11 / 0 / 13

HEX #64C5DD

RGB 100 197 221

HSL 191.9, 0.64%, 0.63%

LAB 74.74, -21.89, -20.68

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 33 / 0 / 55 / 13

HEX #95DD64

RGB 149 221 100

HSL 95.7, 0.64%, 0.63%

LAB 81.3, -43.01, 51.64

 

CMYK 55 / 33 / 0 / 13

HEX #6495DD

RGB 100 149 221

HSL 215.7, 0.64%, 0.63%

LAB 61.15, 4.25, -41.66

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 11 / 55 / 13

HEX #DDC564

RGB 221 197 100

HSL 48.1, 0.64%, 0.63%

LAB 79.74, -3.52, 51.07

 

CMYK 55 / 0 / 22 / 13

HEX #64DDAD

RGB 100 221 173

HSL 156.2, 0.64%, 0.63%

LAB 80.43, -45.18, 13.42

 

CMYK 55 / 44 / 0 / 13

HEX #647CDD

RGB 100 124 221

HSL 228.1, 0.64%, 0.63%

LAB 54.39, 19.13, -52.37

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 5 / 0 / 55 / 13

HEX #D1DD64

RGB 209 221 100

HSL 65.95, 0.64%, 0.63%

LAB 85.09, -20.48, 57

 

CMYK 55 / 0 / 22 / 13

HEX #64DDAD

RGB 100 221 173

HSL 156.2, 0.64%, 0.63%

LAB 80.43, -45.18, 13.42

 

CMYK 49 / 55 / 0 / 13

HEX #7064DD

RGB 112 100 221

HSL 245.95, 0.64%, 0.63%

LAB 49.23, 36.15, -60.61

 

Description

Color code: HEX #DD6493 | qconv.com Color code: HEX #DD6493 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 100 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 100 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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