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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B341DC it is the complementary color #4CBE23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B341DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B341DC shade: #B841D7, #C953EA, #DA65FD, #EB77FF and #FC89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B341DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B341DC shade: #B341DC, #A22FC9, #911DB6, #800BA3 and #6F0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B341DC shade: #B341DC, #DC41DB, #DC41B2, #DC4188 and #DC415E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B341DC shade: #B341DC, #8A41DC, #6041DC and #4141DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B341DC shade matches the following richer shades: #B341DC and #BC2FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B341DC shade: #B341DC, #AB54CA, #A266B8, #9A78A6 and #918A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B341DC shade: #6041DC, #8A41DC, #B341DC, #DC41DC and #DC41B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B341DC shade: #871FAC, #A226CE, #B341DC, #C164E3 and #CF87E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B341DC shade: #B341DC, #DC414C and #41DC75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B341DC shade: #B341DC, #DCB341 and #41DCB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B341DC shade: #B341DC, #DC414C, #6BDC41 and #41DCD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B341DC shade: #B341DC, #DC6641, #6BDC41 and #41B8DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

Complementary color

CMYK 60 / 0 / 82 / 25

HEX #4CBE23

RGB 76 190 35

HSL 104.13, 0.69%, 0.44%

LAB 68.38, -58.11, 62.15

 

CMYK 14 / 70 / 0 / 16

HEX #B841D7

RGB 184 65 215

HSL 287.6, 0.65%, 0.55%

LAB 50.54, 67.84, -54.66

 

CMYK 14 / 65 / 0 / 8

HEX #C953EA

RGB 201 83 234

HSL 286.89, 0.78%, 0.62%

LAB 56.63, 67.88, -55.52

 

CMYK 14 / 60 / 0 / 1

HEX #DA65FD

RGB 218 101 253

HSL 286.18, 0.97%, 0.69%

LAB 62.76, 67.59, -56.16

 

CMYK 8 / 53 / 0 / 0

HEX #EB77FF

RGB 235 119 255

HSL 291.18, 1%, 0.73%

LAB 68.08, 63.9, -48.7

 

CMYK 1 / 46 / 0 / 0

HEX #FC89FF

RGB 252 137 255

HSL 298.47, 1%, 0.77%

LAB 73.42, 59.87, -40.18

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 19 / 77 / 0 / 21

HEX #A22FC9

RGB 162 47 201

HSL 284.81, 0.62%, 0.49%

LAB 44.13, 67.28, -57.09

 

CMYK 20 / 84 / 0 / 29

HEX #911DB6

RGB 145 29 182

HSL 285.49, 0.73%, 0.41%

LAB 38.33, 65.95, -55.47

 

CMYK 21 / 93 / 0 / 36

HEX #800BA3

RGB 128 11 163

HSL 286.18, 0.87%, 0.34%

LAB 32.86, 63.34, -53.11

 

CMYK 23 / 100 / 0 / 44

HEX #6F0090

RGB 111 0 144

HSL 286.25, 1%, 0.28%

LAB 27.83, 59.03, -49.8

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 70 / 0 / 14

HEX #DC41DB

RGB 220 65 219

HSL 300.39, 0.69%, 0.56%

LAB 56.2, 76.15, -47.59

 

CMYK 0 / 70 / 19 / 14

HEX #DC41B2

RGB 220 65 178

HSL 316.26, 0.69%, 0.56%

LAB 54.25, 70.14, -27.11

 

CMYK 0 / 70 / 38 / 14

HEX #DC4188

RGB 220 65 136

HSL 332.52, 0.69%, 0.56%

LAB 52.7, 65.13, -4.69

 

CMYK 0 / 70 / 57 / 14

HEX #DC415E

RGB 220 65 94

HSL 348.77, 0.69%, 0.56%

LAB 51.62, 61.48, 18.99

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 37 / 70 / 0 / 14

HEX #8A41DC

RGB 138 65 220

HSL 268.26, 0.69%, 0.56%

LAB 44.73, 59.81, -67.2

 

CMYK 56 / 70 / 0 / 14

HEX #6041DC

RGB 96 65 220

HSL 252, 0.69%, 0.56%

LAB 40.3, 52.88, -74.62

 

CMYK 70 / 70 / 0 / 14

HEX #4141DC

RGB 65 65 220

HSL 240, 0.69%, 0.56%

LAB 37.97, 49.02, -78.53

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 21 / 80 / 0 / 7

HEX #BC2FEE

RGB 188 47 238

HSL 284.29, 0.85%, 0.56%

LAB 50.57, 78.77, -67.62

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 15 / 58 / 0 / 21

HEX #AB54CA

RGB 171 84 202

HSL 284.24, 0.53%, 0.56%

LAB 50.99, 54.02, -46.6

 

