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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5825 it is the complementary color #23A7DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DC5825: #E15820, #F26A33, #FF7C46, #FF8E59 and #FFA06C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DC5825: #DC5825, #CB4612, #BA3400, #A92200 and #981000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

Complementary color

CMYK 84 / 23 / 0 / 15

HEX #23A7DA

RGB 35 167 218

HSL 196.72, 0.72%, 0.5%

LAB 64.21, -16.36, -35.37

 

CMYK 0 / 61 / 86 / 12

HEX #E15820

RGB 225 88 32

HSL 17.41, 0.76%, 0.5%

LAB 55.17, 50.95, 56.27

 

CMYK 0 / 56 / 79 / 5

HEX #F26A33

RGB 242 106 51

HSL 17.28, 0.88%, 0.57%

LAB 61.15, 49.39, 54.55

 

CMYK 0 / 51 / 73 / 0

HEX #FF7C46

RGB 255 124 70

HSL 17.51, 1%, 0.64%

LAB 66.61, 46.35, 51.73

 

CMYK 0 / 44 / 65 / 0

HEX #FF8E59

RGB 255 142 89

HSL 19.16, 1%, 0.67%

LAB 70.4, 38.37, 46.49

 

CMYK 0 / 37 / 58 / 0

HEX #FFA06C

RGB 255 160 108

HSL 21.22, 1%, 0.71%

LAB 74.5, 30.37, 41.64

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 0 / 66 / 91 / 20

HEX #CB4612

RGB 203 70 18

HSL 16.86, 0.84%, 0.43%

LAB 48.41, 50.76, 54.53

 

CMYK 0 / 72 / 100 / 27

HEX #BA3400

RGB 186 52 0

HSL 16.77, 1%, 0.36%

LAB 42.6, 51.94, 54.67

 

CMYK 0 / 80 / 100 / 34

HEX #A92200

RGB 169 34 0

HSL 12.07, 1%, 0.33%

LAB 37.08, 52.57, 50.24

 

CMYK 0 / 89 / 100 / 40

HEX #981000

RGB 152 16 0

HSL 6.32, 1%, 0.3%

LAB 31.91, 51.98, 45.47

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 0 / 47 / 84 / 14

HEX #DB7323

RGB 219 115 35

HSL 26.09, 0.72%, 0.5%

LAB 59.38, 35.66, 58.31

 

CMYK 0 / 34 / 84 / 14

HEX #DB9123

RGB 219 145 35

HSL 35.87, 0.72%, 0.5%

LAB 66.08, 19.76, 64.01

 

CMYK 0 / 20 / 84 / 14

HEX #DBB023

RGB 219 176 35

HSL 45.98, 0.72%, 0.5%

LAB 73.7, 3.2, 70.4

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 0 / 63 / 81 / 94

HEX #100603

RGB 16 6 3

HSL 13.85, 0.68%, 0.04%

LAB 2.23, 2.48, 2.15

 

CMYK 0 / 60 / 84 / 74

HEX #431B0B

RGB 67 27 11

HSL 17.14, 0.72%, 0.15%

LAB 15.49, 18.06, 18.75

 

CMYK 0 / 60 / 83 / 54

HEX #762F14

RGB 118 47 20

HSL 16.53, 0.71%, 0.27%

LAB 29.25, 29.56, 31.69

 

CMYK 0 / 60 / 83 / 34

HEX #A9441C

RGB 169 68 28

HSL 17.02, 0.72%, 0.39%

LAB 42.24, 39.47, 43.12

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 39 / 0 / 84 / 14

HEX #85DB23

RGB 133 219 35

HSL 88.04, 0.72%, 0.5%

LAB 79.48, -52.14, 72.93

 

CMYK 84 / 73 / 0 / 14

HEX #233CDB

RGB 35 60 219

HSL 231.85, 0.72%, 0.5%

LAB 35.41, 49.19, -82.24

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 84 / 0 / 62 / 14

HEX #23DB54

RGB 35 219 84

HSL 135.98, 0.72%, 0.5%

LAB 77.08, -70, 52.99

 

CMYK 62 / 84 / 0 / 14

HEX #5423DB

RGB 84 35 219

HSL 255.98, 0.72%, 0.5%

LAB 34.4, 64.72, -83.81

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 39 / 0 / 84 / 14

HEX #85DB23

RGB 133 219 35

HSL 88.04, 0.72%, 0.5%

LAB 79.48, -52.14, 72.93

 

CMYK 84 / 22 / 0 / 14

HEX #23AADB

RGB 35 170 219

HSL 195.98, 0.72%, 0.5%

LAB 65.14, -17.62, -34.47

 

CMYK 45 / 84 / 0 / 14

HEX #7923DB

RGB 121 35 219

HSL 268.04, 0.72%, 0.5%

LAB 38.52, 68.58, -76.87

 

CMYK 0 / 60 / 83 / 14

HEX #DC5825

RGB 220 88 37

HSL 16.72, 0.72%, 0.5%

LAB 54.37, 49.28, 53.21

 

CMYK 64 / 0 / 84 / 14

HEX #4EDB23

RGB 78 219 35

HSL 105.98, 0.72%, 0.5%

LAB 77.52, -67.37, 70.45

 

CMYK 84 / 22 / 0 / 14

HEX #23AADB

RGB 35 170 219

HSL 195.98, 0.72%, 0.5%

LAB 65.14, -17.62, -34.47

 

CMYK 20 / 84 / 0 / 14

HEX #B023DB

RGB 176 35 219

HSL 285.98, 0.72%, 0.5%

LAB 46.37, 76.4, -63.72

 

Description

Color code: HEX #DC5825 | qconv.com Color code: HEX #DC5825 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 88 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 88 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 83 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 83% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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