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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD32D3 it is the complementary color #22CD2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD32D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD32D3 shade: #E232CE, #F344E1, #FF56F4, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD32D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD32D3 shade: #DD32D3, #CC20C0, #BB0EAD, #AA009A and #990087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD32D3 shade: #DD31D3, #DD31A5, #DD3176, #DD3148 and #DD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD32D3 shade: #DD31D3, #B931DD, #8A31DD, #5C31DD and #3131DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD32D3 shade matches the following richer shades: #DD31D3 and #F11DE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD32D3 shade: #DD31D3, #CA44C2, #B758B1, #A36BA0 and #907E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD32D3 shade: #8A31DD, #B831DD, #DD31D5, #DD31A7 and #DD3179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD32D3 shade: #A11A9A, #C520BB, #DD31D3, #E354DB and #E978E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD32D3 shade: #DD32D3, #DD5C31 and #31DDA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD32D3 shade: #DD32D3, #D5DD31 and #31D5DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD32D3 shade: #DD32D3, #DD5C31, #31DD39 and #31B2DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD32D3 shade: #DD32D3, #DD9031, #31DD39 and #317FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

Complementary color

CMYK 83 / 0 / 79 / 20

HEX #22CD2C

RGB 34 205 44

HSL 123.51, 0.72%, 0.47%

LAB 72.35, -69.49, 63

 

CMYK 0 / 78 / 9 / 11

HEX #E232CE

RGB 226 50 206

HSL 306.82, 0.75%, 0.54%

LAB 54.98, 79.82, -42.06

 

CMYK 0 / 72 / 7 / 5

HEX #F344E1

RGB 243 68 225

HSL 306.17, 0.88%, 0.61%

LAB 60.45, 81.03, -44.02

 

CMYK 0 / 66 / 4 / 0

HEX #FF56F4

RGB 255 86 244

HSL 303.91, 1%, 0.67%

LAB 65.32, 80.54, -46.82

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

CMYK 0 / 84 / 6 / 20

HEX #CC20C0

RGB 204 32 192

HSL 304.19, 0.73%, 0.46%

LAB 49.1, 77.55, -43.52

 

CMYK 0 / 93 / 7 / 27

HEX #BB0EAD

RGB 187 14 173

HSL 304.86, 0.86%, 0.39%

LAB 44.08, 74.48, -40.52

 

CMYK 0 / 100 / 9 / 33

HEX #AA009A

RGB 170 0 154

HSL 305.65, 1%, 0.33%

LAB 39.38, 70.2, -36.79

 

CMYK 0 / 100 / 12 / 40

HEX #990087

RGB 153 0 135

HSL 307.06, 1%, 0.3%

LAB 35.05, 64.48, -32.2

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 0 / 78 / 25 / 13

HEX #DD31A5

RGB 221 49 165

HSL 319.53, 0.72%, 0.53%

LAB 52.16, 73.61, -22.71

 

CMYK 0 / 78 / 47 / 13

HEX #DD3176

RGB 221 49 118

HSL 335.93, 0.72%, 0.53%

LAB 50.54, 68.76, 3

 

CMYK 0 / 78 / 67 / 13

HEX #DD3148

RGB 221 49 72

HSL 351.98, 0.72%, 0.53%

LAB 49.54, 65.65, 29.51

 

CMYK 0 / 78 / 78 / 13

HEX #DD3131

RGB 221 49 49

HSL 0, 0.72%, 0.53%

LAB 49.24, 64.7, 42.42

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 16 / 78 / 0 / 13

HEX #B931DD

RGB 185 49 221

HSL 287.44, 0.72%, 0.53%

LAB 49.17, 74.58, -60.28

 

CMYK 38 / 78 / 0 / 13

HEX #8A31DD

RGB 138 49 221

HSL 271.05, 0.72%, 0.53%

LAB 42.49, 66.66, -71.42

 

CMYK 58 / 78 / 0 / 13

HEX #5C31DD

RGB 92 49 221

HSL 255, 0.72%, 0.53%

LAB 37.28, 60.42, -80.17

 

CMYK 78 / 78 / 0 / 13

HEX #3131DD

RGB 49 49 221

HSL 240, 0.72%, 0.53%

LAB 34.13, 56.61, -85.49

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 0 / 88 / 5 / 5

HEX #F11DE4

RGB 241 29 228

HSL 303.68, 0.88%, 0.53%

LAB 57.25, 89.81, -50.79

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 0 / 66 / 4 / 21

HEX #CA44C2

RGB 202 68 194

HSL 303.58, 0.56%, 0.53%

LAB 52.49, 67.08, -39.34

 

