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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB43B0 it is the complementary color #24BC4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB43B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB43B0 shade: #E043AB, #F155BE, #FF67D1, #FF79E4 and #FF8BF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB43B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB43B0 shade: #DB43B0, #CA319D, #B91F8A, #A80D77 and #970064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB43B0 shade: #DB43B0, #DB4387, #DB435E and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB43B0 shade: #DB43B0, #DB43D9, #B443DB, #8B43DB and #6243DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB43B0 shade matches the following richer shades: #DB43B0 and #ED30B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB43B0 shade: #DB43B0, #C955A8, #B767A0, #A57998 and #928B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB43B0 shade: #B243DB, #DB43DB, #DB43B2, #DB438A and #DB4361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB43B0 shade: #AB2084, #CD279E, #DB43B0, #E265BE and #E888CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB43B0 shade: #DB43B0, #DB8A43 and #43DBC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB43B0 shade: #DB43B0, #B2DB43 and #43B2DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB43B0 shade: #DB43B0, #DB8A43, #43DB6B and #4394DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB43B0 shade: #DB43B0, #DBB743, #43DB6B and #4366DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

Complementary color

CMYK 81 / 0 / 58 / 26

HEX #24BC4F

RGB 36 188 79

HSL 136.97, 0.68%, 0.44%

LAB 67.21, -60.65, 43.83

 

CMYK 0 / 70 / 24 / 12

HEX #E043AB

RGB 224 67 171

HSL 320.25, 0.72%, 0.57%

LAB 54.87, 69.54, -22.02

 

CMYK 0 / 65 / 21 / 5

HEX #F155BE

RGB 241 85 190

HSL 319.62, 0.85%, 0.64%

LAB 60.71, 69.79, -23.8

 

CMYK 0 / 60 / 18 / 0

HEX #FF67D1

RGB 255 103 209

HSL 318.16, 1%, 0.7%

LAB 66.19, 68.87, -25.97

 

CMYK 0 / 53 / 11 / 0

HEX #FF79E4

RGB 255 121 228

HSL 312.09, 1%, 0.74%

LAB 69.85, 63.78, -30.9

 

CMYK 0 / 45 / 3 / 0

HEX #FF8BF7

RGB 255 139 247

HSL 304.14, 1%, 0.77%

LAB 73.83, 58.37, -35.16

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 76 / 22 / 21

HEX #CA319D

RGB 202 49 157

HSL 317.65, 0.61%, 0.49%

LAB 48.5, 68.17, -23.89

 

CMYK 0 / 83 / 25 / 27

HEX #B91F8A

RGB 185 31 138

HSL 318.31, 0.71%, 0.42%

LAB 42.96, 66.6, -21.24

 

CMYK 0 / 92 / 29 / 34

HEX #A80D77

RGB 168 13 119

HSL 318.97, 0.86%, 0.35%

LAB 37.74, 63.86, -17.79

 

CMYK 0 / 100 / 34 / 41

HEX #970064

RGB 151 0 100

HSL 320.26, 1%, 0.3%

LAB 32.92, 59.73, -13.4

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 69 / 38 / 14

HEX #DB4387

RGB 219 67 135

HSL 333.16, 0.68%, 0.56%

LAB 52.76, 64.04, -4.03

 

CMYK 0 / 69 / 57 / 14

HEX #DB435E

RGB 219 67 94

HSL 349.34, 0.68%, 0.56%

LAB 51.7, 60.45, 19.08

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 69 / 1 / 14

HEX #DB43D9

RGB 219 67 217

HSL 300.79, 0.68%, 0.56%

LAB 56.17, 74.95, -46.51

 

CMYK 18 / 69 / 0 / 14

HEX #B443DB

RGB 180 67 219

HSL 284.61, 0.68%, 0.56%

LAB 50.49, 67, -57.05

 

CMYK 37 / 69 / 0 / 14

HEX #8B43DB

RGB 139 67 219

HSL 268.42, 0.68%, 0.56%

LAB 45.11, 58.84, -66.02

 

CMYK 55 / 69 / 0 / 14

HEX #6243DB

RGB 98 67 219

HSL 252.24, 0.68%, 0.56%

LAB 40.78, 51.83, -73.26

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 80 / 22 / 7

HEX #ED30B8

RGB 237 48 184

HSL 316.83, 0.84%, 0.56%

LAB 55.66, 79.74, -28.18

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 58 / 16 / 21

HEX #C955A8

RGB 201 85 168

HSL 317.07, 0.52%, 0.56%

LAB 53.75, 55.68, -22.29

 

