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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 32 187 it is the complementary color RGB 58 223 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 32 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 32 187 shade: RGB 202 32 182, RGB 219 50 201, RGB 236 68 220, RGB 253 86 239 and RGB 255 104 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 32 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 180 14 168, RGB 163 0 149, RGB 146 0 130 and RGB 129 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 197 32 142, RGB 197 32 98, RGB 197 32 53 and RGB 197 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 162 32 197, RGB 118 32 197, RGB 73 32 197 and RGB 32 32 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 32 187 shade matches the following richer shades: RGB 197 32 187 and RGB 215 13 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 178 50 171, RGB 160 69 154, RGB 141 87 138 and RGB 123 106 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 32 187 shade: RGB 117 32 197, RGB 161 32 197, RGB 197 32 189, RGB 197 32 145 and RGB 197 32 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 32 187 shade: RGB 126 20 119, RGB 161 26 153, RGB 197 32 187, RGB 221 49 211 and RGB 227 84 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 197 73 32 and RGB 32 197 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 189 197 32 and RGB 32 189 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 197 73 32, RGB 32 197 40 and RGB 32 156 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 32 187 shade: RGB 197 32 187, RGB 197 123 32, RGB 32 197 40 and RGB 32 106 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

Complementary color

CMYK 74 / 0 / 70 / 13

HEX #3ADF44

RGB 58 223 68

HSL 123.64, 0.72%, 0.55%

LAB 78.52, -70.11, 61.13

 

CMYK 0 / 84 / 10 / 21

HEX #CA20B6

RGB 202 32 182

HSL 307.06, 0.73%, 0.46%

LAB 48.22, 75.74, -39.1

 

CMYK 0 / 77 / 8 / 14

HEX #DB32C9

RGB 219 50 201

HSL 306.39, 0.7%, 0.53%

LAB 53.56, 77.67, -41.51

 

CMYK 0 / 71 / 7 / 7

HEX #EC44DC

RGB 236 68 220

HSL 305.71, 0.82%, 0.6%

LAB 59.1, 78.79, -43.41

 

CMYK 0 / 66 / 6 / 1

HEX #FD56EF

RGB 253 86 239

HSL 305.03, 0.98%, 0.66%

LAB 64.78, 79.33, -44.91

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 92 / 7 / 29

HEX #B40EA8

RGB 180 14 168

HSL 304.34, 0.86%, 0.38%

LAB 42.53, 72.5, -40.09

 

CMYK 0 / 100 / 9 / 36

HEX #A30095

RGB 163 0 149

HSL 305.15, 1%, 0.32%

LAB 37.76, 68.25, -36.39

 

CMYK 0 / 100 / 11 / 43

HEX #920082

RGB 146 0 130

HSL 306.58, 1%, 0.29%

LAB 33.4, 62.48, -31.78

 

CMYK 0 / 100 / 14 / 49

HEX #81006F

RGB 129 0 111

HSL 308.37, 1%, 0.25%

LAB 28.94, 56.58, -27.02

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 84 / 28 / 23

HEX #C5208E

RGB 197 32 142

HSL 320, 0.72%, 0.45%

LAB 45.44, 69.55, -19.66

 

CMYK 0 / 84 / 50 / 23

HEX #C52062

RGB 197 32 98

HSL 336, 0.72%, 0.45%

LAB 43.92, 65.23, 5.19

 

CMYK 0 / 84 / 73 / 23

HEX #C52035

RGB 197 32 53

HSL 352.36, 0.72%, 0.45%

LAB 43, 62.51, 31.9

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 18 / 84 / 0 / 23

HEX #A220C5

RGB 162 32 197

HSL 287.27, 0.72%, 0.45%

LAB 42.38, 70.83, -57.6

 

CMYK 40 / 84 / 0 / 23

HEX #7620C5

RGB 118 32 197

HSL 271.27, 0.72%, 0.45%

LAB 35.82, 64.11, -68.56

 

CMYK 63 / 84 / 0 / 23

HEX #4920C5

RGB 73 32 197

HSL 254.91, 0.72%, 0.45%

LAB 30.59, 59.02, -77.36

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCB

RGB 215 13 203

HSL 303.56, 0.89%, 0.45%

LAB 50.74, 83.7, -47.17

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 72 / 4 / 30

HEX #B232AB

RGB 178 50 171

HSL 303.28, 0.56%, 0.45%

LAB 45.2, 64.28, -37.66

 

