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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCF5CC it is the complementary color #230A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCF5CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCF5CC shade: #E1F5C7, #F2FFDA, #FFFFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCF5CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCF5CC shade: #DCF5CC, #CBE3B9, #BAD1A6, #A9BF93 and #98AD80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCF5CC shade: #DCF5CC, #E7F5CC, #F2F5CC, #F5EDCC and #F5E2CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCF5CC shade: #DCF5CC, #D1F5CC, #CCF5D2, #CCF5DD and #CCF5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCF5CC shade matches the following richer shades: #DCF5CC, #DBFAC7 and #DAFFC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCF5CC shade: #DCF5CC, #DDF0D1, #DEEBD6, #DFE6DB and #E0E1E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCF5CC shade: #F2F5CC, #E7F5CC, #DCF5CC, #D1F5CC and #CCF5D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCF5CC shade: #ADE787, #C4EEA9, #DCF5CC, #F4FCEE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCF5CC shade: #DCF5CC, #CCF5ED and #F5CCED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCF5CC shade: #DCF5CC, #CCDCF5 and #F5CCDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCF5CC shade: #DCF5CC, #CCF5ED, #E5CCF5 and #F5CCD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCF5CC shade: #DCF5CC, #CCF1F5, #E5CCF5 and #F5D0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

Complementary color

CMYK 31 / 80 / 0 / 80

HEX #230A33

RGB 35 10 51

HSL 276.59, 0.67%, 0.12%

LAB 7.35, 21.91, -21.56

 

CMYK 8 / 0 / 19 / 4

HEX #E1F5C7

RGB 225 245 199

HSL 86.09, 0.7%, 0.87%

LAB 94.07, -14.44, 19.98

 

CMYK 5 / 0 / 15 / 0

HEX #F2FFDA

RGB 242 255 218

HSL 81.08, 1%, 0.93%

LAB 98.22, -10.53, 16.25

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 11 / 0 / 19 / 11

HEX #CBE3B9

RGB 203 227 185

HSL 94.29, 0.43%, 0.81%

LAB 87.55, -15.4, 17.89

 

CMYK 11 / 0 / 21 / 18

HEX #BAD1A6

RGB 186 209 166

HSL 92.09, 0.32%, 0.74%

LAB 81.18, -15.42, 18.8

 

CMYK 12 / 0 / 23 / 25

HEX #A9BF93

RGB 169 191 147

HSL 90, 0.26%, 0.66%

LAB 74.7, -15.45, 19.76

 

CMYK 12 / 0 / 26 / 32

HEX #98AD80

RGB 152 173 128

HSL 88, 0.22%, 0.59%

LAB 68.11, -15.47, 20.77

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 6 / 0 / 17 / 4

HEX #E7F5CC

RGB 231 245 204

HSL 80.49, 0.67%, 0.88%

LAB 94.59, -11.57, 18.21

 

CMYK 1 / 0 / 17 / 4

HEX #F2F5CC

RGB 242 245 204

HSL 64.39, 0.67%, 0.88%

LAB 95.39, -7.7, 19.44

 

CMYK 0 / 3 / 17 / 4

HEX #F5EDCC

RGB 245 237 204

HSL 48.29, 0.67%, 0.88%

LAB 93.6, -2.61, 16.97

 

CMYK 0 / 8 / 17 / 4

HEX #F5E2CC

RGB 245 226 204

HSL 32.2, 0.67%, 0.88%

LAB 90.86, 2.99, 13.09

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 15 / 0 / 17 / 4

HEX #D1F5CC

RGB 209 245 204

HSL 112.68, 0.67%, 0.88%

LAB 93.11, -19.1, 15.91

 

CMYK 17 / 0 / 14 / 4

HEX #CCF5D2

RGB 204 245 210

HSL 128.78, 0.67%, 0.88%

LAB 92.92, -19.72, 12.51

 

CMYK 17 / 0 / 10 / 4

HEX #CCF5DD

RGB 204 245 221

HSL 144.88, 0.67%, 0.88%

LAB 93.17, -17.74, 7.18

 

CMYK 17 / 0 / 5 / 4

HEX #CCF5E8

RGB 204 245 232

HSL 160.98, 0.67%, 0.88%

LAB 93.44, -15.66, 1.86

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 12 / 0 / 20 / 2

HEX #DBFAC7

RGB 219 250 199

HSL 96.47, 0.84%, 0.88%

LAB 94.97, -18.96, 21.18

 

