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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 136 215 it is the complementary color RGB 34 119 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 136 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 136 215 shade: RGB 226 136 210, RGB 243 154 229, RGB 255 172 248, RGB 255 190 255 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 136 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 136 215 shade: RGB 221 136 215, RGB 204 118 196, RGB 187 100 177, RGB 170 82 158 and RGB 153 64 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 136 215 shade: RGB 221 135 215, RGB 221 135 192, RGB 221 135 169, RGB 221 135 145 and RGB 221 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 136 215 shade: RGB 221 135 215, RGB 204 135 221, RGB 181 135 221, RGB 158 135 221 and RGB 135 135 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 136 215 shade matches the following richer shades: RGB 221 135 215, RGB 233 123 225 and RGB 246 110 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 136 215 shade: RGB 221 135 215, RGB 208 148 204, RGB 196 160 194, RGB 184 172 183 and RGB 171 185 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 136 215 shade: RGB 181 135 221, RGB 204 135 221, RGB 221 135 215, RGB 221 135 192 and RGB 221 135 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 136 215 shade: RGB 203 71 193, RGB 212 103 204, RGB 221 135 215, RGB 230 167 225 and RGB 239 200 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 136 215 shade: RGB 221 136 215, RGB 221 158 135 and RGB 135 221 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 136 215 shade: RGB 221 136 215, RGB 215 221 135 and RGB 135 215 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 136 215 shade: RGB 221 136 215, RGB 221 158 135, RGB 135 221 141 and RGB 135 198 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 136 215 shade: RGB 221 136 215, RGB 221 184 135, RGB 135 221 141 and RGB 135 172 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

Complementary color

CMYK 71 / 0 / 66 / 53

HEX #227728

RGB 34 119 40

HSL 124.24, 0.56%, 0.3%

LAB 43.78, -41.89, 35.24

 

CMYK 0 / 40 / 7 / 11

HEX #E288D2

RGB 226 136 210

HSL 310.67, 0.61%, 0.71%

LAB 68.34, 44.9, -23.56

 

CMYK 0 / 37 / 6 / 5

HEX #F39AE5

RGB 243 154 229

HSL 309.44, 0.79%, 0.78%

LAB 74.71, 44.16, -24.11

 

CMYK 0 / 33 / 3 / 0

HEX #FFACF8

RGB 255 172 248

HSL 305.06, 1%, 0.84%

LAB 80.48, 41.88, -25.47

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 0 / 42 / 4 / 20

HEX #CC76C4

RGB 204 118 196

HSL 305.58, 0.46%, 0.63%

LAB 61.46, 44.95, -26.49

 

CMYK 0 / 47 / 5 / 27

HEX #BB64B1

RGB 187 100 177

HSL 306.9, 0.39%, 0.56%

LAB 54.92, 45.68, -25.88

 

CMYK 0 / 52 / 7 / 33

HEX #AA529E

RGB 170 82 158

HSL 308.18, 0.35%, 0.49%

LAB 48.32, 46.35, -25.16

 

CMYK 0 / 58 / 9 / 40

HEX #99408B

RGB 153 64 139

HSL 309.44, 0.41%, 0.43%

LAB 41.69, 46.87, -24.23

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 39 / 13 / 13

HEX #DD87C0

RGB 221 135 192

HSL 320.23, 0.56%, 0.7%

LAB 66.9, 40.82, -15.75

 

CMYK 0 / 39 / 24 / 13

HEX #DD87A9

RGB 221 135 169

HSL 336.28, 0.56%, 0.7%

LAB 66.19, 37.3, -3.88

 

CMYK 0 / 39 / 34 / 13

HEX #DD8791

RGB 221 135 145

HSL 353.02, 0.56%, 0.7%

LAB 65.55, 34.09, 8.75

 

CMYK 0 / 39 / 39 / 13

HEX #DD8787

RGB 221 135 135

HSL 0, 0.56%, 0.7%

LAB 65.32, 32.9, 14.07

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 8 / 39 / 0 / 13

HEX #CC87DD

RGB 204 135 221

HSL 288.14, 0.56%, 0.7%

LAB 66.05, 40.66, -33.41

 

CMYK 18 / 39 / 0 / 13

HEX #B587DD

RGB 181 135 221

HSL 272.09, 0.56%, 0.7%

LAB 63.65, 33.77, -37.32

 

CMYK 29 / 39 / 0 / 13

HEX #9E87DD

RGB 158 135 221

HSL 256.05, 0.56%, 0.7%

LAB 61.5, 27.11, -40.85

 

CMYK 39 / 39 / 0 / 13

HEX #8787DD

RGB 135 135 221

HSL 240, 0.56%, 0.7%

LAB 59.62, 20.84, -43.94

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 47 / 3 / 9

HEX #E97BE1

RGB 233 123 225

HSL 304.36, 0.71%, 0.7%

LAB 67.22, 56.11, -33.54

 

