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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAA16 it is the complementary color #2555E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAA16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAA16 shade: #DFAA11, #F0BC24, #FFCE37, #FFE04A and #FFF25D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAA16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAA16 shade: #DAAA16, #C99803, #B88600, #A77400 and #966200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAA16 shade: #DAAA16, #DA7516, #DA4016 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAA16 shade: #DAAA16, #D5DA16, #A0DA16, #6BDA16 and #36DA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAA16 shade matches the following richer shades: #DAAA16 and #EEB402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAA16 shade: #DAAA16, #C7A029, #B3963C, #A08C50 and #8D8263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAA16 shade: #DA4016, #DA7516, #DAA916, #D7DA16 and #A2DA16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAA16 shade: #8F6F0E, #B58D12, #DAAA16, #EABC2F and #EEC854

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAA16 shade: #DAAA16, #1FDA16 and #5A16DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAA16 shade: #DAAA16, #16DAA9 and #A916DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAA16 shade: #DAAA16, #1FDA16, #1647DA and #D016DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAA16 shade: #DAAA16, #16DA47, #1647DA and #DA16A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

Complementary color

CMYK 84 / 64 / 0 / 9

HEX #2555E9

RGB 37 85 233

HSL 225.31, 0.82%, 0.53%

LAB 42.42, 39.1, -78.66

 

CMYK 0 / 24 / 92 / 13

HEX #DFAA11

RGB 223 170 17

HSL 44.56, 0.86%, 0.47%

LAB 72.55, 7.76, 73.52

 

CMYK 0 / 22 / 85 / 6

HEX #F0BC24

RGB 240 188 36

HSL 44.71, 0.87%, 0.54%

LAB 78.82, 6.01, 75.24

 

CMYK 0 / 19 / 78 / 0

HEX #FFCE37

RGB 255 206 55

HSL 45.3, 1%, 0.61%

LAB 84.83, 3.63, 75.57

 

CMYK 0 / 12 / 71 / 0

HEX #FFE04A

RGB 255 224 74

HSL 49.72, 1%, 0.65%

LAB 89.42, -4.75, 73.39

 

CMYK 0 / 5 / 64 / 0

HEX #FFF25D

RGB 255 242 93

HSL 55.19, 1%, 0.68%

LAB 94.12, -12.69, 70.89

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 0 / 24 / 99 / 21

HEX #C99803

RGB 201 152 3

HSL 45.15, 0.97%, 0.4%

LAB 65.66, 7.55, 69.37

 

CMYK 0 / 27 / 100 / 28

HEX #B88600

RGB 184 134 0

HSL 43.7, 1%, 0.36%

LAB 59.2, 9.72, 64.48

 

CMYK 0 / 31 / 100 / 35

HEX #A77400

RGB 167 116 0

HSL 41.68, 1%, 0.33%

LAB 52.63, 12.03, 59.1

 

CMYK 0 / 35 / 100 / 41

HEX #966200

RGB 150 98 0

HSL 39.2, 1%, 0.29%

LAB 45.93, 14.46, 53.62

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 0 / 46 / 90 / 15

HEX #DA7516

RGB 218 117 22

HSL 29.08, 0.82%, 0.47%

LAB 59.6, 33.93, 62.58

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 2 / 0 / 90 / 15

HEX #D5DA16

RGB 213 218 22

HSL 61.53, 0.82%, 0.47%

LAB 84.15, -21.01, 81.23

 

CMYK 27 / 0 / 90 / 15

HEX #A0DA16

RGB 160 218 22

HSL 77.76, 0.82%, 0.47%

LAB 80.56, -42.4, 76.85

 

CMYK 51 / 0 / 90 / 15

HEX #6BDA16

RGB 107 218 22

HSL 93.98, 0.82%, 0.47%

LAB 78.07, -60.26, 73.78

 

CMYK 75 / 0 / 90 / 15

HEX #36DA16

RGB 54 218 22

HSL 110.2, 0.82%, 0.47%

LAB 76.67, -71.82, 72.04

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 0 / 24 / 99 / 7

HEX #EEB402

RGB 238 180 2

HSL 45.25, 0.98%, 0.47%

LAB 76.57, 8.85, 78.93

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 0 / 20 / 79 / 22

HEX #C7A029

RGB 199 160 41

HSL 45.19, 0.66%, 0.47%

LAB 67.61, 3.13, 62.53

 

