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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD45EC it is the complementary color #22BA13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD45EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD45EC shade: #E245E7, #F357FA, #FF69FF, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD45EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD45EC shade: #DD45EC, #CC33D9, #BB21C6, #AA0FB3 and #9900A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD45EC shade: #DD46EC, #EC46CE, #EC46A1, #EC4675 and #EC4648

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD45EC shade: #DD46EC, #B046EC, #8446EC, #5746EC and #4646EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD45EC shade matches the following richer shades: #DD46EC and #EA36FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD45EC shade: #DD46EC, #CF57DB, #C267CB, #B478BA and #A788AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD45EC shade: #8346EC, #AF46EC, #DB46EC, #EC46D0 and #EC46A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD45EC shade: #BA15CA, #D621E8, #DD46EC, #E46CF0 and #EB91F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD45EC shade: #DD45EC, #EC5746 and #46EC99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD45EC shade: #DD45EC, #ECDB46 and #46ECDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD45EC shade: #DD45EC, #EC5746, #57EC46 and #46DBEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD45EC shade: #DD45EC, #EC8846, #57EC46 and #46AAEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

Complementary color

CMYK 82 / 0 / 90 / 27

HEX #22BA13

RGB 34 186 19

HSL 114.61, 0.81%, 0.4%

LAB 66.14, -65.14, 63.44

 

CMYK 2 / 70 / 0 / 9

HEX #E245E7

RGB 226 69 231

HSL 298.15, 0.77%, 0.59%

LAB 58.22, 78.02, -51.09

 

CMYK 3 / 65 / 0 / 2

HEX #F357FA

RGB 243 87 250

HSL 297.42, 0.94%, 0.66%

LAB 63.98, 78.46, -52.36

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

CMYK 6 / 76 / 0 / 15

HEX #CC33D9

RGB 204 51 217

HSL 295.3, 0.69%, 0.53%

LAB 52.08, 76.86, -53.17

 

CMYK 6 / 83 / 0 / 22

HEX #BB21C6

RGB 187 33 198

HSL 296, 0.71%, 0.45%

LAB 46.62, 75.12, -51.14

 

CMYK 5 / 92 / 0 / 30

HEX #AA0FB3

RGB 170 15 179

HSL 296.71, 0.85%, 0.38%

LAB 41.44, 72.27, -48.47

 

CMYK 4 / 100 / 0 / 37

HEX #9900A0

RGB 153 0 160

HSL 297.38, 1%, 0.31%

LAB 36.58, 68.19, -45.08

 

CMYK 6 / 70 / 0 / 7

HEX #DD46EC

RGB 221 70 236

HSL 294.58, 0.81%, 0.6%

LAB 57.85, 77.47, -54.52

 

CMYK 0 / 70 / 13 / 7

HEX #EC46CE

RGB 236 70 206

HSL 310.84, 0.81%, 0.6%

LAB 58.67, 76.12, -36.15

 

CMYK 0 / 70 / 32 / 7

HEX #EC46A1

RGB 236 70 161

HSL 327.11, 0.81%, 0.6%

LAB 56.87, 70.4, -12.95

 

CMYK 0 / 70 / 50 / 7

HEX #EC4675

RGB 236 70 117

HSL 343.01, 0.81%, 0.6%

LAB 55.58, 66.13, 11.15

 

CMYK 0 / 70 / 69 / 7

HEX #EC4648

RGB 236 70 72

HSL 359.28, 0.81%, 0.6%

LAB 54.74, 63.26, 36.46

 

CMYK 6 / 70 / 0 / 7

HEX #DD46EC

RGB 221 70 236

HSL 294.58, 0.81%, 0.6%

LAB 57.85, 77.47, -54.52

 

CMYK 25 / 70 / 0 / 7

HEX #B046EC

RGB 176 70 236

HSL 278.31, 0.81%, 0.6%

LAB 51.46, 68.41, -65.13

 

CMYK 44 / 70 / 0 / 7

HEX #8446EC

RGB 132 70 236

HSL 262.41, 0.81%, 0.6%

LAB 46.1, 60.39, -74.08

 

CMYK 63 / 70 / 0 / 7

HEX #5746EC

RGB 87 70 236

HSL 246.14, 0.81%, 0.6%

LAB 41.94, 53.77, -81.05

 

CMYK 70 / 70 / 0 / 7

HEX #4646EC

RGB 70 70 236

HSL 240, 0.81%, 0.6%

LAB 40.8, 51.86, -82.98

 

CMYK 6 / 70 / 0 / 7

HEX #DD46EC

RGB 221 70 236

HSL 294.58, 0.81%, 0.6%

LAB 57.85, 77.47, -54.52

 

CMYK 7 / 79 / 0 / 1

HEX #EA36FC

RGB 234 54 252

HSL 294.55, 0.97%, 0.6%

LAB 59.12, 87.28, -61.29

 

