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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6F09 it is the complementary color #2390F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6F09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DC6F09: #E16F04, #F28117, #FF932A, #FFA53D and #FFB750

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6F09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DC6F09: #DC6F09, #CB5D00, #BA4B00, #A93900 and #982700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

Complementary color

CMYK 86 / 41 / 0 / 4

HEX #2390F6

RGB 35 144 246

HSL 209, 0.92%, 0.55%

LAB 58.94, 6.9, -59.16

 

CMYK 0 / 51 / 98 / 12

HEX #E16F04

RGB 225 111 4

HSL 29.05, 0.97%, 0.45%

LAB 59.33, 39.59, 66.51

 

CMYK 0 / 47 / 90 / 5

HEX #F28117

RGB 242 129 23

HSL 29.04, 0.89%, 0.52%

LAB 65.47, 37.45, 68.16

 

CMYK 0 / 42 / 84 / 0

HEX #FF932A

RGB 255 147 42

HSL 29.58, 1%, 0.58%

LAB 71.07, 33.86, 67.75

 

CMYK 0 / 35 / 76 / 0

HEX #FFA53D

RGB 255 165 61

HSL 32.16, 1%, 0.62%

LAB 75.14, 25.15, 64.42

 

CMYK 0 / 28 / 69 / 0

HEX #FFB750

RGB 255 183 80

HSL 35.31, 1%, 0.66%

LAB 79.45, 16.61, 60.81

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 0 / 54 / 100 / 20

HEX #CB5D00

RGB 203 93 0

HSL 27.49, 1%, 0.4%

LAB 52.43, 39.89, 61.46

 

CMYK 0 / 60 / 100 / 27

HEX #BA4B00

RGB 186 75 0

HSL 24.19, 1%, 0.36%

LAB 46.27, 42.1, 56.55

 

CMYK 0 / 66 / 100 / 34

HEX #A93900

RGB 169 57 0

HSL 20.24, 1%, 0.33%

LAB 40.18, 44.03, 51.71

 

CMYK 0 / 74 / 100 / 40

HEX #982700

RGB 152 39 0

HSL 15.39, 1%, 0.3%

LAB 34.24, 45.42, 46.92

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 0 / 34 / 96 / 14

HEX #DC9209

RGB 220 146 9

HSL 38.96, 0.92%, 0.45%

LAB 66.36, 19.2, 70.06

 

CMYK 0 / 18 / 96 / 14

HEX #DCB509

RGB 220 181 9

HSL 48.91, 0.92%, 0.45%

LAB 75, 0.56, 76.22

 

CMYK 0 / 2 / 96 / 14

HEX #DCD809

RGB 220 216 9

HSL 58.86, 0.92%, 0.45%

LAB 84.15, -17.24, 82.96

 

CMYK 15 / 0 / 96 / 14

HEX #BCDC09

RGB 188 220 9

HSL 69.1, 0.92%, 0.45%

LAB 82.86, -32.47, 80.93

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 0 / 50 / 94 / 94

HEX #100801

RGB 16 8 1

HSL 28, 0.88%, 0.03%

LAB 2.58, 1.4, 3.48

 

CMYK 0 / 49 / 96 / 74

HEX #432203

RGB 67 34 3

HSL 29.06, 0.91%, 0.14%

LAB 17.2, 13.2, 24.14

 

CMYK 0 / 49 / 96 / 54

HEX #763C05

RGB 118 60 5

HSL 29.2, 0.92%, 0.24%

LAB 32.02, 21.87, 40.46

 

CMYK 0 / 50 / 96 / 34

HEX #A95507

RGB 169 85 7

HSL 28.89, 0.92%, 0.35%

LAB 45.56, 30.29, 52.93

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 65 / 0 / 96 / 14

HEX #4CDC09

RGB 76 220 9

HSL 100.95, 0.92%, 0.45%

LAB 77.72, -68.84, 74.7

 

CMYK 88 / 96 / 0 / 14

HEX #1A09DC

RGB 26 9 220

HSL 244.83, 0.92%, 0.45%

LAB 28.33, 69.41, -94.58

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 96 / 0 / 50 / 14

HEX #09DC6F

RGB 9 220 111

HSL 149, 0.92%, 0.45%

LAB 77.51, -68.13, 41.02

 

CMYK 50 / 96 / 0 / 14

HEX #6F09DC

RGB 111 9 220

HSL 269, 0.92%, 0.45%

LAB 35.48, 73.35, -82.5

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 65 / 0 / 96 / 14

HEX #4CDC09

RGB 76 220 9

HSL 100.95, 0.92%, 0.45%

LAB 77.72, -68.84, 74.7

 

CMYK 96 / 46 / 0 / 14

HEX #0976DC

RGB 9 118 220

HSL 209, 0.92%, 0.45%

LAB 49.72, 11.68, -59.47

 

CMYK 30 / 96 / 0 / 14

HEX #9909DC

RGB 153 9 220

HSL 280.95, 0.92%, 0.45%

LAB 41.43, 77.67, -72.5

 

CMYK 0 / 50 / 96 / 14

HEX #DC6F09

RGB 220 111 9

HSL 29, 0.92%, 0.45%

LAB 58.61, 37.65, 64.82

 

CMYK 95 / 0 / 96 / 14

HEX #0CDC09

RGB 12 220 9

HSL 119.15, 0.92%, 0.45%

LAB 76.85, -76.5, 73.62

 

CMYK 96 / 46 / 0 / 14

HEX #0976DC

RGB 9 118 220

HSL 209, 0.92%, 0.45%

LAB 49.72, 11.68, -59.47

 

CMYK 2 / 96 / 0 / 14

HEX #D809DC

RGB 216 9 220

HSL 298.86, 0.92%, 0.45%

LAB 51.79, 86.6, -55.22

 

Description

Color code: HEX #DC6F09 | qconv.com Color code: HEX #DC6F09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 111 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 111 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 96 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 96% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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