CMYK 0 / 52 / 3 / 28

HEX #B758B1

RGB 183 88 177

HSL 303.79, 0.4%, 0.53%

LAB 52.09, 50.53, -30.32

 

CMYK 0 / 34 / 2 / 36

HEX #A36BA0

RGB 163 107 160

HSL 303.21, 0.23%, 0.53%

LAB 52.77, 31.05, -19.56

 

CMYK 0 / 13 / 1 / 44

HEX #907E8F

RGB 144 126 143

HSL 303.33, 0.08%, 0.53%

LAB 54.9, 10.07, -6.63

 

CMYK 38 / 78 / 0 / 13

HEX #8A31DD

RGB 138 49 221

HSL 271.05, 0.72%, 0.53%

LAB 42.49, 66.66, -71.42

 

CMYK 17 / 78 / 0 / 13

HEX #B831DD

RGB 184 49 221

HSL 287.09, 0.72%, 0.53%

LAB 49.02, 74.4, -60.53

 

CMYK 0 / 78 / 4 / 13

HEX #DD31D5

RGB 221 49 213

HSL 302.79, 0.72%, 0.53%

LAB 54.42, 80.08, -46.99

 

CMYK 0 / 78 / 24 / 13

HEX #DD31A7

RGB 221 49 167

HSL 318.84, 0.72%, 0.53%

LAB 52.24, 73.85, -23.76

 

CMYK 0 / 78 / 45 / 13

HEX #DD3179

RGB 221 49 121

HSL 334.88, 0.72%, 0.53%

LAB 50.63, 69.02, 1.31

 

CMYK 0 / 84 / 4 / 37

HEX #A11A9A

RGB 161 26 154

HSL 303.11, 0.72%, 0.37%

LAB 38.98, 64.8, -37.51

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 0 / 63 / 4 / 11

HEX #E354DB

RGB 227 84 219

HSL 303.36, 0.72%, 0.61%

LAB 59.69, 70.89, -42

 

CMYK 0 / 48 / 3 / 9

HEX #E978E2

RGB 233 120 226

HSL 303.72, 0.72%, 0.69%

LAB 66.71, 57.74, -34.89

 

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

CMYK 0 / 58 / 78 / 13

HEX #DD5C31

RGB 221 92 49

HSL 15, 0.72%, 0.53%

LAB 55.33, 48.19, 48.64

 

CMYK 78 / 0 / 27 / 13

HEX #31DDA1

RGB 49 221 161

HSL 159.07, 0.72%, 0.53%

LAB 79.01, -56.12, 17.58

 

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

CMYK 4 / 0 / 78 / 13

HEX #D5DD31

RGB 213 221 49

HSL 62.79, 0.72%, 0.53%

LAB 85.04, -21.77, 76.17

 

CMYK 78 / 4 / 0 / 13

HEX #31D5DD

RGB 49 213 221

HSL 182.79, 0.72%, 0.53%

LAB 78.15, -37.1, -15.65

 

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

CMYK 0 / 58 / 78 / 13

HEX #DD5C31

RGB 221 92 49

HSL 15, 0.72%, 0.53%

LAB 55.33, 48.19, 48.64

 

CMYK 78 / 0 / 74 / 13

HEX #31DD39

RGB 49 221 57

HSL 122.79, 0.72%, 0.53%

LAB 77.67, -71.63, 64.13

 

CMYK 78 / 19 / 0 / 13

HEX #31B2DD

RGB 49 178 221

HSL 195, 0.72%, 0.53%

LAB 67.81, -19.92, -31.42

 

CMYK 0 / 77 / 5 / 13

HEX #DD32D3

RGB 221 50 211

HSL 303.51, 0.72%, 0.53%

LAB 54.4, 79.53, -45.88

 

CMYK 0 / 35 / 78 / 13

HEX #DD9031

RGB 221 144 49

HSL 33.14, 0.72%, 0.53%

LAB 66.17, 21.6, 59.18

 

CMYK 78 / 0 / 74 / 13

HEX #31DD39

RGB 49 221 57

HSL 122.79, 0.72%, 0.53%

LAB 77.67, -71.63, 64.13

 

CMYK 78 / 43 / 0 / 13

HEX #317FDD

RGB 49 127 221

HSL 212.79, 0.72%, 0.53%

LAB 53.01, 9.12, -54.71

 

Description

Color code: HEX #DD32D3 | qconv.com Color code: HEX #DD32D3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 50 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 50 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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