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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 84 / 23 / 0 / 13 it is the complementary color CMYK 0 / 62 / 85 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 84 / 23 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 84 / 23 / 0 / 13: CMYK 82 / 21 / 0 / 15, CMYK 76 / 20 / 0 / 7, CMYK 71 / 19 / 0 / 0, CMYK 64 / 12 / 0 / 0 and CMYK 58 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 84 / 23 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 84 / 23 / 0 / 13: CMYK 84 / 23 / 0 / 13, CMYK 91 / 25 / 0 / 20, CMYK 99 / 27 / 0 / 28, CMYK 100 / 29 / 0 / 35 and CMYK 100 / 32 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

Complementary color

CMYK 0 / 62 / 85 / 14

HEX #DC5421

RGB 220 84 33

HSL 16.36, 0.74%, 0.5%

LAB 53.67, 50.97, 54.29

 

CMYK 82 / 21 / 0 / 15

HEX #28ABD9

RGB 40 171 217

HSL 195.59, 0.7%, 0.5%

LAB 65.43, -18.43, -32.92

 

CMYK 76 / 20 / 0 / 7

HEX #39BDEC

RGB 57 189 236

HSL 195.75, 0.82%, 0.57%

LAB 71.77, -19.86, -33.45

 

CMYK 71 / 19 / 0 / 0

HEX #4ACFFF

RGB 74 207 255

HSL 195.91, 1%, 0.65%

LAB 78.05, -21.01, -33.93

 

CMYK 64 / 12 / 0 / 0

HEX #5BE1FF

RGB 91 225 255

HSL 190.98, 1%, 0.68%

LAB 83.6, -27.59, -25.39

 

CMYK 58 / 5 / 0 / 0

HEX #6CF3FF

RGB 108 243 255

HSL 184.9, 1%, 0.71%

LAB 89.16, -33.41, -16.92

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 91 / 25 / 0 / 20

HEX #1299CB

RGB 18 153 203

HSL 196.22, 0.84%, 0.43%

LAB 59.18, -15.11, -34.87

 

CMYK 99 / 27 / 0 / 28

HEX #0187B8

RGB 1 135 184

HSL 196.07, 0.99%, 0.36%

LAB 52.72, -12.71, -34.2

 

CMYK 100 / 29 / 0 / 35

HEX #0075A5

RGB 0 117 165

HSL 197.45, 1%, 0.32%

LAB 46.23, -9.61, -33.38

 

CMYK 100 / 32 / 0 / 43

HEX #006392

RGB 0 99 146

HSL 199.32, 1%, 0.29%

LAB 39.58, -6.31, -32.57

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 85 / 37 / 0 / 13

HEX #218CDD

RGB 33 140 221

HSL 205.85, 0.74%, 0.5%

LAB 56.39, -0.18, -49.34

 

CMYK 85 / 51 / 0 / 13

HEX #216CDD

RGB 33 108 221

HSL 216.06, 0.74%, 0.5%

LAB 47.33, 19.61, -63.88

 

CMYK 85 / 65 / 0 / 13

HEX #214DDD

RGB 33 77 221

HSL 225.96, 0.74%, 0.5%

LAB 39.33, 39.49, -76.92

 

CMYK 85 / 80 / 0 / 13

HEX #212DDD

RGB 33 45 221

HSL 236.17, 0.74%, 0.5%

LAB 32.75, 57.77, -87.8

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 83 / 22 / 0 / 93

HEX #030E12

RGB 3 14 18

HSL 196, 0.71%, 0.04%

LAB 3.41, -2.24, -3.12

 

CMYK 84 / 23 / 0 / 73

HEX #0B3545

RGB 11 53 69

HSL 196.55, 0.73%, 0.16%

LAB 20.23, -7.76, -14.01

 

CMYK 84 / 23 / 0 / 53

HEX #135C78

RGB 19 92 120

HSL 196.63, 0.73%, 0.27%

LAB 36.27, -10.97, -21.92

 

CMYK 84 / 23 / 0 / 33

HEX #1B84AB

RGB 27 132 171

HSL 196.25, 0.73%, 0.39%

LAB 51.47, -14.43, -28.66

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 45 / 85 / 0 / 13

HEX #7921DD

RGB 121 33 221

HSL 268.09, 0.74%, 0.5%

LAB 38.5, 69.63, -78.05

 

CMYK 0 / 11 / 85 / 13

HEX #DDC421

RGB 221 196 33

HSL 52.02, 0.74%, 0.5%

LAB 79.02, -6.39, 75.37

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 0 / 85 / 23 / 13

HEX #DD21AB

RGB 221 33 171

HSL 315.96, 0.74%, 0.5%

LAB 51.15, 77.97, -27.8

 

CMYK 23 / 0 / 85 / 13

HEX #ABDD21

RGB 171 221 33

HSL 75.96, 0.74%, 0.5%

LAB 82.1, -39.22, 76.41

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 45 / 85 / 0 / 13

HEX #7921DD

RGB 121 33 221

HSL 268.09, 0.74%, 0.5%

LAB 38.5, 69.63, -78.05

 

CMYK 0 / 62 / 85 / 13

HEX #DD5321

RGB 221 83 33

HSL 15.96, 0.74%, 0.5%

LAB 53.67, 51.77, 54.36

 

CMYK 40 / 0 / 85 / 13

HEX #85DD21

RGB 133 221 33

HSL 88.09, 0.74%, 0.5%

LAB 80.07, -53, 73.88

 

CMYK 84 / 23 / 0 / 13

HEX #23ABDE

RGB 35 171 222

HSL 196.36, 0.74%, 0.5%

LAB 65.56, -17.12, -35.47

 

CMYK 20 / 85 / 0 / 13

HEX #B121DD

RGB 177 33 221

HSL 285.96, 0.74%, 0.5%

LAB 46.52, 77.36, -64.62

 

CMYK 0 / 62 / 85 / 13

HEX #DD5321

RGB 221 83 33

HSL 15.96, 0.74%, 0.5%

LAB 53.67, 51.77, 54.36

 

CMYK 65 / 0 / 85 / 13

HEX #4DDD21

RGB 77 221 33

HSL 105.96, 0.74%, 0.5%

LAB 78.11, -68.3, 71.4

 

Description

Color code: CMYK 84 / 23 / 0 / 13 | qconv.com Color code: CMYK 84 / 23 / 0 / 13 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 171 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 171 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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