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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCE05D it is the complementary color #231FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCE05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCE05D shade: #E1E058, #F2F26B, #FFFF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCE05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCE05D shade: #DCE05D, #CBCE4A, #BABC37, #A9AA24 and #989811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCE05D shade: #DCE05C, #E0C05C, #E09D5C, #E0795C and #E05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCE05D shade: #DCE05C, #B8E05C, #95E05C, #71E05C and #5CE06B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCE05D shade matches the following richer shades: #DCE05C and #EBF04D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCE05D shade: #DCE05C, #CDD06C, #BFC17C, #B0B18B and #A1A19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCE05D shade: #E09C5C, #E0BF5C, #DEE05C, #BBE05C and #98E05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCE05D shade: #BFC425, #D5D93A, #DCE05C, #E3E77F and #EBEDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCE05D shade: #DCE05D, #5CE079 and #AD5CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCE05D shade: #DCE05D, #5CDEE0 and #E05CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCE05D shade: #DCE05D, #5CE079, #5E5CE0 and #E05CC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCE05D shade: #DCE05D, #5CE0A0, #5E5CE0 and #E05C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

Complementary color

CMYK 78 / 81 / 0 / 36

HEX #231FA2

RGB 35 31 162

HSL 241.83, 0.68%, 0.38%

LAB 23.49, 46.17, -68.31

 

CMYK 0 / 0 / 61 / 12

HEX #E1E058

RGB 225 224 88

HSL 59.56, 0.7%, 0.61%

LAB 87.01, -16.35, 64.65

 

CMYK 0 / 0 / 56 / 5

HEX #F2F26B

RGB 242 242 107

HSL 60, 0.84%, 0.68%

LAB 93.21, -17, 63.78

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

CMYK 1 / 0 / 64 / 19

HEX #CBCE4A

RGB 203 206 74

HSL 61.36, 0.57%, 0.55%

LAB 80.37, -17.38, 62.81

 

CMYK 1 / 0 / 71 / 26

HEX #BABC37

RGB 186 188 55

HSL 60.9, 0.55%, 0.48%

LAB 73.99, -16.57, 63.22

 

CMYK 1 / 0 / 79 / 33

HEX #A9AA24

RGB 169 170 36

HSL 60.45, 0.65%, 0.4%

LAB 67.51, -15.58, 62.98

 

CMYK 0 / 0 / 89 / 40

HEX #989811

RGB 152 152 17

HSL 60, 0.8%, 0.33%

LAB 60.93, -14.36, 61.59

 

CMYK 2 / 0 / 59 / 12

HEX #DCE05C

RGB 220 224 92

HSL 61.82, 0.68%, 0.62%

LAB 86.65, -18.12, 62.47

 

CMYK 0 / 14 / 59 / 12

HEX #E0C05C

RGB 224 192 92

HSL 45.45, 0.68%, 0.62%

LAB 78.65, -0.28, 53.63

 

CMYK 0 / 30 / 59 / 12

HEX #E09D5C

RGB 224 157 92

HSL 29.55, 0.68%, 0.62%

LAB 69.99, 18.27, 43.54

 

CMYK 0 / 46 / 59 / 12

HEX #E0795C

RGB 224 121 92

HSL 13.18, 0.68%, 0.62%

LAB 61.91, 37.35, 33.64

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 2 / 0 / 59 / 12

HEX #DCE05C

RGB 220 224 92

HSL 61.82, 0.68%, 0.62%

LAB 86.65, -18.12, 62.47

 

CMYK 18 / 0 / 59 / 12

HEX #B8E05C

RGB 184 224 92

HSL 78.18, 0.68%, 0.62%

LAB 84.11, -32.35, 58.94

 

CMYK 33 / 0 / 59 / 12

HEX #95E05C

RGB 149 224 92

HSL 94.09, 0.68%, 0.62%

LAB 82.09, -45.09, 56.13

 

CMYK 50 / 0 / 59 / 12

HEX #71E05C

RGB 113 224 92

HSL 110.45, 0.68%, 0.62%

LAB 80.51, -56.27, 53.91

 

CMYK 59 / 0 / 52 / 12

HEX #5CE06B

RGB 92 224 107

HSL 126.82, 0.68%, 0.62%

LAB 79.98, -59.74, 46.26

 

CMYK 2 / 0 / 59 / 12

HEX #DCE05C

RGB 220 224 92

HSL 61.82, 0.68%, 0.62%

LAB 86.65, -18.12, 62.47

 

CMYK 2 / 0 / 68 / 6

HEX #EBF04D

RGB 235 240 77

HSL 61.84, 0.84%, 0.62%

LAB 91.92, -20.7, 74.22

 

CMYK 2 / 0 / 59 / 12

HEX #DCE05C

RGB 220 224 92

HSL 61.82, 0.68%, 0.62%

LAB 86.65, -18.12, 62.47

 

CMYK 1 / 0 / 48 / 18

HEX #CDD06C

RGB 205 208 108

HSL 61.8, 0.52%, 0.62%

LAB 81.39, -14.96, 48.88

 

