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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC87BF it is the complementary color #237840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC87BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC87BF shade: #E187BA, #F299CD, #FFABE0, #FFBDF3 and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC87BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC87BF shade: #DC87BF, #CB75AC, #BA6399, #A95186 and #983F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC87BF shade: #DD88C0, #DD88A9, #DD8892 and #DD8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC87BF shade: #DD88C0, #DD88D7, #CC88DD, #B588DD and #9F88DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC87BF shade matches the following richer shades: #DD88C0, #E97CC4 and #F570C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC87BF shade: #DD88C0, #D095BC, #C4A1B8, #B7AEB4 and #ABBAB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC87BF shade: #CC88DD, #DD88D7, #DD88C1, #DD88AA and #DD8894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC87BF shade: #CA489E, #D368AF, #DD88C0, #E6A8D1 and #EFC8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC87BF shade: #DC87BF, #DDB588 and #88DDD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC87BF shade: #DC87BF, #C1DD88 and #88C1DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC87BF shade: #DC87BF, #DDB588, #88DDA4 and #88B0DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC87BF shade: #DC87BF, #DDCF88, #88DDA4 and #8896DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

Complementary color

CMYK 71 / 0 / 47 / 53

HEX #237840

RGB 35 120 64

HSL 140.47, 0.55%, 0.3%

LAB 44.46, -38.47, 23.58

 

CMYK 0 / 40 / 17 / 12

HEX #E187BA

RGB 225 135 186

HSL 326, 0.6%, 0.71%

LAB 67.19, 41.2, -11.91

 

CMYK 0 / 37 / 15 / 5

HEX #F299CD

RGB 242 153 205

HSL 324.94, 0.77%, 0.77%

LAB 73.59, 40.43, -12.67

 

CMYK 0 / 33 / 12 / 0

HEX #FFABE0

RGB 255 171 224

HSL 322.14, 1%, 0.84%

LAB 79.48, 38.37, -14.05

 

CMYK 0 / 26 / 5 / 0

HEX #FFBDF3

RGB 255 189 243

HSL 310.91, 1%, 0.87%

LAB 84.03, 32.13, -17.42

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

CMYK 0 / 42 / 15 / 20

HEX #CB75AC

RGB 203 117 172

HSL 321.63, 0.45%, 0.63%

LAB 60.25, 41.1, -14.69

 

CMYK 0 / 47 / 18 / 27

HEX #BA6399

RGB 186 99 153

HSL 322.76, 0.39%, 0.56%

LAB 53.67, 41.88, -13.84

 

CMYK 0 / 52 / 21 / 34

HEX #A95186

RGB 169 81 134

HSL 323.86, 0.35%, 0.49%

LAB 47.03, 42.62, -12.82

 

CMYK 0 / 59 / 24 / 40

HEX #983F73

RGB 152 63 115

HSL 324.94, 0.41%, 0.42%

LAB 40.36, 43.25, -11.56

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C0

RGB 221 136 192

HSL 320.47, 0.56%, 0.7%

LAB 67.12, 40.29, -15.43

 

CMYK 0 / 38 / 24 / 13

HEX #DD88A9

RGB 221 136 169

HSL 336.71, 0.56%, 0.7%

LAB 66.4, 36.77, -3.57

 

CMYK 0 / 38 / 34 / 13

HEX #DD8892

RGB 221 136 146

HSL 352.94, 0.56%, 0.7%

LAB 65.79, 33.68, 8.53

 

CMYK 0 / 38 / 38 / 13

HEX #DD8888

RGB 221 136 136

HSL 0, 0.56%, 0.7%

LAB 65.56, 32.48, 13.84

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C0

RGB 221 136 192

HSL 320.47, 0.56%, 0.7%

LAB 67.12, 40.29, -15.43

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 8 / 38 / 0 / 13

HEX #CC88DD

RGB 204 136 221

HSL 288, 0.56%, 0.7%

LAB 66.26, 40.12, -33.07

 

CMYK 18 / 38 / 0 / 13

HEX #B588DD

RGB 181 136 221

HSL 271.76, 0.56%, 0.7%

LAB 63.88, 33.21, -36.97

 

CMYK 28 / 38 / 0 / 13

HEX #9F88DD

RGB 159 136 221

HSL 256.24, 0.56%, 0.7%

LAB 61.83, 26.82, -40.33

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C0

RGB 221 136 192

HSL 320.47, 0.56%, 0.7%

LAB 67.12, 40.29, -15.43

 

CMYK 0 / 47 / 16 / 9

HEX #E97CC4

RGB 233 124 196

HSL 320.37, 0.71%, 0.7%

LAB 66.31, 50.92, -18.75

 

CMYK 0 / 54 / 18 / 4

HEX #F570C8

RGB 245 112 200

HSL 320.3, 0.87%, 0.7%

LAB 65.88, 60.86, -21.5

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C0

RGB 221 136 192

HSL 320.47, 0.56%, 0.7%

LAB 67.12, 40.29, -15.43

 

