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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5E73 it is the complementary color #23A18C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5E73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5E73 shade: #E15E6E, #F27081, #FF8294, #FF94A7 and #FFA6BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5E73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5E73 shade: #DC5E73, #CB4C60, #BA3A4D, #A9283A and #981627

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5E73 shade: #DC6074 and #DC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5E73 shade: #DC6074, #DC6096, #DC60B7, #DC60D9 and #BD60DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5E73 shade matches the following richer shades: #DC6074, #EB506A and #FB405F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5E73 shade: #DC6074, #CC6F7F, #BC7F89, #AD8F94 and #9D9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5E73 shade: #DC60B6, #DC6095, #DC6074, #DC6C60 and #DC8D60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5E73 shade: #BF2A42, #D43E57, #DC6074, #E38192 and #EAA3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5E73 shade: #DC5E73, #D7DC60 and #60A6DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5E73 shade: #DC5E73, #74DC60 and #6074DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5E73 shade: #DC5E73, #D7DC60, #60DCC7 and #6460DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5E73 shade: #DC5E73, #B2DC60, #60DCC7 and #8960DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

Complementary color

CMYK 78 / 0 / 13 / 37

HEX #23A18C

RGB 35 161 140

HSL 170, 0.64%, 0.38%

LAB 59.65, -38.05, 1.45

 

CMYK 0 / 58 / 51 / 12

HEX #E15E6E

RGB 225 94 110

HSL 352.67, 0.69%, 0.63%

LAB 57.21, 52.36, 17.26

 

CMYK 0 / 54 / 47 / 5

HEX #F27081

RGB 242 112 129

HSL 352.15, 0.83%, 0.69%

LAB 63.38, 51.45, 15.21

 

CMYK 0 / 49 / 42 / 0

HEX #FF8294

RGB 255 130 148

HSL 351.36, 1%, 0.75%

LAB 69.01, 49.12, 12.59

 

CMYK 0 / 42 / 35 / 0

HEX #FF94A7

RGB 255 148 167

HSL 349.35, 1%, 0.79%

LAB 73.04, 42.25, 7.71

 

CMYK 0 / 35 / 27 / 0

HEX #FFA6BA

RGB 255 166 186

HSL 346.52, 1%, 0.83%

LAB 77.33, 35.38, 3.44

 

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

CMYK 0 / 63 / 53 / 20

HEX #CB4C60

RGB 203 76 96

HSL 350.55, 0.55%, 0.55%

LAB 50.35, 51.88, 15.58

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 76 / 66 / 34

HEX #A9283A

RGB 169 40 58

HSL 351.63, 0.62%, 0.41%

LAB 38.3, 52.46, 21.81

 

CMYK 0 / 86 / 74 / 40

HEX #981627

RGB 152 22 39

HSL 352.15, 0.75%, 0.34%

LAB 32.69, 51.66, 26.14

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 56 / 56 / 14

HEX #DC6060

RGB 220 96 96

HSL 0, 0.64%, 0.62%

LAB 56.51, 48.57, 24.33

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 56 / 32 / 14

HEX #DC6096

RGB 220 96 150

HSL 333.87, 0.64%, 0.62%

LAB 57.83, 53.95, -5.35

 

CMYK 0 / 56 / 17 / 14

HEX #DC60B7

RGB 220 96 183

HSL 317.9, 0.64%, 0.62%

LAB 58.97, 58.41, -22.72

 

CMYK 0 / 56 / 1 / 14

HEX #DC60D9

RGB 220 96 217

HSL 301.45, 0.64%, 0.62%

LAB 60.42, 63.8, -39.81

 

CMYK 14 / 56 / 0 / 14

HEX #BD60DC

RGB 189 96 220

HSL 285, 0.64%, 0.62%

LAB 56.44, 56.39, -48.05

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 66 / 55 / 8

HEX #EB506A

RGB 235 80 106

HSL 349.94, 0.79%, 0.62%

LAB 56.53, 61.24, 18.94

 

CMYK 0 / 75 / 62 / 2

HEX #FB405F

RGB 251 64 95

HSL 350.05, 0.96%, 0.62%

LAB 57.08, 70.87, 26.64

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 46 / 38 / 20

HEX #CC6F7F

RGB 204 111 127

HSL 349.68, 0.48%, 0.62%

LAB 57.79, 38.33, 7.71

 

