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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2A99 it is the complementary color #22D566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2A99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DD2A99: #E22A94, #F33CA7, #FF4EBA, #FF60CD and #FF72E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2A99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DD2A99: #DD2A99, #CC1886, #BB0673, #AA0060 and #99004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

Complementary color

CMYK 84 / 0 / 52 / 16

HEX #22D566

RGB 34 213 102

HSL 142.79, 0.72%, 0.48%

LAB 75.38, -65.8, 42.76

 

CMYK 0 / 81 / 35 / 11

HEX #E22A94

RGB 226 42 148

HSL 325.43, 0.76%, 0.53%

LAB 51.8, 74.62, -13.1

 

CMYK 0 / 75 / 31 / 5

HEX #F33CA7

RGB 243 60 167

HSL 324.92, 0.88%, 0.59%

LAB 57.15, 75.99, -15.91

 

CMYK 0 / 69 / 27 / 0

HEX #FF4EBA

RGB 255 78 186

HSL 323.39, 1%, 0.65%

LAB 61.87, 75.44, -19.53

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CD

RGB 255 96 205

HSL 318.87, 1%, 0.69%

LAB 64.99, 71.18, -25.55

 

CMYK 0 / 55 / 12 / 0

HEX #FF72E0

RGB 255 114 224

HSL 313.19, 1%, 0.72%

LAB 68.52, 66.31, -30.74

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 88 / 34 / 20

HEX #CC1886

RGB 204 24 134

HSL 323.33, 0.79%, 0.45%

LAB 45.92, 71.74, -13.94

 

CMYK 0 / 97 / 39 / 27

HEX #BB0673

RGB 187 6 115

HSL 323.87, 0.94%, 0.38%

LAB 41.11, 68.34, -9.81

 

CMYK 0 / 100 / 44 / 33

HEX #AA0060

RGB 170 0 96

HSL 326.12, 1%, 0.33%

LAB 36.73, 63.48, -4.7

 

CMYK 0 / 100 / 50 / 40

HEX #99004D

RGB 153 0 77

HSL 329.8, 1%, 0.3%

LAB 32.5, 57.98, 1.02

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 80 / 43 / 14

HEX #DC2C7E

RGB 220 44 126

HSL 332.05, 0.72%, 0.52%

LAB 50.12, 70.55, -2.48

 

CMYK 0 / 80 / 56 / 14

HEX #DC2C61

RGB 220 44 97

HSL 341.93, 0.72%, 0.52%

LAB 49.35, 68.22, 14.08

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C43

RGB 220 44 67

HSL 352.16, 0.72%, 0.52%

LAB 48.79, 66.5, 31.52

 

CMYK 0 / 77 / 80 / 14

HEX #DC322C

RGB 220 50 44

HSL 2.05, 0.72%, 0.52%

LAB 49.1, 63.96, 44.91

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 82 / 29 / 93

HEX #11030C

RGB 17 3 12

HSL 321.43, 0.7%, 0.04%

LAB 1.9, 5.31, -2.02

 

CMYK 0 / 81 / 31 / 73

HEX #440D2F

RGB 68 13 47

HSL 322.91, 0.68%, 0.16%

LAB 13.96, 29.61, -7.81

 

CMYK 0 / 81 / 31 / 53

HEX #771752

RGB 119 23 82

HSL 323.13, 0.68%, 0.28%

LAB 27.14, 45.58, -11.02

 

CMYK 0 / 81 / 31 / 33

HEX #AA2076

RGB 170 32 118

HSL 322.61, 0.68%, 0.4%

LAB 39.39, 60.44, -14.61

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 35 / 80 / 14

HEX #DC902C

RGB 220 144 44

HSL 34.09, 0.72%, 0.52%

LAB 66.02, 21, 60.91

 

CMYK 80 / 0 / 3 / 14

HEX #2CDCD6

RGB 44 220 214

HSL 177.95, 0.72%, 0.52%

LAB 79.94, -42.73, -9.23

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 29 / 0 / 80 / 14

HEX #9CDC2C

RGB 156 220 44

HSL 81.82, 0.72%, 0.52%

LAB 80.98, -44.08, 72.49

 

CMYK 80 / 29 / 0 / 14

HEX #2C9CDC

RGB 44 156 220

HSL 201.82, 0.72%, 0.52%

LAB 61.2, -8.84, -41.17

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 35 / 80 / 14

HEX #DC902C

RGB 220 144 44

HSL 34.09, 0.72%, 0.52%

LAB 66.02, 21, 60.91

 

CMYK 80 / 0 / 50 / 14

HEX #2CDC6D

RGB 44 220 109

HSL 142.16, 0.72%, 0.52%

LAB 77.77, -66.07, 42.37

 

CMYK 80 / 45 / 0 / 14

HEX #2C78DC

RGB 44 120 220

HSL 214.09, 0.72%, 0.52%

LAB 50.85, 12.57, -57.62

 

CMYK 0 / 81 / 31 / 13

HEX #DD2A99

RGB 221 42 153

HSL 322.79, 0.72%, 0.52%

LAB 51.07, 74, -17.27

 

CMYK 0 / 10 / 80 / 14

HEX #DCC52C

RGB 220 197 44

HSL 52.16, 0.72%, 0.52%

LAB 79.23, -7.02, 72.68

 

CMYK 80 / 0 / 50 / 14

HEX #2CDC6D

RGB 44 220 109

HSL 142.16, 0.72%, 0.52%

LAB 77.77, -66.07, 42.37

 

CMYK 80 / 70 / 0 / 14

HEX #2C43DC

RGB 44 67 220

HSL 232.16, 0.72%, 0.52%

LAB 37.33, 46, -79.63

 

Description

Color code: HEX #DD2A99 | qconv.com Color code: HEX #DD2A99 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 42 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 42 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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