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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC3662 it is the complementary color #23C99D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC3662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DC3662: #E1365D, #F24870, #FF5A83, #FF6C96 and #FF7EA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC3662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DC3662: #DC3662, #CB244F, #BA123C, #A90029 and #980016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

Complementary color

CMYK 83 / 0 / 22 / 21

HEX #23C99D

RGB 35 201 157

HSL 164.1, 0.7%, 0.46%

LAB 72.6, -50.55, 10.68

 

CMYK 0 / 76 / 59 / 12

HEX #E1365D

RGB 225 54 93

HSL 346.32, 0.74%, 0.55%

LAB 51.19, 66.51, 19.18

 

CMYK 0 / 70 / 54 / 5

HEX #F24870

RGB 242 72 112

HSL 345.88, 0.87%, 0.62%

LAB 56.76, 66.78, 15.92

 

CMYK 0 / 65 / 49 / 0

HEX #FF5A83

RGB 255 90 131

HSL 345.09, 1%, 0.68%

LAB 61.84, 65.4, 12.19

 

CMYK 0 / 58 / 41 / 0

HEX #FF6C96

RGB 255 108 150

HSL 342.86, 1%, 0.71%

LAB 65.11, 59.6, 5.9

 

CMYK 0 / 51 / 34 / 0

HEX #FF7EA9

RGB 255 126 169

HSL 340, 1%, 0.75%

LAB 68.78, 53.37, 0.44

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 0 / 82 / 61 / 20

HEX #CB244F

RGB 203 36 79

HSL 344.55, 0.7%, 0.47%

LAB 44.97, 64.53, 18.67

 

CMYK 0 / 90 / 68 / 27

HEX #BA123C

RGB 186 18 60

HSL 345, 0.82%, 0.4%

LAB 39.91, 62.62, 23.31

 

CMYK 0 / 100 / 76 / 34

HEX #A90029

RGB 169 0 41

HSL 345.44, 1%, 0.33%

LAB 35.19, 59.74, 28.72

 

CMYK 0 / 100 / 86 / 40

HEX #980016

RGB 152 0 22

HSL 351.32, 1%, 0.3%

LAB 31.19, 54.82, 34.86

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 0 / 75 / 67 / 14

HEX #DB3748

RGB 219 55 72

HSL 353.78, 0.69%, 0.54%

LAB 49.81, 63.26, 29.76

 

CMYK 0 / 70 / 75 / 14

HEX #DB4237

RGB 219 66 55

HSL 4.02, 0.69%, 0.54%

LAB 50.96, 58.68, 40.86

 

CMYK 0 / 58 / 75 / 14

HEX #DB5D37

RGB 219 93 55

HSL 13.9, 0.69%, 0.54%

LAB 55.24, 47.22, 45.46

 

CMYK 0 / 45 / 75 / 14

HEX #DB7937

RGB 219 121 55

HSL 24.15, 0.69%, 0.54%

LAB 60.79, 33.23, 51.23

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 0 / 75 / 56 / 94

HEX #100407

RGB 16 4 7

HSL 345, 0.6%, 0.04%

LAB 1.92, 3.84, 0.07

 

CMYK 0 / 76 / 55 / 74

HEX #43101E

RGB 67 16 30

HSL 343.53, 0.61%, 0.16%

LAB 13.58, 25.72, 4.09

 

CMYK 0 / 75 / 55 / 54

HEX #761D35

RGB 118 29 53

HSL 343.82, 0.61%, 0.29%

LAB 26.7, 40.02, 7.8

 

CMYK 0 / 76 / 56 / 34

HEX #A9294B

RGB 169 41 75

HSL 344.06, 0.61%, 0.41%

LAB 38.78, 53.27, 11.67

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 0 / 5 / 75 / 14

HEX #DBD037

RGB 219 208 55

HSL 55.98, 0.69%, 0.54%

LAB 82.08, -12.62, 71.86

 

CMYK 75 / 25 / 0 / 14

HEX #37A5DB

RGB 55 165 219

HSL 199.76, 0.69%, 0.54%

LAB 64.03, -12.99, -36.17

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 75 / 55 / 0 / 14

HEX #3763DB

RGB 55 99 219

HSL 223.9, 0.69%, 0.54%

LAB 45.43, 26.67, -65.79

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 0 / 5 / 75 / 14

HEX #DBD037

RGB 219 208 55

HSL 55.98, 0.69%, 0.54%

LAB 82.08, -12.62, 71.86

 

CMYK 75 / 0 / 20 / 14

HEX #37DBB0

RGB 55 219 176

HSL 164.27, 0.69%, 0.54%

LAB 78.82, -51.18, 9.4

 

CMYK 75 / 70 / 0 / 14

HEX #3742DB

RGB 55 66 219

HSL 235.98, 0.69%, 0.54%

LAB 37.52, 47.15, -78.72

 

CMYK 0 / 75 / 55 / 14

HEX #DC3662

RGB 220 54 98

HSL 344.1, 0.7%, 0.54%

LAB 50.38, 65.45, 14.89

 

CMYK 17 / 0 / 75 / 14

HEX #B5DB37

RGB 181 219 55

HSL 73.9, 0.69%, 0.54%

LAB 82.25, -33.58, 71

 

CMYK 75 / 0 / 20 / 14

HEX #37DBB0

RGB 55 219 176

HSL 164.27, 0.69%, 0.54%

LAB 78.82, -51.18, 9.4

 

CMYK 58 / 75 / 0 / 14

HEX #5D37DB

RGB 93 55 219

HSL 253.9, 0.69%, 0.54%

LAB 38.15, 57.22, -77.59

 

Description

Color code: HEX #DC3662 | qconv.com Color code: HEX #DC3662 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 54 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 54 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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