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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB543 it is the complementary color #234ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB543 shade: #E1B53E, #F2C751, #FFD964, #FFEB77 and #FFFD8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB543 shade: #DCB543, #CBA330, #BA911D, #A97F0A and #986D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB543 shade: #DCB541, #DC8B41, #DC6141 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB543 shade: #DCB541, #DADC41, #B0DC41, #86DC41 and #5DDC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB543 shade matches the following richer shades: #DCB541 and #EEBE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB543 shade: #DCB541, #CAAC54, #B8A366, #A69A78 and #94918A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB543 shade: #DC6041, #DC8A41, #DCB341, #DCDC41 and #B3DC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB543 shade: #AC881F, #CEA426, #DCB541, #E3C264 and #E9D087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB543 shade: #DCB543, #4CDC41 and #7541DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB543 shade: #DCB543, #41DCB3 and #B341DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB543 shade: #DCB543, #4CDC41, #416BDC and #D241DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB543 shade: #DCB543, #41DC66, #416BDC and #DC41B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

Complementary color

CMYK 81 / 61 / 0 / 26

HEX #234ABC

RGB 35 74 188

HSL 224.71, 0.69%, 0.44%

LAB 35.76, 29.23, -63.65

 

CMYK 0 / 20 / 72 / 12

HEX #E1B53E

RGB 225 181 62

HSL 43.8, 0.73%, 0.56%

LAB 75.7, 4.13, 63.46

 

CMYK 0 / 18 / 67 / 5

HEX #F2C751

RGB 242 199 81

HSL 43.98, 0.86%, 0.63%

LAB 82.01, 2.92, 62.7

 

CMYK 0 / 15 / 61 / 0

HEX #FFD964

RGB 255 217 100

HSL 45.29, 1%, 0.7%

LAB 87.88, 0.23, 61.18

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB77

RGB 255 235 119

HSL 51.18, 1%, 0.73%

LAB 92.58, -7.46, 57.98

 

CMYK 0 / 1 / 46 / 0

HEX #FFFD8A

RGB 255 253 138

HSL 58.97, 1%, 0.77%

LAB 97.37, -14.7, 54.9

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 0 / 20 / 76 / 20

HEX #CBA330

RGB 203 163 48

HSL 44.52, 0.62%, 0.49%

LAB 68.83, 3.55, 61.36

 

CMYK 0 / 22 / 84 / 27

HEX #BA911D

RGB 186 145 29

HSL 44.33, 0.73%, 0.42%

LAB 62.32, 5.09, 61.15

 

CMYK 0 / 25 / 94 / 34

HEX #A97F0A

RGB 169 127 10

HSL 44.15, 0.89%, 0.35%

LAB 55.72, 6.91, 59.56

 

CMYK 0 / 28 / 100 / 40

HEX #986D00

RGB 152 109 0

HSL 43.03, 1%, 0.3%

LAB 49.02, 9.06, 55.81

 

CMYK 0 / 18 / 70 / 14

HEX #DCB541

RGB 220 181 65

HSL 44.9, 0.69%, 0.56%

LAB 75.23, 2.14, 61.63

 

CMYK 0 / 37 / 70 / 14

HEX #DC8B41

RGB 220 139 65

HSL 28.65, 0.69%, 0.56%

LAB 65.01, 24.57, 51.02

 

CMYK 0 / 56 / 70 / 14

HEX #DC6141

RGB 220 97 65

HSL 12.39, 0.69%, 0.56%

LAB 56.23, 46.15, 41.37

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 18 / 70 / 14

HEX #DCB541

RGB 220 181 65

HSL 44.9, 0.69%, 0.56%

LAB 75.23, 2.14, 61.63

 

CMYK 1 / 0 / 70 / 14

HEX #DADC41

RGB 218 220 65

HSL 60.77, 0.69%, 0.56%

LAB 85.24, -18.55, 71.46

 

CMYK 20 / 0 / 70 / 14

HEX #B0DC41

RGB 176 220 65

HSL 77.03, 0.69%, 0.56%

LAB 82.27, -35.47, 67.55

 

CMYK 39 / 0 / 70 / 14

HEX #86DC41

RGB 134 220 65

HSL 93.29, 0.69%, 0.56%

LAB 79.97, -50.66, 64.49

 

CMYK 58 / 0 / 70 / 14

HEX #5DDC41

RGB 93 220 65

HSL 109.16, 0.69%, 0.56%

LAB 78.4, -62.5, 62.38

 

CMYK 0 / 18 / 70 / 14

HEX #DCB541

RGB 220 181 65

HSL 44.9, 0.69%, 0.56%

LAB 75.23, 2.14, 61.63

 

CMYK 0 / 20 / 80 / 7

HEX #EEBE2F

RGB 238 190 47

HSL 44.92, 0.85%, 0.56%

LAB 79.16, 4.41, 72.39

 