CMYK 0 / 16 / 66 / 30

HEX #B3963C

RGB 179 150 60

HSL 45.38, 0.5%, 0.47%

LAB 63.11, 0.61, 49.93

 

CMYK 0 / 13 / 50 / 37

HEX #A08C50

RGB 160 140 80

HSL 45, 0.33%, 0.47%

LAB 58.8, -0.67, 34.62

 

CMYK 0 / 8 / 30 / 45

HEX #8D8263

RGB 141 130 99

HSL 44.29, 0.18%, 0.47%

LAB 54.58, -0.92, 18.32

 

CMYK 0 / 71 / 90 / 15

HEX #DA4016

RGB 218 64 22

HSL 12.86, 0.82%, 0.47%

LAB 50.25, 58.2, 55.71

 

CMYK 0 / 46 / 90 / 15

HEX #DA7516

RGB 218 117 22

HSL 29.08, 0.82%, 0.47%

LAB 59.6, 33.93, 62.58

 

CMYK 0 / 22 / 90 / 15

HEX #DAA916

RGB 218 169 22

HSL 45, 0.82%, 0.47%

LAB 71.78, 6.19, 71.83

 

CMYK 1 / 0 / 90 / 15

HEX #D7DA16

RGB 215 218 22

HSL 60.92, 0.82%, 0.47%

LAB 84.3, -20.17, 81.42

 

CMYK 26 / 0 / 90 / 15

HEX #A2DA16

RGB 162 218 22

HSL 77.14, 0.82%, 0.47%

LAB 80.67, -41.64, 77

 

CMYK 0 / 22 / 90 / 44

HEX #8F6F0E

RGB 143 111 14

HSL 45.12, 0.82%, 0.31%

LAB 48.56, 3.94, 51.98

 

CMYK 0 / 22 / 90 / 29

HEX #B58D12

RGB 181 141 18

HSL 45.28, 0.82%, 0.39%

LAB 60.71, 4.76, 62.39

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 0 / 20 / 80 / 8

HEX #EABC2F

RGB 234 188 47

HSL 45.24, 0.82%, 0.55%

LAB 78.27, 3.74, 71.44

 

CMYK 0 / 16 / 65 / 7

HEX #EEC854

RGB 238 200 84

HSL 45.19, 0.82%, 0.63%

LAB 81.91, 0.9, 61.19

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA16

RGB 31 218 22

HSL 117.24, 0.82%, 0.47%

LAB 76.37, -74.49, 71.67

 

CMYK 59 / 90 / 0 / 15

HEX #5A16DA

RGB 90 22 218

HSL 260.82, 0.82%, 0.47%

LAB 33.58, 68.87, -84.57

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 90 / 0 / 22 / 15

HEX #16DAA9

RGB 22 218 169

HSL 165, 0.82%, 0.47%

LAB 77.98, -55.22, 11.87

 

CMYK 22 / 90 / 0 / 15

HEX #A916DA

RGB 169 22 218

HSL 285, 0.82%, 0.47%

LAB 44.33, 77.72, -66.51

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA16

RGB 31 218 22

HSL 117.24, 0.82%, 0.47%

LAB 76.37, -74.49, 71.67

 

CMYK 90 / 67 / 0 / 15

HEX #1647DA

RGB 22 71 218

HSL 225, 0.82%, 0.47%

LAB 37.37, 41.59, -78.44

 

CMYK 5 / 90 / 0 / 15

HEX #D016DA

RGB 208 22 218

HSL 296.94, 0.82%, 0.47%

LAB 50.74, 83.73, -55.84

 

CMYK 0 / 22 / 90 / 15

HEX #DAAA16

RGB 218 170 22

HSL 45.31, 0.82%, 0.47%

LAB 72.04, 5.65, 72.02

 

CMYK 90 / 0 / 67 / 15

HEX #16DA47

RGB 22 218 71

HSL 135, 0.82%, 0.47%

LAB 76.54, -72.07, 57.74

 

CMYK 90 / 67 / 0 / 15

HEX #1647DA

RGB 22 71 218

HSL 225, 0.82%, 0.47%

LAB 37.37, 41.59, -78.44

 

CMYK 0 / 90 / 22 / 15

HEX #DA16A9

RGB 218 22 169

HSL 315, 0.82%, 0.47%

LAB 49.91, 78.87, -28.59

 

Description

Color code: HEX #DAAA16 | qconv.com Color code: HEX #DAAA16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 170 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 170 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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