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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5420 it is the complementary color #23ABDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5420. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5420 shade: #E1541B, #F2662E, #FF7841, #FF8A54 and #FF9C67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5420. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5420 shade: #DC5420, #CB420D, #BA3000, #A91E00 and #980C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5420 shade: #DB531F, #DB211F and #DB1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5420 shade: #DB531F, #DB861F, #DBB81F, #CBDB1F and #98DB1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5420 shade matches the following richer shades: #DB531F and #EF4A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5420 shade: #DB531F, #C65C33, #B26548, #9E6E5C and #8A7770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5420 shade: #DB1F51, #DB1F1F, #DB511F, #DB831F and #DBB51F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5420 shade: #923815, #B7451A, #DB531F, #E46D40 and #E98864

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5420 shade: #DC5420, #83DB1F and #1F38DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5420 shade: #DC5420, #1FDB51 and #511FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5420 shade: #DC5420, #83DB1F, #1FA9DB and #771FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5420 shade: #DC5420, #4BDB1F, #1FA9DB and #AF1FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

Complementary color

CMYK 84 / 23 / 0 / 13

HEX #23ABDF

RGB 35 171 223

HSL 196.6, 0.75%, 0.51%

LAB 65.6, -16.77, -35.96

 

CMYK 0 / 63 / 88 / 12

HEX #E1541B

RGB 225 84 27

HSL 17.27, 0.79%, 0.49%

LAB 54.48, 52.61, 57.61

 

CMYK 0 / 58 / 81 / 5

HEX #F2662E

RGB 242 102 46

HSL 17.14, 0.88%, 0.56%

LAB 60.41, 51.08, 56.08

 

CMYK 0 / 53 / 75 / 0

HEX #FF7841

RGB 255 120 65

HSL 17.37, 1%, 0.63%

LAB 65.81, 48.06, 53.31

 

CMYK 0 / 46 / 67 / 0

HEX #FF8A54

RGB 255 138 84

HSL 18.95, 1%, 0.66%

LAB 69.52, 40.11, 48.01

 

CMYK 0 / 39 / 60 / 0

HEX #FF9C67

RGB 255 156 103

HSL 20.92, 1%, 0.7%

LAB 73.56, 32.09, 43.07

 

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

CMYK 0 / 67 / 94 / 20

HEX #CB420D

RGB 203 66 13

HSL 16.74, 0.88%, 0.42%

LAB 47.78, 52.34, 55.62

 

CMYK 0 / 74 / 100 / 27

HEX #BA3000

RGB 186 48 0

HSL 15.48, 1%, 0.36%

LAB 42.08, 53.38, 54.43

 

CMYK 0 / 82 / 100 / 34

HEX #A91E00

RGB 169 30 0

HSL 10.65, 1%, 0.33%

LAB 36.68, 53.7, 50.07

 

CMYK 0 / 92 / 100 / 40

HEX #980C00

RGB 152 12 0

HSL 4.74, 1%, 0.3%

LAB 31.67, 52.69, 45.3

 

CMYK 0 / 62 / 86 / 14

HEX #DB531F

RGB 219 83 31

HSL 16.6, 0.75%, 0.49%

LAB 53.33, 51.01, 54.74

 

CMYK 0 / 85 / 86 / 14

HEX #DB211F

RGB 219 33 31

HSL 0.64, 0.75%, 0.49%

LAB 47.3, 67.62, 49.74

 

CMYK 0 / 86 / 86 / 14

HEX #DB1F1F

RGB 219 31 31

HSL 0, 0.75%, 0.49%

LAB 47.16, 68.02, 49.63

 

CMYK 0 / 62 / 86 / 14

HEX #DB531F

RGB 219 83 31

HSL 16.6, 0.75%, 0.49%

LAB 53.33, 51.01, 54.74

 

CMYK 0 / 39 / 86 / 14

HEX #DB861F

RGB 219 134 31

HSL 32.87, 0.75%, 0.49%

LAB 63.52, 25.56, 63.11

 

CMYK 0 / 16 / 86 / 14

HEX #DBB81F

RGB 219 184 31

HSL 48.83, 0.75%, 0.49%

LAB 75.72, -1.1, 73.06

 

CMYK 7 / 0 / 86 / 14

HEX #CBDB1F

RGB 203 219 31

HSL 65.11, 0.75%, 0.49%

LAB 83.68, -25.48, 79.01

 

CMYK 31 / 0 / 86 / 14

HEX #98DB1F

RGB 152 219 31

HSL 81.38, 0.75%, 0.49%

LAB 80.42, -45.59, 74.97

 

CMYK 0 / 62 / 86 / 14

HEX #DB531F

RGB 219 83 31

HSL 16.6, 0.75%, 0.49%

LAB 53.33, 51.01, 54.74

 

CMYK 0 / 69 / 95 / 6

HEX #EF4A0B

RGB 239 74 11

HSL 16.58, 0.91%, 0.49%

LAB 55.35, 61.13, 63.99

 

CMYK 0 / 62 / 86 / 14

HEX #DB531F

RGB 219 83 31

HSL 16.6, 0.75%, 0.49%

LAB 53.33, 51.01, 54.74

 