CMYK 1 / 0 / 36 / 24

HEX #BFC17C

RGB 191 193 124

HSL 61.74, 0.36%, 0.62%

LAB 76.48, -11.26, 34.55

 

CMYK 1 / 0 / 21 / 31

HEX #B0B18B

RGB 176 177 139

HSL 61.58, 0.2%, 0.62%

LAB 71.24, -6.77, 19.38

 

CMYK 0 / 0 / 4 / 37

HEX #A1A19B

RGB 161 161 155

HSL 60, 0.03%, 0.62%

LAB 66.08, -1.12, 3.11

 

CMYK 0 / 30 / 59 / 12

HEX #E09C5C

RGB 224 156 92

HSL 29.09, 0.68%, 0.62%

LAB 69.75, 18.81, 43.25

 

CMYK 0 / 15 / 59 / 12

HEX #E0BF5C

RGB 224 191 92

HSL 45, 0.68%, 0.62%

LAB 78.39, 0.24, 53.34

 

CMYK 1 / 0 / 59 / 12

HEX #DEE05C

RGB 222 224 92

HSL 60.91, 0.68%, 0.62%

LAB 86.81, -17.31, 62.68

 

CMYK 17 / 0 / 59 / 12

HEX #BBE05C

RGB 187 224 92

HSL 76.82, 0.68%, 0.62%

LAB 84.3, -31.2, 59.21

 

CMYK 32 / 0 / 59 / 12

HEX #98E05C

RGB 152 224 92

HSL 92.73, 0.68%, 0.62%

LAB 82.25, -44.06, 56.35

 

CMYK 3 / 0 / 81 / 23

HEX #BFC425

RGB 191 196 37

HSL 61.89, 0.68%, 0.46%

LAB 76.49, -19.16, 71.25

 

CMYK 2 / 0 / 73 / 15

HEX #D5D93A

RGB 213 217 58

HSL 61.51, 0.68%, 0.54%

LAB 84.01, -19.47, 72.51

 

CMYK 2 / 0 / 59 / 12

HEX #DCE05C

RGB 220 224 92

HSL 61.82, 0.68%, 0.62%

LAB 86.65, -18.12, 62.47

 

CMYK 2 / 0 / 45 / 9

HEX #E3E77F

RGB 227 231 127

HSL 62.31, 0.68%, 0.7%

LAB 89.4, -15.87, 49.9

 

CMYK 1 / 0 / 32 / 7

HEX #EBEDA2

RGB 235 237 162

HSL 61.6, 0.68%, 0.78%

LAB 92.06, -11.96, 36.2

 

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

CMYK 59 / 0 / 46 / 12

HEX #5CE079

RGB 92 224 121

HSL 133.18, 0.68%, 0.62%

LAB 80.16, -57.75, 39.73

 

CMYK 23 / 59 / 0 / 12

HEX #AD5CE0

RGB 173 92 224

HSL 276.82, 0.68%, 0.62%

LAB 53.94, 55.24, -54.4

 

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

CMYK 59 / 1 / 0 / 12

HEX #5CDEE0

RGB 92 222 224

HSL 180.91, 0.68%, 0.62%

LAB 81.78, -34.72, -11.7

 

CMYK 0 / 59 / 1 / 12

HEX #E05CDE

RGB 224 92 222

HSL 300.91, 0.68%, 0.62%

LAB 60.58, 67.39, -42.32

 

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

CMYK 59 / 0 / 46 / 12

HEX #5CE079

RGB 92 224 121

HSL 133.18, 0.68%, 0.62%

LAB 80.16, -57.75, 39.73

 

CMYK 58 / 59 / 0 / 12

HEX #5E5CE0

RGB 94 92 224

HSL 240.91, 0.68%, 0.62%

LAB 46.2, 38.42, -67.28

 

CMYK 0 / 59 / 13 / 12

HEX #E05CC3

RGB 224 92 195

HSL 313.18, 0.68%, 0.62%

LAB 59.38, 63.09, -28.91

 

CMYK 2 / 0 / 58 / 12

HEX #DCE05D

RGB 220 224 93

HSL 61.83, 0.68%, 0.62%

LAB 86.66, -18.05, 62.06

 

CMYK 59 / 0 / 29 / 12

HEX #5CE0A0

RGB 92 224 160

HSL 150.91, 0.68%, 0.62%

LAB 80.81, -50.84, 20.74

 

CMYK 58 / 59 / 0 / 12

HEX #5E5CE0

RGB 94 92 224

HSL 240.91, 0.68%, 0.62%

LAB 46.2, 38.42, -67.28

 

CMYK 0 / 59 / 30 / 12

HEX #E05C9C

RGB 224 92 156

HSL 330.91, 0.68%, 0.62%

LAB 57.94, 57.74, -8.61

 

Description

Color code: HEX #DCE05D | qconv.com Color code: HEX #DCE05D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 224 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 224 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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