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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3A4D it is the complementary color #45C5B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3A4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3A4D shade: #BF3A48, #D04C5B, #E15E6E, #F27081 and #FF8294

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3A4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3A4D shade: #BA3A4D, #A9283A, #981627, #870414 and #760001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3A4D shade: #BA3A4D and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3A4D shade: #BA3A4D, #BA3A6F, #BA3A92, #BA3AB4 and #9D3ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3A4D shade matches the following richer shades: #BA3A4D, #CD263F and #E11331

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3A4D shade: #BA3A4D, #A64E5B, #926269, #7E7677 and #6A8985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3A4D shade: #BA3A91, #BA3A6F, #BA3A4D, #BA493A and #BA6B3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3A4D shade: #7B2633, #9A3040, #BA3A4D, #C95466 and #D37482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3A4D shade: #BA3A4D, #B3BA3A and #3A80BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3A4D shade: #BA3A4D, #4DBA3A and #3A4DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3A4D shade: #BA3A4D, #B3BA3A, #3ABAA6 and #413ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3A4D shade: #BA3A4D, #8DBA3A, #3ABAA6 and #673ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

Complementary color

CMYK 65 / 0 / 10 / 23

HEX #45C5B2

RGB 69 197 178

HSL 171.09, 0.52%, 0.52%

LAB 72.5, -39.33, -0.76

 

CMYK 0 / 70 / 62 / 25

HEX #BF3A48

RGB 191 58 72

HSL 353.68, 0.53%, 0.49%

LAB 45.04, 53.66, 22.64

 

CMYK 0 / 63 / 56 / 18

HEX #D04C5B

RGB 208 76 91

HSL 353.18, 0.58%, 0.56%

LAB 51.08, 53.14, 19.7

 

CMYK 0 / 58 / 51 / 12

HEX #E15E6E

RGB 225 94 110

HSL 352.67, 0.69%, 0.63%

LAB 57.21, 52.36, 17.26

 

CMYK 0 / 54 / 47 / 5

HEX #F27081

RGB 242 112 129

HSL 352.15, 0.83%, 0.69%

LAB 63.38, 51.45, 15.21

 

CMYK 0 / 49 / 42 / 0

HEX #FF8294

RGB 255 130 148

HSL 351.36, 1%, 0.75%

LAB 69.01, 49.12, 12.59

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 76 / 66 / 34

HEX #A9283A

RGB 169 40 58

HSL 351.63, 0.62%, 0.41%

LAB 38.3, 52.46, 21.81

 

CMYK 0 / 86 / 74 / 40

HEX #981627

RGB 152 22 39

HSL 352.15, 0.75%, 0.34%

LAB 32.69, 51.66, 26.14

 

CMYK 0 / 97 / 85 / 47

HEX #870414

RGB 135 4 20

HSL 352.67, 0.94%, 0.27%

LAB 27.54, 49.63, 31.23

 

CMYK 0 / 100 / 99 / 54

HEX #760001

RGB 118 0 1

HSL 359.49, 1%, 0.23%

LAB 23.18, 45.35, 34.55

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 69 / 40 / 27

HEX #BA3A6F

RGB 186 58 111

HSL 335.16, 0.52%, 0.48%

LAB 45.1, 55.42, -1.42

 

CMYK 0 / 69 / 22 / 27

HEX #BA3A92

RGB 186 58 146

HSL 318.75, 0.52%, 0.48%

LAB 46.37, 59.67, -20.82

 

CMYK 0 / 69 / 3 / 27

HEX #BA3AB4

RGB 186 58 180

HSL 302.81, 0.52%, 0.48%

LAB 47.96, 64.76, -38.52

 

CMYK 16 / 69 / 0 / 27

HEX #9D3ABA

RGB 157 58 186

HSL 286.41, 0.52%, 0.48%

LAB 43.86, 59.25, -48.83

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 81 / 69 / 20

HEX #CD263F

RGB 205 38 63

HSL 351.02, 0.69%, 0.48%

LAB 45.25, 63.71, 28.94

 

CMYK 0 / 92 / 78 / 12

HEX #E11331

RGB 225 19 49

HSL 351.26, 0.84%, 0.48%

LAB 47.87, 71.93, 41.23

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 53 / 45 / 35

HEX #A64E5B

RGB 166 78 91

HSL 351.14, 0.36%, 0.48%

LAB 44.68, 37.53, 9.83

 