CMYK 15 / 0 / 24 / 0

HEX #DAFFC2

RGB 218 255 194

HSL 96.39, 1%, 0.88%

LAB 96.13, -22.49, 25.31

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 8 / 0 / 13 / 6

HEX #DDF0D1

RGB 221 240 209

HSL 96.77, 0.51%, 0.88%

LAB 92.71, -11.74, 12.87

 

CMYK 6 / 0 / 9 / 8

HEX #DEEBD6

RGB 222 235 214

HSL 97.14, 0.34%, 0.88%

LAB 91.6, -8.04, 8.7

 

CMYK 3 / 0 / 5 / 10

HEX #DFE6DB

RGB 223 230 219

HSL 98.18, 0.18%, 0.88%

LAB 90.5, -4.3, 4.53

 

CMYK 0 / 0 / 0 / 12

HEX #E0E1E0

RGB 224 225 224

HSL 120, 0.02%, 0.88%

LAB 89.43, -0.51, 0.36

 

CMYK 1 / 0 / 17 / 4

HEX #F2F5CC

RGB 242 245 204

HSL 64.39, 0.67%, 0.88%

LAB 95.39, -7.7, 19.44

 

CMYK 6 / 0 / 17 / 4

HEX #E7F5CC

RGB 231 245 204

HSL 80.49, 0.67%, 0.88%

LAB 94.59, -11.57, 18.21

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 15 / 0 / 17 / 4

HEX #D1F5CC

RGB 209 245 204

HSL 112.68, 0.67%, 0.88%

LAB 93.11, -19.1, 15.91

 

CMYK 17 / 0 / 15 / 4

HEX #CCF5D1

RGB 204 245 209

HSL 127.32, 0.67%, 0.88%

LAB 92.9, -19.9, 13

 

CMYK 25 / 0 / 42 / 9

HEX #ADE787

RGB 173 231 135

HSL 96.25, 0.67%, 0.72%

LAB 85.9, -35.1, 40.86

 

CMYK 18 / 0 / 29 / 7

HEX #C4EEA9

RGB 196 238 169

HSL 96.52, 0.67%, 0.8%

LAB 89.74, -25.68, 29.08

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 3 / 0 / 6 / 1

HEX #F4FCEE

RGB 244 252 238

HSL 94.29, 0.7%, 0.96%

LAB 98.04, -5.08, 5.78

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 17 / 0 / 3 / 4

HEX #CCF5ED

RGB 204 245 237

HSL 168.29, 0.67%, 0.88%

LAB 93.56, -14.69, -0.55

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 17 / 10 / 0 / 4

HEX #CCDCF5

RGB 204 220 245

HSL 216.59, 0.67%, 0.88%

LAB 87.3, -0.31, -14

 

CMYK 0 / 17 / 10 / 4

HEX #F5CCDC

RGB 245 204 220

HSL 336.59, 0.67%, 0.88%

LAB 85.89, 16.97, -2.5

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 17 / 0 / 3 / 4

HEX #CCF5ED

RGB 204 245 237

HSL 168.29, 0.67%, 0.88%

LAB 93.56, -14.69, -0.55

 

CMYK 7 / 17 / 0 / 4

HEX #E5CCF5

RGB 229 204 245

HSL 276.59, 0.67%, 0.88%

LAB 85.22, 16.08, -16.93

 

CMYK 0 / 17 / 13 / 4

HEX #F5CCD4

RGB 245 204 212

HSL 348.29, 0.67%, 0.88%

LAB 85.68, 15.67, 1.44

 

CMYK 10 / 0 / 17 / 4

HEX #DCF5CC

RGB 220 245 204

HSL 96.59, 0.67%, 0.88%

LAB 93.83, -15.38, 17.03

 

CMYK 17 / 2 / 0 / 4

HEX #CCF1F5

RGB 204 241 245

HSL 185.85, 0.67%, 0.88%

LAB 92.72, -11.09, -5.93

 

CMYK 7 / 17 / 0 / 4

HEX #E5CCF5

RGB 229 204 245

HSL 276.59, 0.67%, 0.88%

LAB 85.22, 16.08, -16.93

 

CMYK 0 / 15 / 17 / 4

HEX #F5D0CC

RGB 245 208 204

HSL 5.85, 0.67%, 0.88%

LAB 86.45, 12.33, 6.8

 

Description

Color code: HEX #DCF5CC | qconv.com Color code: HEX #DCF5CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 245 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 245 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 17% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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