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Color name
HEX #DC4116

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4116 it is the complementary color #23BEE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4116 shade: #E14111, #F25324, #FF6537, #FF774A and #FF895D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4116 shade: #DC4116, #CB2F03, #BA1D00, #A90B00 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4116 shade: #DA4016 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4116 shade: #DA4016, #DA7516, #DAAA16, #D5DA16 and #A0DA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4116 shade matches the following richer shades: #DA4016 and #EE3502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4116 shade: #DA4016, #C74B29, #B3563C, #A06150 and #8D6C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4116 shade: #DA1654, #DA161F, #DA4016, #DA7516 and #DAA916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4116 shade: #8F2A0E, #B53512, #DA4016, #EA572F and #EE7654

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4116 shade: #DC4116, #88DA16 and #163ADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4116 shade: #DC4116, #16DA40 and #4016DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4116 shade: #DC4116, #88DA16, #16B0DA and #6716DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4116 shade: #DC4116, #4DDA16, #16B0DA and #A216DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

Complementary color

CMYK 85 / 18 / 0 / 9

HEX #23BEE9

RGB 35 190 233

HSL 193.03, 0.82%, 0.53%

LAB 71.6, -23.3, -32.12

 

CMYK 0 / 71 / 92 / 12

HEX #E14111

RGB 225 65 17

HSL 13.85, 0.86%, 0.47%

LAB 51.64, 60.01, 58.91

 

CMYK 0 / 66 / 85 / 5

HEX #F25324

RGB 242 83 36

HSL 13.69, 0.89%, 0.55%

LAB 57.26, 59.01, 57.57

 

CMYK 0 / 60 / 78 / 0

HEX #FF6537

RGB 255 101 55

HSL 13.8, 1%, 0.61%

LAB 62.38, 56.39, 54.58

 

CMYK 0 / 53 / 71 / 0

HEX #FF774A

RGB 255 119 74

HSL 14.92, 1%, 0.65%

LAB 65.71, 48.93, 48.76

 

CMYK 0 / 46 / 64 / 0

HEX #FF895D

RGB 255 137 93

HSL 16.3, 1%, 0.68%

LAB 69.43, 41.14, 43.28

 

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

CMYK 0 / 77 / 99 / 20

HEX #CB2F03

RGB 203 47 3

HSL 13.2, 0.97%, 0.4%

LAB 45.27, 59.06, 56.88

 

CMYK 0 / 84 / 100 / 27

HEX #BA1D00

RGB 186 29 0

HSL 9.35, 1%, 0.36%

LAB 40.11, 58.92, 53.58

 

CMYK 0 / 93 / 100 / 34

HEX #A90B00

RGB 169 11 0

HSL 3.91, 1%, 0.33%

LAB 35.35, 57.49, 49.42

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 46 / 90 / 15

HEX #DA7516

RGB 218 117 22

HSL 29.08, 0.82%, 0.47%

LAB 59.6, 33.93, 62.58

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 2 / 0 / 90 / 15

HEX #D5DA16

RGB 213 218 22

HSL 61.53, 0.82%, 0.47%

LAB 84.15, -21.01, 81.23

 

CMYK 27 / 0 / 90 / 15

HEX #A0DA16

RGB 160 218 22

HSL 77.76, 0.82%, 0.47%

LAB 80.56, -42.4, 76.85

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 78 / 99 / 7

HEX #EE3502

RGB 238 53 2

HSL 12.97, 0.98%, 0.47%

LAB 52.65, 67.67, 64.45

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 62 / 79 / 22

HEX #C74B29

RGB 199 75 41

HSL 12.91, 0.66%, 0.47%

LAB 48.68, 47.73, 44.76

 

CMYK 0 / 52 / 66 / 30

HEX #B3563C

RGB 179 86 60

HSL 13.11, 0.5%, 0.47%

LAB 47.71, 35.77, 32.59

 

CMYK 0 / 39 / 50 / 37

HEX #A06150

RGB 160 97 80

HSL 12.75, 0.33%, 0.47%

LAB 47.75, 23.68, 20.51

 