CMYK 0 / 33 / 28 / 43

HEX #926269

RGB 146 98 105

HSL 351.25, 0.2%, 0.48%

LAB 46.8, 20.49, 3.98

 

CMYK 0 / 6 / 6 / 51

HEX #7E7677

RGB 126 118 119

HSL 352.5, 0.03%, 0.48%

LAB 50.36, 3.26, 0.55

 

CMYK 23 / 0 / 3 / 46

HEX #6A8985

RGB 106 137 133

HSL 172.26, 0.13%, 0.48%

LAB 54.71, -11.8, -1.45

 

CMYK 0 / 69 / 22 / 27

HEX #BA3A91

RGB 186 58 145

HSL 319.22, 0.52%, 0.48%

LAB 46.32, 59.53, -20.28

 

CMYK 0 / 69 / 40 / 27

HEX #BA3A6F

RGB 186 58 111

HSL 335.16, 0.52%, 0.48%

LAB 45.1, 55.42, -1.42

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 61 / 69 / 27

HEX #BA493A

RGB 186 73 58

HSL 7.03, 0.52%, 0.48%

LAB 46.32, 44.72, 32.36

 

CMYK 0 / 42 / 69 / 27

HEX #BA6B3A

RGB 186 107 58

HSL 22.97, 0.52%, 0.48%

LAB 53.23, 27.28, 40.32

 

CMYK 0 / 69 / 59 / 52

HEX #7B2633

RGB 123 38 51

HSL 350.82, 0.53%, 0.32%

LAB 29, 37.76, 12.45

 

CMYK 0 / 69 / 58 / 40

HEX #9A3040

RGB 154 48 64

HSL 350.94, 0.52%, 0.4%

LAB 36.66, 45.07, 15.32

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 0 / 58 / 49 / 21

HEX #C95466

RGB 201 84 102

HSL 350.77, 0.52%, 0.56%

LAB 51.52, 48.11, 13.54

 

CMYK 0 / 45 / 38 / 17

HEX #D37482

RGB 211 116 130

HSL 351.16, 0.52%, 0.64%

LAB 59.84, 38.62, 9.03

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 4 / 0 / 69 / 27

HEX #B3BA3A

RGB 179 186 58

HSL 63.28, 0.52%, 0.48%

LAB 72.9, -18.38, 60.85

 

CMYK 69 / 31 / 0 / 27

HEX #3A80BA

RGB 58 128 186

HSL 207.19, 0.52%, 0.48%

LAB 51.7, -2.97, -36.87

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 59 / 0 / 69 / 27

HEX #4DBA3A

RGB 77 186 58

HSL 111.09, 0.52%, 0.48%

LAB 67.28, -54.86, 53.29

 

CMYK 69 / 59 / 0 / 27

HEX #3A4DBA

RGB 58 77 186

HSL 231.09, 0.52%, 0.48%

LAB 37.39, 29.18, -59.77

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 4 / 0 / 69 / 27

HEX #B3BA3A

RGB 179 186 58

HSL 63.28, 0.52%, 0.48%

LAB 72.9, -18.38, 60.85

 

CMYK 69 / 0 / 11 / 27

HEX #3ABAA6

RGB 58 186 166

HSL 170.63, 0.52%, 0.48%

LAB 68.58, -39.24, 0.04

 

CMYK 65 / 69 / 0 / 27

HEX #413ABA

RGB 65 58 186

HSL 243.28, 0.52%, 0.48%

LAB 33.34, 41.98, -66.38

 

CMYK 0 / 69 / 59 / 27

HEX #BA3A4D

RGB 186 58 77

HSL 351.09, 0.52%, 0.48%

LAB 44.23, 52.41, 18.36

 

CMYK 24 / 0 / 69 / 27

HEX #8DBA3A

RGB 141 186 58

HSL 81.09, 0.52%, 0.48%

LAB 70.24, -33.92, 57.29

 

CMYK 69 / 0 / 11 / 27

HEX #3ABAA6

RGB 58 186 166

HSL 170.63, 0.52%, 0.48%

LAB 68.58, -39.24, 0.04

 

CMYK 45 / 69 / 0 / 27

HEX #673ABA

RGB 103 58 186

HSL 261.09, 0.52%, 0.48%

LAB 36.85, 48.12, -60.5

 

Description

Color code: HEX #BA3A4D | qconv.com Color code: HEX #BA3A4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 58 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 58 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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