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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBD44 it is the complementary color #2342BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBD44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBD44 shade: #E1BD3F, #F2CF52, #FFE165, #FFF378 and #FFFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBD44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBD44 shade: #DCBD44, #CBAB31, #BA991E, #A9870B and #987500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBD44 shade: #DBBC43, #DB9343, #DB6A43 and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBD44 shade: #DBBC43, #D1DB43, #A8DB43, #7FDB43 and #56DB43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBD44 shade matches the following richer shades: #DBBC43 and #EDC730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBD44 shade: #DBBC43, #C9B155, #B7A667, #A59C79 and #92918B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBD44 shade: #DB6943, #DB9143, #DBBA43, #D3DB43 and #ABDB43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBD44 shade: #AB8E20, #CDAB27, #DBBC43, #E2C865 and #E8D588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBD44 shade: #DCBD44, #45DB43 and #7D43DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBD44 shade: #DCBD44, #43DBBA and #BA43DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBD44 shade: #DCBD44, #45DB43, #4364DB and #D943DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBD44 shade: #DCBD44, #43DB6E, #4364DB and #DB43B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

Complementary color

CMYK 81 / 65 / 0 / 27

HEX #2342BB

RGB 35 66 187

HSL 227.76, 0.68%, 0.44%

LAB 33.65, 34.08, -66.52

 

CMYK 0 / 16 / 72 / 12

HEX #E1BD3F

RGB 225 189 63

HSL 46.67, 0.73%, 0.56%

LAB 77.73, -0.01, 65.08

 

CMYK 0 / 14 / 66 / 5

HEX #F2CF52

RGB 242 207 82

HSL 46.88, 0.86%, 0.64%

LAB 84.02, -1.14, 64.4

 

CMYK 0 / 12 / 60 / 0

HEX #FFE165

RGB 255 225 101

HSL 48.31, 1%, 0.7%

LAB 89.88, -3.75, 62.97

 

CMYK 0 / 5 / 53 / 0

HEX #FFF378

RGB 255 243 120

HSL 54.67, 1%, 0.74%

LAB 94.62, -11.34, 59.91

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

CMYK 0 / 16 / 76 / 20

HEX #CBAB31

RGB 203 171 49

HSL 47.53, 0.61%, 0.49%

LAB 70.9, -0.68, 62.95

 

CMYK 0 / 18 / 84 / 27

HEX #BA991E

RGB 186 153 30

HSL 47.31, 0.72%, 0.42%

LAB 64.42, 0.76, 62.63

 

CMYK 0 / 20 / 93 / 34

HEX #A9870B

RGB 169 135 11

HSL 47.09, 0.88%, 0.35%

LAB 57.83, 2.48, 60.97

 

CMYK 0 / 23 / 100 / 40

HEX #987500

RGB 152 117 0

HSL 46.18, 1%, 0.3%

LAB 51.15, 4.5, 57.26

 

CMYK 0 / 14 / 69 / 14

HEX #DBBC43

RGB 219 188 67

HSL 47.76, 0.68%, 0.56%

LAB 76.94, -1.85, 62.53

 

CMYK 0 / 33 / 69 / 14

HEX #DB9343

RGB 219 147 67

HSL 31.58, 0.68%, 0.56%

LAB 66.77, 19.96, 51.94

 

CMYK 0 / 52 / 69 / 14

HEX #DB6A43

RGB 219 106 67

HSL 15.39, 0.68%, 0.56%

LAB 57.82, 41.48, 42.07

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 14 / 69 / 14

HEX #DBBC43

RGB 219 188 67

HSL 47.76, 0.68%, 0.56%

LAB 76.94, -1.85, 62.53

 

CMYK 5 / 0 / 69 / 14

HEX #D1DB43

RGB 209 219 67

HSL 63.95, 0.68%, 0.56%

LAB 84.29, -21.67, 69.6

 

CMYK 23 / 0 / 69 / 14

HEX #A8DB43

RGB 168 219 67

HSL 80.13, 0.68%, 0.56%

LAB 81.51, -37.97, 65.9

 

CMYK 42 / 0 / 69 / 14

HEX #7FDB43

RGB 127 219 67

HSL 96.32, 0.68%, 0.56%

LAB 79.37, -52.38, 63.04

 

CMYK 61 / 0 / 69 / 14

HEX #56DB43

RGB 86 219 67

HSL 112.5, 0.68%, 0.56%

LAB 77.9, -63.63, 61.06

 

CMYK 0 / 14 / 69 / 14

HEX #DBBC43

RGB 219 188 67

HSL 47.76, 0.68%, 0.56%

LAB 76.94, -1.85, 62.53

 

CMYK 0 / 16 / 80 / 7

HEX #EDC730

RGB 237 199 48

HSL 47.94, 0.84%, 0.56%

LAB 81.33, -0.64, 73.95

 

CMYK 0 / 14 / 69 / 14

HEX #DBBC43

RGB 219 188 67

HSL 47.76, 0.68%, 0.56%

LAB 76.94, -1.85, 62.53

 