CMYK 0 / 23 / 30 / 45

HEX #8D6C63

RGB 141 108 99

HSL 12.86, 0.18%, 0.47%

LAB 48.62, 11.74, 10.09

 

CMYK 0 / 90 / 61 / 15

HEX #DA1654

RGB 218 22 84

HSL 341.02, 0.82%, 0.47%

LAB 47.13, 71.32, 18.99

 

CMYK 0 / 90 / 86 / 15

HEX #DA161F

RGB 218 22 31

HSL 357.24, 0.82%, 0.47%

LAB 46.42, 69.3, 48.93

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 46 / 90 / 15

HEX #DA7516

RGB 218 117 22

HSL 29.08, 0.82%, 0.47%

LAB 59.6, 33.93, 62.58

 

CMYK 0 / 22 / 90 / 15

HEX #DAA916

RGB 218 169 22

HSL 45, 0.82%, 0.47%

LAB 71.78, 6.19, 71.83

 

CMYK 0 / 71 / 90 / 44

HEX #8F2A0E

RGB 143 42 14

HSL 13.02, 0.82%, 0.31%

LAB 32.98, 41.35, 39.65

 

CMYK 0 / 71 / 90 / 29

HEX #B53512

RGB 181 53 18

HSL 12.88, 0.82%, 0.39%

LAB 41.87, 50.13, 47.97

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 63 / 80 / 8

HEX #EA572F

RGB 234 87 47

HSL 12.83, 0.82%, 0.55%

LAB 56.6, 54.94, 51.57

 

CMYK 0 / 50 / 65 / 7

HEX #EE7654

RGB 238 118 84

HSL 13.25, 0.82%, 0.63%

LAB 63.16, 43.65, 39.96

 

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

CMYK 38 / 0 / 90 / 15

HEX #88DA16

RGB 136 218 22

HSL 85.1, 0.82%, 0.47%

LAB 79.29, -51.1, 75.3

 

CMYK 90 / 73 / 0 / 15

HEX #163ADA

RGB 22 58 218

HSL 228.98, 0.82%, 0.47%

LAB 34.52, 49.42, -83.15

 

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

CMYK 90 / 0 / 71 / 15

HEX #16DA40

RGB 22 218 64

HSL 132.86, 0.82%, 0.47%

LAB 76.49, -72.72, 60.36

 

CMYK 71 / 90 / 0 / 15

HEX #4016DA

RGB 64 22 218

HSL 252.86, 0.82%, 0.47%

LAB 31.17, 67.2, -88.64

 

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

CMYK 38 / 0 / 90 / 15

HEX #88DA16

RGB 136 218 22

HSL 85.1, 0.82%, 0.47%

LAB 79.29, -51.1, 75.3

 

CMYK 90 / 19 / 0 / 15

HEX #16B0DA

RGB 22 176 218

HSL 192.86, 0.82%, 0.47%

LAB 66.74, -21.91, -31.46

 

CMYK 53 / 90 / 0 / 15

HEX #6716DA

RGB 103 22 218

HSL 264.8, 0.82%, 0.47%

LAB 35.04, 69.94, -82.11

 

CMYK 0 / 70 / 90 / 14

HEX #DC4116

RGB 220 65 22

HSL 13.03, 0.82%, 0.47%

LAB 50.75, 58.48, 56.24

 

CMYK 65 / 0 / 90 / 15

HEX #4DDA16

RGB 77 218 22

HSL 103.16, 0.82%, 0.47%

LAB 77.15, -67.72, 72.64

 

CMYK 90 / 19 / 0 / 15

HEX #16B0DA

RGB 22 176 218

HSL 192.86, 0.82%, 0.47%

LAB 66.74, -21.91, -31.46

 

CMYK 26 / 90 / 0 / 15

HEX #A216DA

RGB 162 22 218

HSL 282.86, 0.82%, 0.47%

LAB 43.24, 76.73, -68.34

 

Description

Color code: HEX #DC4116 | qconv.com Color code: HEX #DC4116 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 65 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 65 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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