CMYK 0 / 57 / 4 / 37

HEX #A0459A

RGB 160 69 154

HSL 303.96, 0.4%, 0.45%

LAB 44.32, 49.1, -29.11

 

CMYK 0 / 38 / 2 / 45

HEX #8D578A

RGB 141 87 138

HSL 303.33, 0.24%, 0.45%

LAB 44.68, 30.7, -19.15

 

CMYK 0 / 14 / 1 / 52

HEX #7B6A7A

RGB 123 106 122

HSL 303.53, 0.07%, 0.45%

LAB 46.87, 9.79, -6.41

 

CMYK 41 / 84 / 0 / 23

HEX #7520C5

RGB 117 32 197

HSL 270.91, 0.72%, 0.45%

LAB 35.69, 63.98, -68.79

 

CMYK 18 / 84 / 0 / 23

HEX #A120C5

RGB 161 32 197

HSL 286.91, 0.72%, 0.45%

LAB 42.22, 70.67, -57.87

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 0 / 84 / 26 / 23

HEX #C52091

RGB 197 32 145

HSL 318.91, 0.72%, 0.45%

LAB 45.56, 69.9, -21.29

 

CMYK 0 / 84 / 49 / 23

HEX #C52064

RGB 197 32 100

HSL 335.27, 0.72%, 0.45%

LAB 43.98, 65.39, 4.02

 

CMYK 0 / 84 / 6 / 51

HEX #7E1477

RGB 126 20 119

HSL 303.96, 0.73%, 0.29%

LAB 30.08, 53.5, -30.36

 

CMYK 0 / 84 / 5 / 37

HEX #A11A99

RGB 161 26 153

HSL 303.56, 0.72%, 0.37%

LAB 38.93, 64.64, -37

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 78 / 5 / 13

HEX #DD31D3

RGB 221 49 211

HSL 303.49, 0.72%, 0.53%

LAB 54.31, 79.79, -46.02

 

CMYK 0 / 63 / 4 / 11

HEX #E354DA

RGB 227 84 218

HSL 303.78, 0.72%, 0.61%

LAB 59.65, 70.73, -41.51

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 63 / 84 / 23

HEX #C54920

RGB 197 73 32

HSL 14.91, 0.72%, 0.45%

LAB 47.93, 47.63, 48.22

 

CMYK 84 / 0 / 29 / 23

HEX #20C58B

RGB 32 197 139

HSL 158.91, 0.72%, 0.45%

LAB 70.94, -53.45, 18.01

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 4 / 0 / 84 / 23

HEX #BDC520

RGB 189 197 32

HSL 62.91, 0.72%, 0.45%

LAB 76.59, -20.66, 72.49

 

CMYK 84 / 4 / 0 / 23

HEX #20BDC5

RGB 32 189 197

HSL 182.91, 0.72%, 0.45%

LAB 69.99, -34.53, -14.95

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 63 / 84 / 23

HEX #C54920

RGB 197 73 32

HSL 14.91, 0.72%, 0.45%

LAB 47.93, 47.63, 48.22

 

CMYK 84 / 0 / 80 / 23

HEX #20C528

RGB 32 197 40

HSL 122.91, 0.72%, 0.45%

LAB 69.75, -67.6, 61.7

 

CMYK 84 / 21 / 0 / 23

HEX #209CC5

RGB 32 156 197

HSL 194.91, 0.72%, 0.45%

LAB 59.99, -17.97, -30.22

 

CMYK 0 / 84 / 5 / 23

HEX #C520BB

RGB 197 32 187

HSL 303.64, 0.72%, 0.45%

LAB 47.61, 75.49, -43.05

 

CMYK 0 / 38 / 84 / 23

HEX #C57B20

RGB 197 123 32

HSL 33.09, 0.72%, 0.45%

LAB 58.17, 22.13, 57.17

 

CMYK 84 / 0 / 80 / 23

HEX #20C528

RGB 32 197 40

HSL 122.91, 0.72%, 0.45%

LAB 69.75, -67.6, 61.7

 

CMYK 84 / 46 / 0 / 23

HEX #206AC5

RGB 32 106 197

HSL 213.09, 0.72%, 0.45%

LAB 45.15, 11.52, -53.68

 

Description

Color code: RGB 197 32 187 | qconv.com Color code: RGB 197 32 187 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 32 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 32 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 5 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 5% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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