CMYK 0 / 28 / 10 / 18

HEX #D095BC

RGB 208 149 188

HSL 320.34, 0.39%, 0.7%

LAB 68.41, 28.25, -11.39

 

CMYK 0 / 18 / 6 / 23

HEX #C4A1B8

RGB 196 161 184

HSL 320.57, 0.23%, 0.7%

LAB 69.96, 16.76, -6.99

 

CMYK 0 / 5 / 2 / 28

HEX #B7AEB4

RGB 183 174 180

HSL 320, 0.06%, 0.7%

LAB 71.98, 4.31, -1.92

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB0

RGB 171 186 176

HSL 140, 0.1%, 0.7%

LAB 74.13, -7.09, 3.29

 

CMYK 8 / 38 / 0 / 13

HEX #CC88DD

RGB 204 136 221

HSL 288, 0.56%, 0.7%

LAB 66.26, 40.12, -33.07

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C1

RGB 221 136 193

HSL 319.76, 0.56%, 0.7%

LAB 67.15, 40.45, -15.94

 

CMYK 0 / 38 / 23 / 13

HEX #DD88AA

RGB 221 136 170

HSL 336, 0.56%, 0.7%

LAB 66.43, 36.92, -4.09

 

CMYK 0 / 38 / 33 / 13

HEX #DD8894

RGB 221 136 148

HSL 351.53, 0.56%, 0.7%

LAB 65.84, 33.93, 7.47

 

CMYK 0 / 64 / 22 / 21

HEX #CA489E

RGB 202 72 158

HSL 320.31, 0.55%, 0.54%

LAB 51.45, 60.14, -19.94

 

CMYK 0 / 51 / 17 / 17

HEX #D368AF

RGB 211 104 175

HSL 320.19, 0.55%, 0.62%

LAB 58.83, 50.75, -18.46

 

CMYK 0 / 38 / 13 / 13

HEX #DD88C0

RGB 221 136 192

HSL 320.47, 0.56%, 0.7%

LAB 67.12, 40.29, -15.43

 

CMYK 0 / 27 / 9 / 10

HEX #E6A8D1

RGB 230 168 209

HSL 320.32, 0.55%, 0.78%

LAB 75.72, 29.11, -11.8

 

CMYK 0 / 16 / 5 / 6

HEX #EFC8E2

RGB 239 200 226

HSL 320, 0.55%, 0.86%

LAB 84.56, 18.03, -7.72

 

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

CMYK 0 / 18 / 38 / 13

HEX #DDB588

RGB 221 181 136

HSL 31.76, 0.56%, 0.7%

LAB 76.19, 8.36, 28.37

 

CMYK 38 / 0 / 3 / 13

HEX #88DDD7

RGB 136 221 215

HSL 175.76, 0.56%, 0.7%

LAB 82.84, -27.08, -5.19

 

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

CMYK 13 / 0 / 38 / 13

HEX #C1DD88

RGB 193 221 136

HSL 79.76, 0.56%, 0.7%

LAB 84.39, -23.03, 38.68

 

CMYK 38 / 13 / 0 / 13

HEX #88C1DD

RGB 136 193 221

HSL 199.76, 0.56%, 0.7%

LAB 75.2, -11.43, -19.83

 

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

CMYK 0 / 18 / 38 / 13

HEX #DDB588

RGB 221 181 136

HSL 31.76, 0.56%, 0.7%

LAB 76.19, 8.36, 28.37

 

CMYK 38 / 0 / 26 / 13

HEX #88DDA4

RGB 136 221 164

HSL 139.76, 0.56%, 0.7%

LAB 81.64, -37.87, 20.05

 

CMYK 38 / 20 / 0 / 13

HEX #88B0DD

RGB 136 176 221

HSL 211.76, 0.56%, 0.7%

LAB 70.53, -2.28, -26.95

 

CMYK 0 / 39 / 13 / 14

HEX #DC87BF

RGB 220 135 191

HSL 320.47, 0.55%, 0.7%

LAB 66.75, 40.32, -15.43

 

CMYK 0 / 6 / 38 / 13

HEX #DDCF88

RGB 221 207 136

HSL 50.12, 0.56%, 0.7%

LAB 82.79, -5.24, 37.04

 

CMYK 38 / 0 / 26 / 13

HEX #88DDA4

RGB 136 221 164

HSL 139.76, 0.56%, 0.7%

LAB 81.64, -37.87, 20.05

 

CMYK 38 / 32 / 0 / 13

HEX #8896DD

RGB 136 150 221

HSL 230.12, 0.56%, 0.7%

LAB 63.56, 12.38, -37.74

 

Description

Color code: HEX #DC87BF | qconv.com Color code: HEX #DC87BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 135 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 135 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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