CMYK 0 / 32 / 27 / 26

HEX #BC7F89

RGB 188 127 137

HSL 350.16, 0.31%, 0.62%

LAB 59.6, 25.03, 4.26

 

CMYK 0 / 17 / 14 / 32

HEX #AD8F94

RGB 173 143 148

HSL 350, 0.15%, 0.62%

LAB 62.23, 12.1, 1.58

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 0 / 56 / 17 / 14

HEX #DC60B6

RGB 220 96 182

HSL 318.39, 0.64%, 0.62%

LAB 58.94, 58.26, -22.21

 

CMYK 0 / 56 / 32 / 14

HEX #DC6095

RGB 220 96 149

HSL 334.35, 0.64%, 0.62%

LAB 57.8, 53.83, -4.81

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 51 / 56 / 14

HEX #DC6C60

RGB 220 108 96

HSL 5.81, 0.64%, 0.62%

LAB 58.78, 42.74, 27.29

 

CMYK 0 / 36 / 56 / 14

HEX #DC8D60

RGB 220 141 96

HSL 21.77, 0.64%, 0.62%

LAB 65.83, 25.52, 36.27

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A42

RGB 191 42 66

HSL 350.34, 0.64%, 0.46%

LAB 42.95, 58.81, 23.64

 

CMYK 0 / 71 / 59 / 17

HEX #D43E57

RGB 212 62 87

HSL 350, 0.64%, 0.54%

LAB 49.65, 59.67, 20.32

 

CMYK 0 / 56 / 47 / 14

HEX #DC6074

RGB 220 96 116

HSL 350.32, 0.64%, 0.62%

LAB 56.92, 50.27, 13.23

 

CMYK 0 / 43 / 36 / 11

HEX #E38192

RGB 227 129 146

HSL 349.59, 0.64%, 0.7%

LAB 65.05, 39.54, 7.57

 

CMYK 0 / 30 / 25 / 8

HEX #EAA3AF

RGB 234 163 175

HSL 349.86, 0.63%, 0.78%

LAB 74.05, 27.92, 4.43

 

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

CMYK 2 / 0 / 56 / 14

HEX #D7DC60

RGB 215 220 96

HSL 62.42, 0.64%, 0.62%

LAB 85.24, -17.89, 59.07

 

CMYK 56 / 25 / 0 / 14

HEX #60A6DC

RGB 96 166 220

HSL 206.13, 0.64%, 0.62%

LAB 65.69, -6.55, -34.04

 

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

CMYK 47 / 0 / 56 / 14

HEX #74DC60

RGB 116 220 96

HSL 110.32, 0.64%, 0.62%

LAB 79.47, -53.43, 50.94

 

CMYK 56 / 47 / 0 / 14

HEX #6074DC

RGB 96 116 220

HSL 230.32, 0.64%, 0.62%

LAB 52, 22.87, -55.65

 

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

CMYK 2 / 0 / 56 / 14

HEX #D7DC60

RGB 215 220 96

HSL 62.42, 0.64%, 0.62%

LAB 85.24, -17.89, 59.07

 

CMYK 56 / 0 / 10 / 14

HEX #60DCC7

RGB 96 220 199

HSL 169.84, 0.64%, 0.62%

LAB 80.63, -39.54, -0.1

 

CMYK 55 / 56 / 0 / 14

HEX #6460DC

RGB 100 96 220

HSL 241.94, 0.64%, 0.62%

LAB 47.29, 35.84, -63.22

 

CMYK 0 / 57 / 48 / 14

HEX #DC5E73

RGB 220 94 115

HSL 350, 0.64%, 0.62%

LAB 56.54, 51.11, 13.29

 

CMYK 19 / 0 / 56 / 14

HEX #B2DC60

RGB 178 220 96

HSL 80.32, 0.64%, 0.62%

LAB 82.64, -32.45, 55.43

 

CMYK 56 / 0 / 10 / 14

HEX #60DCC7

RGB 96 220 199

HSL 169.84, 0.64%, 0.62%

LAB 80.63, -39.54, -0.1

 

CMYK 38 / 56 / 0 / 14

HEX #8960DC

RGB 137 96 220

HSL 259.84, 0.64%, 0.62%

LAB 50.51, 43.68, -57.86

 

Description

Color code: HEX #DC5E73 | qconv.com Color code: HEX #DC5E73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 94 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 94 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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