CMYK 6 / 70 / 0 / 7

HEX #DD46EC

RGB 221 70 236

HSL 294.58, 0.81%, 0.6%

LAB 57.85, 77.47, -54.52

 

CMYK 5 / 60 / 0 / 14

HEX #CF57DB

RGB 207 87 219

HSL 294.55, 0.65%, 0.6%

LAB 57.27, 64.81, -46.02

 

CMYK 4 / 49 / 0 / 20

HEX #C267CB

RGB 194 103 203

HSL 294.6, 0.49%, 0.6%

LAB 57.54, 50.96, -36.64

 

CMYK 3 / 35 / 0 / 27

HEX #B478BA

RGB 180 120 186

HSL 294.55, 0.32%, 0.6%

LAB 58.68, 34.44, -25.33

 

CMYK 2 / 20 / 0 / 33

HEX #A788AA

RGB 167 136 170

HSL 294.71, 0.17%, 0.6%

LAB 60.54, 17.91, -13.5

 

CMYK 44 / 70 / 0 / 7

HEX #8346EC

RGB 131 70 236

HSL 262.05, 0.81%, 0.6%

LAB 45.99, 60.22, -74.26

 

CMYK 26 / 70 / 0 / 7

HEX #AF46EC

RGB 175 70 236

HSL 277.95, 0.81%, 0.6%

LAB 51.33, 68.22, -65.35

 

CMYK 7 / 70 / 0 / 7

HEX #DB46EC

RGB 219 70 236

HSL 293.86, 0.81%, 0.6%

LAB 57.56, 77.05, -55.01

 

CMYK 0 / 70 / 12 / 7

HEX #EC46D0

RGB 236 70 208

HSL 310.12, 0.81%, 0.6%

LAB 58.76, 76.4, -37.15

 

CMYK 0 / 70 / 31 / 7

HEX #EC46A4

RGB 236 70 164

HSL 326.02, 0.81%, 0.6%

LAB 56.97, 70.74, -14.55

 

CMYK 8 / 90 / 0 / 21

HEX #BA15CA

RGB 186 21 202

HSL 294.7, 0.81%, 0.44%

LAB 45.96, 77.76, -54.53

 

CMYK 8 / 86 / 0 / 9

HEX #D621E8

RGB 214 33 232

HSL 294.57, 0.81%, 0.52%

LAB 53.18, 85.18, -59.82

 

CMYK 6 / 70 / 0 / 7

HEX #DD46EC

RGB 221 70 236

HSL 294.58, 0.81%, 0.6%

LAB 57.85, 77.47, -54.52

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 3 / 40 / 0 / 5

HEX #EB91F3

RGB 235 145 243

HSL 295.1, 0.8%, 0.76%

LAB 72.48, 48.86, -35.26

 

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

CMYK 0 / 63 / 70 / 7

HEX #EC5746

RGB 236 87 70

HSL 6.14, 0.81%, 0.6%

LAB 57.16, 56.52, 40.41

 

CMYK 70 / 0 / 35 / 7

HEX #46EC99

RGB 70 236 153

HSL 150, 0.81%, 0.6%

LAB 83.75, -60.76, 28.28

 

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

CMYK 0 / 7 / 70 / 7

HEX #ECDB46

RGB 236 219 70

HSL 53.86, 0.81%, 0.6%

LAB 86.47, -10.34, 71.39

 

CMYK 70 / 0 / 7 / 7

HEX #46ECDB

RGB 70 236 219

HSL 173.86, 0.81%, 0.6%

LAB 85.2, -45.64, -4.04

 

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

CMYK 0 / 63 / 70 / 7

HEX #EC5746

RGB 236 87 70

HSL 6.14, 0.81%, 0.6%

LAB 57.16, 56.52, 40.41

 

CMYK 63 / 0 / 70 / 7

HEX #57EC46

RGB 87 236 70

HSL 113.86, 0.81%, 0.6%

LAB 83.16, -68.91, 65.41

 

CMYK 70 / 7 / 0 / 7

HEX #46DBEC

RGB 70 219 236

HSL 186.14, 0.81%, 0.6%

LAB 80.75, -33.2, -19.69

 

CMYK 6 / 71 / 0 / 7

HEX #DD45EC

RGB 221 69 236

HSL 294.61, 0.81%, 0.6%

LAB 57.74, 77.8, -54.71

 

CMYK 0 / 42 / 70 / 7

HEX #EC8846

RGB 236 136 70

HSL 23.86, 0.81%, 0.6%

LAB 66.43, 32.95, 50.77

 

CMYK 63 / 0 / 70 / 7

HEX #57EC46

RGB 87 236 70

HSL 113.86, 0.81%, 0.6%

LAB 83.16, -68.91, 65.41

 

CMYK 70 / 28 / 0 / 7

HEX #46AAEC

RGB 70 170 236

HSL 203.86, 0.81%, 0.6%

LAB 66.6, -8.06, -41.48

 

Description

Color code: HEX #DD45EC | qconv.com Color code: HEX #DD45EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 69 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 69 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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