CMYK 12 / 45 / 0 / 28

HEX #A266B8

RGB 162 102 184

HSL 283.9, 0.37%, 0.56%

LAB 52.56, 38.38, -33.84

 

CMYK 7 / 28 / 0 / 35

HEX #9A78A6

RGB 154 120 166

HSL 284.35, 0.21%, 0.56%

LAB 55.13, 21.79, -19.53

 

CMYK 2 / 7 / 0 / 42

HEX #918A94

RGB 145 138 148

HSL 282, 0.04%, 0.56%

LAB 58.35, 4.55, -4.39

 

CMYK 56 / 70 / 0 / 14

HEX #6041DC

RGB 96 65 220

HSL 252, 0.69%, 0.56%

LAB 40.3, 52.88, -74.62

 

CMYK 37 / 70 / 0 / 14

HEX #8A41DC

RGB 138 65 220

HSL 268.26, 0.69%, 0.56%

LAB 44.73, 59.81, -67.2

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 70 / 0 / 14

HEX #DC41DC

RGB 220 65 220

HSL 300, 0.69%, 0.56%

LAB 56.25, 76.31, -48.07

 

CMYK 0 / 70 / 19 / 14

HEX #DC41B3

RGB 220 65 179

HSL 315.87, 0.69%, 0.56%

LAB 54.29, 70.28, -27.63

 

CMYK 22 / 82 / 0 / 33

HEX #871FAC

RGB 135 31 172

HSL 284.26, 0.69%, 0.4%

LAB 36.19, 61.77, -53.06

 

CMYK 21 / 82 / 0 / 19

HEX #A226CE

RGB 162 38 206

HSL 284.29, 0.69%, 0.48%

LAB 43.54, 70.95, -60.94

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 15 / 56 / 0 / 11

HEX #C164E3

RGB 193 100 227

HSL 283.94, 0.69%, 0.64%

LAB 58.04, 56.87, -49.42

 

CMYK 11 / 42 / 0 / 9

HEX #CF87E9

RGB 207 135 233

HSL 284.08, 0.69%, 0.72%

LAB 66.88, 43.95, -38.72

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 70 / 65 / 14

HEX #DC414C

RGB 220 65 76

HSL 355.74, 0.69%, 0.56%

LAB 51.29, 60.36, 29.28

 

CMYK 70 / 0 / 47 / 14

HEX #41DC75

RGB 65 220 117

HSL 140.13, 0.69%, 0.56%

LAB 78.22, -62.03, 39.11

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 19 / 70 / 14

HEX #DCB341

RGB 220 179 65

HSL 44.13, 0.69%, 0.56%

LAB 74.72, 3.19, 61.12

 

CMYK 70 / 0 / 19 / 14

HEX #41DCB3

RGB 65 220 179

HSL 164.13, 0.69%, 0.56%

LAB 79.37, -49.6, 8.62

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 70 / 65 / 14

HEX #DC414C

RGB 220 65 76

HSL 355.74, 0.69%, 0.56%

LAB 51.29, 60.36, 29.28

 

CMYK 51 / 0 / 70 / 14

HEX #6BDC41

RGB 107 220 65

HSL 103.74, 0.69%, 0.56%

LAB 78.86, -58.86, 63

 

CMYK 70 / 0 / 5 / 14

HEX #41DCD2

RGB 65 220 210

HSL 176.13, 0.69%, 0.56%

LAB 80.16, -41.65, -6.73

 

CMYK 19 / 70 / 0 / 14

HEX #B341DC

RGB 179 65 220

HSL 284.13, 0.69%, 0.56%

LAB 50.13, 67.77, -58.2

 

CMYK 0 / 54 / 70 / 14

HEX #DC6641

RGB 220 102 65

HSL 14.32, 0.69%, 0.56%

LAB 57.17, 43.73, 42.43

 

CMYK 51 / 0 / 70 / 14

HEX #6BDC41

RGB 107 220 65

HSL 103.74, 0.69%, 0.56%

LAB 78.86, -58.86, 63

 

CMYK 70 / 16 / 0 / 14

HEX #41B8DC

RGB 65 184 220

HSL 193.94, 0.69%, 0.56%

LAB 69.88, -21.45, -27.66

 

Description

Color code: HEX #B341DC | qconv.com Color code: HEX #B341DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 65 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 65 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 70 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 70% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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