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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC947D it is the complementary color #236B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC947D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DC947D: #E19478, #F2A68B, #FFB89E, #FFCAB1 and #FFDCC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC947D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DC947D: #DC947D, #CB826A, #BA7057, #A95E44 and #984C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

Complementary color

CMYK 73 / 18 / 0 / 49

HEX #236B82

RGB 35 107 130

HSL 194.53, 0.58%, 0.32%

LAB 41.98, -14.01, -19.16

 

CMYK 0 / 34 / 47 / 12

HEX #E19478

RGB 225 148 120

HSL 16, 0.64%, 0.68%

LAB 68.42, 25.91, 26.72

 

CMYK 0 / 31 / 43 / 5

HEX #F2A68B

RGB 242 166 139

HSL 15.73, 0.8%, 0.75%

LAB 74.83, 24.92, 25.32

 

CMYK 0 / 28 / 38 / 0

HEX #FFB89E

RGB 255 184 158

HSL 16.08, 1%, 0.81%

LAB 80.74, 22.5, 23.39

 

CMYK 0 / 21 / 31 / 0

HEX #FFCAB1

RGB 255 202 177

HSL 19.23, 1%, 0.85%

LAB 85.34, 15.36, 19.65

 

CMYK 0 / 14 / 23 / 0

HEX #FFDCC4

RGB 255 220 196

HSL 24.41, 1%, 0.88%

LAB 90.06, 8.55, 16.27

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 0 / 36 / 48 / 20

HEX #CB826A

RGB 203 130 106

HSL 14.85, 0.48%, 0.61%

LAB 61.4, 25.5, 24.68

 

CMYK 0 / 40 / 53 / 27

HEX #BA7057

RGB 186 112 87

HSL 15.15, 0.42%, 0.54%

LAB 54.78, 26.68, 26.31

 

CMYK 0 / 44 / 60 / 34

HEX #A95E44

RGB 169 94 68

HSL 15.45, 0.43%, 0.46%

LAB 48.08, 28.01, 28.16

 

CMYK 0 / 50 / 68 / 40

HEX #984C31

RGB 152 76 49

HSL 15.73, 0.51%, 0.39%

LAB 41.32, 29.51, 30.27

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 0 / 26 / 43 / 14

HEX #DCA37E

RGB 220 163 126

HSL 23.62, 0.57%, 0.68%

LAB 71.5, 16.49, 27.45

 

CMYK 0 / 19 / 43 / 14

HEX #DCB37E

RGB 220 179 126

HSL 33.83, 0.57%, 0.68%

LAB 75.43, 7.92, 32.63

 

CMYK 0 / 11 / 43 / 14

HEX #DCC37E

RGB 220 195 126

HSL 44.04, 0.57%, 0.68%

LAB 79.47, -0.5, 37.85

 

CMYK 0 / 4 / 43 / 14

HEX #DCD37E

RGB 220 211 126

HSL 54.26, 0.57%, 0.68%

LAB 83.61, -8.74, 43.09

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 0 / 31 / 44 / 94

HEX #100B09

RGB 16 11 9

HSL 17.14, 0.28%, 0.05%

LAB 3.34, 1.3, 1.32

 

CMYK 0 / 33 / 43 / 74

HEX #432D26

RGB 67 45 38

HSL 14.48, 0.28%, 0.21%

LAB 20.87, 9.06, 8.57

 

CMYK 0 / 33 / 43 / 54

HEX #764F43

RGB 118 79 67

HSL 14.12, 0.28%, 0.36%

LAB 37.57, 14.81, 13.73

 

CMYK 0 / 33 / 43 / 34

HEX #A97260

RGB 169 114 96

HSL 14.79, 0.3%, 0.52%

LAB 53.29, 19.5, 18.79

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 19 / 0 / 43 / 14

HEX #B3DC7E

RGB 179 220 126

HSL 86.17, 0.57%, 0.68%

LAB 83.06, -28.95, 41.77

 

CMYK 43 / 36 / 0 / 14

HEX #7E8DDC

RGB 126 141 220

HSL 230.43, 0.57%, 0.68%

LAB 60.47, 14.72, -42.07

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 43 / 0 / 33 / 14

HEX #7EDC94

RGB 126 220 148

HSL 134.04, 0.57%, 0.68%

LAB 80.61, -43.14, 26.89

 

CMYK 33 / 43 / 0 / 14

HEX #947EDC

RGB 148 126 220

HSL 254.04, 0.57%, 0.68%

LAB 58.4, 29.27, -45.22

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 19 / 0 / 43 / 14

HEX #B3DC7E

RGB 179 220 126

HSL 86.17, 0.57%, 0.68%

LAB 83.06, -28.95, 41.77

 

CMYK 43 / 10 / 0 / 14

HEX #7EC6DC

RGB 126 198 220

HSL 194.04, 0.57%, 0.68%

LAB 76.06, -16.85, -18.03

 

CMYK 24 / 43 / 0 / 14

HEX #A77EDC

RGB 167 126 220

HSL 266.17, 0.57%, 0.68%

LAB 60.16, 34.53, -42.33

 

CMYK 0 / 33 / 43 / 14

HEX #DC947D

RGB 220 148 125

HSL 14.53, 0.58%, 0.68%

LAB 67.93, 24.46, 23.22

 

CMYK 31 / 0 / 43 / 14

HEX #97DC7E

RGB 151 220 126

HSL 104.04, 0.57%, 0.68%

LAB 81.44, -38.8, 39.38

 

CMYK 43 / 10 / 0 / 14

HEX #7EC6DC

RGB 126 198 220

HSL 194.04, 0.57%, 0.68%

LAB 76.06, -16.85, -18.03

 

CMYK 11 / 43 / 0 / 14

HEX #C37EDC

RGB 195 126 220

HSL 284.04, 0.57%, 0.68%

LAB 63.09, 42.6, -37.54

 

Description

Color code: HEX #DC947D | qconv.com Color code: HEX #DC947D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 148 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 148 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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