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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCF38 it is the complementary color #2330C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCF38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DCCF38: #E1CF33, #F2E146, #FFF359, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCF38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DCCF38: #DCCF38, #CBBD25, #BAAB12, #A99900 and #988700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

Complementary color

CMYK 82 / 76 / 0 / 22

HEX #2330C7

RGB 35 48 199

HSL 235.24, 0.7%, 0.46%

LAB 30.87, 49.23, -78.16

 

CMYK 0 / 8 / 77 / 12

HEX #E1CF33

RGB 225 207 51

HSL 53.79, 0.74%, 0.54%

LAB 82.31, -9.73, 73.51

 

CMYK 0 / 7 / 71 / 5

HEX #F2E146

RGB 242 225 70

HSL 54.07, 0.87%, 0.61%

LAB 88.53, -10.83, 73.57

 

CMYK 0 / 5 / 65 / 0

HEX #FFF359

RGB 255 243 89

HSL 55.66, 1%, 0.67%

LAB 94.35, -13.41, 72.7

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 0 / 7 / 82 / 20

HEX #CBBD25

RGB 203 189 37

HSL 54.94, 0.69%, 0.47%

LAB 75.59, -10.48, 70.87

 

CMYK 0 / 8 / 90 / 27

HEX #BAAB12

RGB 186 171 18

HSL 54.64, 0.82%, 0.4%

LAB 69.19, -9.08, 69.21

 

CMYK 0 / 9 / 100 / 34

HEX #A99900

RGB 169 153 0

HSL 54.32, 1%, 0.33%

LAB 62.69, -7.47, 66.21

 

CMYK 0 / 11 / 100 / 40

HEX #988700

RGB 152 135 0

HSL 53.29, 1%, 0.3%

LAB 56.09, -5.55, 60.74

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 6 / 0 / 75 / 14

HEX #CEDB37

RGB 206 219 55

HSL 64.76, 0.69%, 0.54%

LAB 84, -23.47, 73.26

 

CMYK 19 / 0 / 75 / 14

HEX #B2DB37

RGB 178 219 55

HSL 75, 0.69%, 0.54%

LAB 82.06, -34.76, 70.75

 

CMYK 31 / 0 / 75 / 14

HEX #97DB37

RGB 151 219 55

HSL 84.88, 0.69%, 0.54%

LAB 80.47, -44.96, 68.68

 

CMYK 43 / 0 / 75 / 14

HEX #7CDB37

RGB 124 219 55

HSL 94.76, 0.69%, 0.54%

LAB 79.17, -54.12, 66.98

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 0 / 6 / 75 / 94

HEX #100F04

RGB 16 15 4

HSL 55, 0.6%, 0.04%

LAB 4.16, -1.28, 4.56

 

CMYK 0 / 6 / 75 / 74

HEX #433F11

RGB 67 63 17

HSL 55.2, 0.6%, 0.16%

LAB 26.12, -4.89, 27.71

 

CMYK 0 / 6 / 75 / 54

HEX #766F1E

RGB 118 111 30

HSL 55.23, 0.59%, 0.29%

LAB 46.06, -7.34, 43.54

 

CMYK 0 / 6 / 75 / 34

HEX #A99F2B

RGB 169 159 43

HSL 55.24, 0.59%, 0.42%

LAB 64.49, -9.57, 57.92

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 75 / 0 / 66 / 14

HEX #37DB4A

RGB 55 219 74

HSL 126.95, 0.69%, 0.54%

LAB 77.26, -68.74, 57.44

 

CMYK 36 / 75 / 0 / 14

HEX #8C37DB

RGB 140 55 219

HSL 271.1, 0.69%, 0.54%

LAB 43.39, 64.22, -68.8

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 75 / 0 / 6 / 14

HEX #37DBCE

RGB 55 219 206

HSL 175.24, 0.69%, 0.54%

LAB 79.57, -43.46, -5.48

 

CMYK 6 / 75 / 0 / 14

HEX #CE37DB

RGB 206 55 219

HSL 295.24, 0.69%, 0.54%

LAB 52.92, 76.41, -52.95

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 75 / 0 / 66 / 14

HEX #37DB4A

RGB 55 219 74

HSL 126.95, 0.69%, 0.54%

LAB 77.26, -68.74, 57.44

 

CMYK 75 / 68 / 0 / 14

HEX #3745DB

RGB 55 69 219

HSL 234.88, 0.69%, 0.54%

LAB 38.17, 45.38, -77.66

 

CMYK 0 / 75 / 9 / 14

HEX #DB37C8

RGB 219 55 200

HSL 306.95, 0.69%, 0.54%

LAB 53.99, 76.14, -40.26

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 75 / 0 / 43 / 14

HEX #37DB7C

RGB 55 219 124

HSL 145.24, 0.69%, 0.54%

LAB 77.83, -61.97, 35.09

 

CMYK 75 / 68 / 0 / 14

HEX #3745DB

RGB 55 69 219

HSL 234.88, 0.69%, 0.54%

LAB 38.17, 45.38, -77.66

 

CMYK 0 / 75 / 31 / 14

HEX #DB3797

RGB 219 55 151

HSL 324.88, 0.69%, 0.54%

LAB 51.87, 69.78, -14.89

 

Description

Color code: HEX #DCCF38 | qconv.com Color code: HEX #DCCF38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 207 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 207 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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