CMYK 0 / 55 / 4 / 4

HEX #F66EEC

RGB 246 110 236

HSL 304.41, 0.88%, 0.7%

LAB 67.13, 67.54, -39.64

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 29 / 2 / 18

HEX #D094CC

RGB 208 148 204

HSL 304, 0.39%, 0.7%

LAB 68.71, 31.64, -19.84

 

CMYK 0 / 18 / 1 / 23

HEX #C4A0C2

RGB 196 160 194

HSL 303.33, 0.23%, 0.7%

LAB 70.02, 19.15, -12.44

 

CMYK 0 / 7 / 1 / 28

HEX #B8ACB7

RGB 184 172 183

HSL 305, 0.08%, 0.7%

LAB 71.63, 6.31, -4.08

 

CMYK 8 / 0 / 7 / 27

HEX #ABB9AC

RGB 171 185 172

HSL 124.29, 0.09%, 0.7%

LAB 73.76, -7.31, 4.93

 

CMYK 18 / 39 / 0 / 13

HEX #B587DD

RGB 181 135 221

HSL 272.09, 0.56%, 0.7%

LAB 63.65, 33.77, -37.32

 

CMYK 8 / 39 / 0 / 13

HEX #CC87DD

RGB 204 135 221

HSL 288.14, 0.56%, 0.7%

LAB 66.05, 40.66, -33.41

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 39 / 13 / 13

HEX #DD87C0

RGB 221 135 192

HSL 320.23, 0.56%, 0.7%

LAB 66.9, 40.82, -15.75

 

CMYK 0 / 39 / 24 / 13

HEX #DD87A9

RGB 221 135 169

HSL 336.28, 0.56%, 0.7%

LAB 66.19, 37.3, -3.88

 

CMYK 0 / 65 / 5 / 20

HEX #CB47C1

RGB 203 71 193

HSL 304.55, 0.56%, 0.54%

LAB 53.01, 66.01, -37.94

 

CMYK 0 / 51 / 4 / 17

HEX #D467CC

RGB 212 103 204

HSL 304.4, 0.56%, 0.62%

LAB 59.94, 56.21, -33.29

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E1

RGB 230 167 225

HSL 304.76, 0.56%, 0.78%

LAB 76.01, 32.44, -20.09

 

CMYK 0 / 16 / 1 / 6

HEX #EFC8EC

RGB 239 200 236

HSL 304.62, 0.55%, 0.86%

LAB 84.85, 19.8, -12.61

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 0 / 29 / 39 / 13

HEX #DD9E87

RGB 221 158 135

HSL 16.05, 0.56%, 0.7%

LAB 70.58, 20.57, 21.34

 

CMYK 39 / 0 / 13 / 13

HEX #87DDC0

RGB 135 221 192

HSL 159.77, 0.56%, 0.7%

LAB 82.2, -32.54, 6.09

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 3 / 0 / 39 / 13

HEX #D7DD87

RGB 215 221 135

HSL 64.19, 0.56%, 0.7%

LAB 85.96, -14.77, 41.51

 

CMYK 39 / 3 / 0 / 13

HEX #87D7DD

RGB 135 215 221

HSL 184.19, 0.56%, 0.7%

LAB 81.28, -22.95, -10.69

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 0 / 29 / 39 / 13

HEX #DD9E87

RGB 221 158 135

HSL 16.05, 0.56%, 0.7%

LAB 70.58, 20.57, 21.34

 

CMYK 39 / 0 / 36 / 13

HEX #87DD8D

RGB 135 221 141

HSL 124.19, 0.56%, 0.7%

LAB 81.17, -42.12, 31.32

 

CMYK 39 / 10 / 0 / 13

HEX #87C6DD

RGB 135 198 221

HSL 196.05, 0.56%, 0.7%

LAB 76.53, -14.31, -17.81

 

CMYK 0 / 38 / 3 / 13

HEX #DD88D7

RGB 221 136 215

HSL 304.24, 0.56%, 0.7%

LAB 67.94, 44.21, -27

 

CMYK 0 / 17 / 39 / 13

HEX #DDB887

RGB 221 184 135

HSL 34.19, 0.56%, 0.7%

LAB 76.92, 6.65, 29.87

 

CMYK 39 / 0 / 36 / 13

HEX #87DD8D

RGB 135 221 141

HSL 124.19, 0.56%, 0.7%

LAB 81.17, -42.12, 31.32

 

CMYK 39 / 22 / 0 / 13

HEX #87ACDD

RGB 135 172 221

HSL 214.19, 0.56%, 0.7%

LAB 69.38, -0.34, -28.72

 

Description

Color code: RGB 221 136 215 | qconv.com Color code: RGB 221 136 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 136 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 136 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 3 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 3% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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