CMYK 0 / 44 / 13 / 28

HEX #B767A0

RGB 183 103 160

HSL 317.25, 0.36%, 0.56%

LAB 54.35, 39.92, -16.93

 

CMYK 0 / 27 / 8 / 35

HEX #A57998

RGB 165 121 152

HSL 317.73, 0.2%, 0.56%

LAB 56.03, 22.31, -9.95

 

CMYK 0 / 5 / 1 / 43

HEX #928B90

RGB 146 139 144

HSL 317.14, 0.03%, 0.56%

LAB 58.59, 3.56, -1.74

 

CMYK 19 / 69 / 0 / 14

HEX #B243DB

RGB 178 67 219

HSL 283.82, 0.68%, 0.56%

LAB 50.21, 66.58, -57.52

 

CMYK 0 / 69 / 0 / 14

HEX #DB43DB

RGB 219 67 219

HSL 300, 0.68%, 0.56%

LAB 56.28, 75.27, -47.48

 

CMYK 0 / 69 / 19 / 14

HEX #DB43B2

RGB 219 67 178

HSL 316.18, 0.68%, 0.56%

LAB 54.33, 69.2, -27

 

CMYK 0 / 69 / 37 / 14

HEX #DB438A

RGB 219 67 138

HSL 331.97, 0.68%, 0.56%

LAB 52.85, 64.35, -5.68

 

CMYK 0 / 69 / 56 / 14

HEX #DB4361

RGB 219 67 97

HSL 348.16, 0.68%, 0.56%

LAB 51.77, 60.66, 17.36

 

CMYK 0 / 81 / 23 / 33

HEX #AB2084

RGB 171 32 132

HSL 316.83, 0.68%, 0.4%

LAB 40.18, 62.4, -22.07

 

CMYK 0 / 81 / 23 / 20

HEX #CD279E

RGB 205 39 158

HSL 316.99, 0.68%, 0.48%

LAB 48.13, 71.67, -25.01

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 55 / 16 / 11

HEX #E265BE

RGB 226 101 190

HSL 317.28, 0.68%, 0.64%

LAB 60.95, 58.91, -23.62

 

CMYK 0 / 41 / 12 / 9

HEX #E888CD

RGB 232 136 205

HSL 316.88, 0.68%, 0.72%

LAB 68.88, 45.97, -19.9

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 37 / 69 / 14

HEX #DB8A43

RGB 219 138 67

HSL 28.03, 0.68%, 0.56%

LAB 64.68, 24.79, 49.68

 

CMYK 69 / 0 / 9 / 14

HEX #43DBC7

RGB 67 219 199

HSL 172.11, 0.68%, 0.56%

LAB 79.6, -43.88, -1.68

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 19 / 0 / 69 / 14

HEX #B2DB43

RGB 178 219 67

HSL 76.18, 0.68%, 0.56%

LAB 82.13, -34.12, 66.73

 

CMYK 69 / 19 / 0 / 14

HEX #43B2DB

RGB 67 178 219

HSL 196.18, 0.68%, 0.56%

LAB 68.13, -18.38, -29.79

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 37 / 69 / 14

HEX #DB8A43

RGB 219 138 67

HSL 28.03, 0.68%, 0.56%

LAB 64.68, 24.79, 49.68

 

CMYK 69 / 0 / 51 / 14

HEX #43DB6B

RGB 67 219 107

HSL 135.79, 0.68%, 0.56%

LAB 77.83, -62.86, 43.48

 

CMYK 69 / 32 / 0 / 14

HEX #4394DB

RGB 67 148 219

HSL 208.03, 0.68%, 0.56%

LAB 59.42, -1.82, -43.37

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 16 / 69 / 14

HEX #DBB743

RGB 219 183 67

HSL 45.79, 0.68%, 0.56%

LAB 75.66, 0.76, 61.23

 

CMYK 69 / 0 / 51 / 14

HEX #43DB6B

RGB 67 219 107

HSL 135.79, 0.68%, 0.56%

LAB 77.83, -62.86, 43.48

 

CMYK 69 / 53 / 0 / 14

HEX #4366DB

RGB 67 102 219

HSL 226.18, 0.68%, 0.56%

LAB 46.72, 26.3, -63.66

 

Description

Color code: HEX #DB43B0 | qconv.com Color code: HEX #DB43B0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 67 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 67 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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