CMYK 0 / 54 / 74 / 22

HEX #C65C33

RGB 198 92 51

HSL 16.73, 0.59%, 0.49%

LAB 51.72, 39.64, 42.78

 

CMYK 0 / 43 / 60 / 30

HEX #B26548

RGB 178 101 72

HSL 16.42, 0.42%, 0.49%

LAB 50.97, 28.18, 29.75

 

CMYK 0 / 30 / 42 / 38

HEX #9E6E5C

RGB 158 110 92

HSL 16.36, 0.26%, 0.49%

LAB 50.91, 16.74, 17.67

 

CMYK 0 / 14 / 19 / 46

HEX #8A7770

RGB 138 119 112

HSL 16.15, 0.1%, 0.49%

LAB 51.57, 6.15, 6.56

 

CMYK 0 / 86 / 63 / 14

HEX #DB1F51

RGB 219 31 81

HSL 344.04, 0.75%, 0.49%

LAB 47.8, 69.89, 21.75

 

CMYK 0 / 86 / 86 / 14

HEX #DB1F1F

RGB 219 31 31

HSL 0, 0.75%, 0.49%

LAB 47.16, 68.02, 49.63

 

CMYK 0 / 63 / 86 / 14

HEX #DB511F

RGB 219 81 31

HSL 15.96, 0.75%, 0.49%

LAB 53, 51.89, 54.47

 

CMYK 0 / 40 / 86 / 14

HEX #DB831F

RGB 219 131 31

HSL 31.91, 0.75%, 0.49%

LAB 62.84, 27.16, 62.56

 

CMYK 0 / 17 / 86 / 14

HEX #DBB51F

RGB 219 181 31

HSL 47.87, 0.75%, 0.49%

LAB 74.96, 0.47, 72.44

 

CMYK 0 / 62 / 86 / 43

HEX #923815

RGB 146 56 21

HSL 16.8, 0.75%, 0.33%

LAB 35.97, 36.24, 39.24

 

CMYK 0 / 62 / 86 / 28

HEX #B7451A

RGB 183 69 26

HSL 16.43, 0.75%, 0.41%

LAB 44.8, 44.2, 47.19

 

CMYK 0 / 62 / 86 / 14

HEX #DB531F

RGB 219 83 31

HSL 16.6, 0.75%, 0.49%

LAB 53.33, 51.01, 54.74

 

CMYK 0 / 52 / 72 / 11

HEX #E46D40

RGB 228 109 64

HSL 16.46, 0.75%, 0.57%

LAB 59.71, 43.26, 46.1

 

CMYK 0 / 42 / 57 / 9

HEX #E98864

RGB 233 136 100

HSL 16.24, 0.75%, 0.65%

LAB 66.41, 33.65, 35.19

 

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

CMYK 40 / 0 / 86 / 14

HEX #83DB1F

RGB 131 219 31

HSL 88.09, 0.75%, 0.49%

LAB 79.38, -52.94, 73.66

 

CMYK 86 / 74 / 0 / 14

HEX #1F38DB

RGB 31 56 219

HSL 232.02, 0.75%, 0.49%

LAB 34.47, 51.26, -83.8

 

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

CMYK 86 / 0 / 63 / 14

HEX #1FDB51

RGB 31 219 81

HSL 135.96, 0.75%, 0.49%

LAB 77.01, -70.68, 54.19

 

CMYK 63 / 86 / 0 / 14

HEX #511FDB

RGB 81 31 219

HSL 255.96, 0.75%, 0.49%

LAB 33.66, 65.84, -85.05

 

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

CMYK 40 / 0 / 86 / 14

HEX #83DB1F

RGB 131 219 31

HSL 88.09, 0.75%, 0.49%

LAB 79.38, -52.94, 73.66

 

CMYK 86 / 23 / 0 / 14

HEX #1FA9DB

RGB 31 169 219

HSL 195.96, 0.75%, 0.49%

LAB 64.79, -17.37, -35.02

 

CMYK 46 / 86 / 0 / 14

HEX #771FDB

RGB 119 31 219

HSL 268.09, 0.75%, 0.49%

LAB 37.87, 69.51, -77.95

 

CMYK 0 / 62 / 85 / 14

HEX #DC5420

RGB 220 84 32

HSL 16.6, 0.75%, 0.49%

LAB 53.67, 50.95, 54.69

 

CMYK 66 / 0 / 86 / 14

HEX #4BDB1F

RGB 75 219 31

HSL 105.96, 0.75%, 0.49%

LAB 77.43, -68.15, 71.22

 

CMYK 86 / 23 / 0 / 14

HEX #1FA9DB

RGB 31 169 219

HSL 195.96, 0.75%, 0.49%

LAB 64.79, -17.37, -35.02

 

CMYK 20 / 86 / 0 / 14

HEX #AF1FDB

RGB 175 31 219

HSL 285.96, 0.75%, 0.49%

LAB 45.92, 77.12, -64.47

 

Description

Color code: HEX #DC5420 | qconv.com Color code: HEX #DC5420 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 84 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 84 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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