CMYK 0 / 18 / 70 / 14

HEX #DCB541

RGB 220 181 65

HSL 44.9, 0.69%, 0.56%

LAB 75.23, 2.14, 61.63

 

CMYK 0 / 15 / 58 / 21

HEX #CAAC54

RGB 202 172 84

HSL 44.75, 0.53%, 0.56%

LAB 71.35, 0.38, 48.51

 

CMYK 0 / 11 / 45 / 28

HEX #B8A366

RGB 184 163 102

HSL 44.63, 0.37%, 0.56%

LAB 67.53, -0.79, 34.42

 

CMYK 0 / 7 / 28 / 35

HEX #A69A78

RGB 166 154 120

HSL 44.35, 0.21%, 0.56%

LAB 63.81, -1.07, 19.47

 

CMYK 0 / 2 / 7 / 42

HEX #94918A

RGB 148 145 138

HSL 42, 0.04%, 0.56%

LAB 60.23, -0.2, 4.09

 

CMYK 0 / 56 / 70 / 14

HEX #DC6041

RGB 220 96 65

HSL 12, 0.69%, 0.56%

LAB 56.05, 46.63, 41.16

 

CMYK 0 / 37 / 70 / 14

HEX #DC8A41

RGB 220 138 65

HSL 28.26, 0.69%, 0.56%

LAB 64.78, 25.11, 50.78

 

CMYK 0 / 19 / 70 / 14

HEX #DCB341

RGB 220 179 65

HSL 44.13, 0.69%, 0.56%

LAB 74.72, 3.19, 61.12

 

CMYK 0 / 0 / 70 / 14

HEX #DCDC41

RGB 220 220 65

HSL 60, 0.69%, 0.56%

LAB 85.39, -17.72, 71.67

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 0 / 21 / 82 / 33

HEX #AC881F

RGB 172 136 31

HSL 44.68, 0.69%, 0.4%

LAB 58.49, 3.78, 56.65

 

CMYK 0 / 20 / 82 / 19

HEX #CEA426

RGB 206 164 38

HSL 45, 0.69%, 0.48%

LAB 69.34, 3.97, 65.3

 

CMYK 0 / 18 / 70 / 14

HEX #DCB541

RGB 220 181 65

HSL 44.9, 0.69%, 0.56%

LAB 75.23, 2.14, 61.63

 

CMYK 0 / 15 / 56 / 11

HEX #E3C264

RGB 227 194 100

HSL 44.41, 0.69%, 0.64%

LAB 79.52, 0.52, 50.95

 

CMYK 0 / 11 / 42 / 9

HEX #E9D087

RGB 233 208 135

HSL 44.69, 0.69%, 0.72%

LAB 84.06, -1.12, 39.38

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 65 / 0 / 70 / 14

HEX #4CDC41

RGB 76 220 65

HSL 115.74, 0.69%, 0.56%

LAB 77.94, -66.26, 61.75

 

CMYK 47 / 70 / 0 / 14

HEX #7541DC

RGB 117 65 220

HSL 260.13, 0.69%, 0.56%

LAB 42.35, 56.14, -71.18

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 70 / 0 / 19 / 14

HEX #41DCB3

RGB 65 220 179

HSL 164.13, 0.69%, 0.56%

LAB 79.37, -49.6, 8.62

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 65 / 0 / 70 / 14

HEX #4CDC41

RGB 76 220 65

HSL 115.74, 0.69%, 0.56%

LAB 77.94, -66.26, 61.75

 

CMYK 70 / 51 / 0 / 14

HEX #416BDC

RGB 65 107 220

HSL 223.74, 0.69%, 0.56%

LAB 48.02, 23.22, -62.15

 

CMYK 5 / 70 / 0 / 14

HEX #D241DC

RGB 210 65 220

HSL 296.13, 0.69%, 0.56%

LAB 54.71, 74.19, -50.62

 

CMYK 0 / 18 / 70 / 14

HEX #DCB543

RGB 220 181 67

HSL 44.71, 0.69%, 0.56%

LAB 75.24, 2.24, 60.84

 

CMYK 70 / 0 / 54 / 14

HEX #41DC66

RGB 65 220 102

HSL 134.32, 0.69%, 0.56%

LAB 78.03, -64.24, 46.09

 

CMYK 70 / 51 / 0 / 14

HEX #416BDC

RGB 65 107 220

HSL 223.74, 0.69%, 0.56%

LAB 48.02, 23.22, -62.15

 

CMYK 0 / 70 / 16 / 14

HEX #DC41B8

RGB 220 65 184

HSL 313.94, 0.69%, 0.56%

LAB 54.51, 70.96, -30.19

 

Description

Color code: HEX #DCB543 | qconv.com Color code: HEX #DCB543 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 181 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 181 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 70 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 70% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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