CMYK 0 / 12 / 58 / 21

HEX #C9B155

RGB 201 177 85

HSL 47.59, 0.52%, 0.56%

LAB 72.57, -2.61, 49.41

 

CMYK 0 / 9 / 44 / 28

HEX #B7A667

RGB 183 166 103

HSL 47.25, 0.36%, 0.56%

LAB 68.26, -2.71, 34.79

 

CMYK 0 / 5 / 27 / 35

HEX #A59C79

RGB 165 156 121

HSL 47.73, 0.2%, 0.56%

LAB 64.29, -2.42, 19.55

 

CMYK 0 / 1 / 5 / 43

HEX #92918B

RGB 146 145 139

HSL 51.43, 0.03%, 0.56%

LAB 60.09, -0.77, 3.3

 

CMYK 0 / 52 / 69 / 14

HEX #DB6943

RGB 219 105 67

HSL 15, 0.68%, 0.56%

LAB 57.63, 41.98, 41.85

 

CMYK 0 / 34 / 69 / 14

HEX #DB9143

RGB 219 145 67

HSL 30.79, 0.68%, 0.56%

LAB 66.3, 21.04, 51.43

 

CMYK 0 / 15 / 69 / 14

HEX #DBBA43

RGB 219 186 67

HSL 46.97, 0.68%, 0.56%

LAB 76.43, -0.81, 62.01

 

CMYK 4 / 0 / 69 / 14

HEX #D3DB43

RGB 211 219 67

HSL 63.16, 0.68%, 0.56%

LAB 84.44, -20.85, 69.8

 

CMYK 22 / 0 / 69 / 14

HEX #ABDB43

RGB 171 219 67

HSL 78.95, 0.68%, 0.56%

LAB 81.69, -36.82, 66.14

 

CMYK 0 / 17 / 81 / 33

HEX #AB8E20

RGB 171 142 32

HSL 47.48, 0.68%, 0.4%

LAB 59.99, 0.05, 57.61

 

CMYK 0 / 17 / 81 / 20

HEX #CDAB27

RGB 205 171 39

HSL 47.71, 0.68%, 0.48%

LAB 71.04, -0.16, 66.45

 

CMYK 0 / 14 / 69 / 14

HEX #DBBC43

RGB 219 188 67

HSL 47.76, 0.68%, 0.56%

LAB 76.94, -1.85, 62.53

 

CMYK 0 / 12 / 55 / 11

HEX #E2C865

RGB 226 200 101

HSL 47.52, 0.68%, 0.64%

LAB 80.97, -2.92, 52.15

 

CMYK 0 / 8 / 41 / 9

HEX #E8D588

RGB 232 213 136

HSL 48.13, 0.68%, 0.72%

LAB 85.26, -3.97, 40.4

 

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

CMYK 68 / 0 / 69 / 14

HEX #45DB43

RGB 69 219 67

HSL 119.21, 0.68%, 0.56%

LAB 77.48, -67.1, 60.48

 

CMYK 43 / 69 / 0 / 14

HEX #7D43DB

RGB 125 67 219

HSL 262.89, 0.68%, 0.56%

LAB 43.49, 56.28, -68.72

 

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

CMYK 69 / 0 / 15 / 14

HEX #43DBBA

RGB 67 219 186

HSL 166.97, 0.68%, 0.56%

LAB 79.27, -47.19, 4.77

 

CMYK 15 / 69 / 0 / 14

HEX #BA43DB

RGB 186 67 219

HSL 286.97, 0.68%, 0.56%

LAB 51.35, 68.25, -55.63

 

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

CMYK 68 / 0 / 69 / 14

HEX #45DB43

RGB 69 219 67

HSL 119.21, 0.68%, 0.56%

LAB 77.48, -67.1, 60.48

 

CMYK 69 / 54 / 0 / 14

HEX #4364DB

RGB 67 100 219

HSL 226.97, 0.68%, 0.56%

LAB 46.21, 27.56, -64.5

 

CMYK 1 / 69 / 0 / 14

HEX #D943DB

RGB 217 67 219

HSL 299.21, 0.68%, 0.56%

LAB 55.97, 74.84, -47.99

 

CMYK 0 / 14 / 69 / 14

HEX #DCBD44

RGB 220 189 68

HSL 47.76, 0.68%, 0.56%

LAB 77.3, -1.89, 62.52

 

CMYK 69 / 0 / 50 / 14

HEX #43DB6E

RGB 67 219 110

HSL 136.97, 0.68%, 0.56%

LAB 77.86, -62.42, 42.08

 

CMYK 69 / 54 / 0 / 14

HEX #4364DB

RGB 67 100 219

HSL 226.97, 0.68%, 0.56%

LAB 46.21, 27.56, -64.5

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

Description

Color code: HEX #DCBD44 | qconv.com Color code: HEX #DCBD44 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 189 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 189 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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