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Color name
HEX #DC332B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC332B it is the complementary color #23CCD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC332B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC332B shade: #E13326, #F24539, #FF574C, #FF695F and #FF7B72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC332B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC332B shade: #DC332B, #CB2118, #BA0F05, #A90000 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC332B shade: #DD342C and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC332B shade: #DD342C, #DD642C, #DD932C, #DDC32C and #C7DD2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC332B shade matches the following richer shades: #DD342C and #F12219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC332B shade: #DD342C, #C94640, #B55854, #A16A68 and #8E7C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC332B shade: #DD2C85, #DD2C56, #DD322C, #DD612C and #DD902C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC332B shade: #9D201A, #C1271F, #DD342C, #E35750 and #E87973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC332B shade: #DC332B, #B4DD2C and #2C6DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC332B shade: #DC332B, #2CDD32 and #322CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC332B shade: #DC332B, #B4DD2C, #2CD7DD and #562CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC332B shade: #DC332B, #7FDD2C, #2CD7DD and #8A2CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

Complementary color

CMYK 83 / 4 / 0 / 17

HEX #23CCD4

RGB 35 204 212

HSL 182.71, 0.72%, 0.48%

LAB 75.01, -36.77, -15.54

 

CMYK 0 / 77 / 83 / 12

HEX #E13326

RGB 225 51 38

HSL 4.17, 0.76%, 0.52%

LAB 50.12, 64.96, 49.27

 

CMYK 0 / 71 / 76 / 5

HEX #F24539

RGB 242 69 57

HSL 3.89, 0.88%, 0.59%

LAB 55.51, 64.84, 45.89

 

CMYK 0 / 66 / 70 / 0

HEX #FF574C

RGB 255 87 76

HSL 3.69, 1%, 0.65%

LAB 60.43, 63.01, 41.73

 

CMYK 0 / 59 / 63 / 0

HEX #FF695F

RGB 255 105 95

HSL 3.75, 1%, 0.69%

LAB 63.5, 56.49, 34.96

 

CMYK 0 / 52 / 55 / 0

HEX #FF7B72

RGB 255 123 114

HSL 3.83, 1%, 0.72%

LAB 67.01, 49.47, 28.89

 

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

CMYK 0 / 84 / 88 / 20

HEX #CB2118

RGB 203 33 24

HSL 3.02, 0.79%, 0.45%

LAB 44.02, 63.1, 48.99

 

CMYK 0 / 92 / 97 / 27

HEX #BA0F05

RGB 186 15 5

HSL 3.31, 0.95%, 0.37%

LAB 39.23, 61.55, 51.35

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 76 / 80 / 13

HEX #DD342C

RGB 221 52 44

HSL 2.71, 0.72%, 0.52%

LAB 49.51, 63.66, 45.38

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 76 / 80 / 13

HEX #DD342C

RGB 221 52 44

HSL 2.71, 0.72%, 0.52%

LAB 49.51, 63.66, 45.38

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 33 / 80 / 13

HEX #DD932C

RGB 221 147 44

HSL 34.92, 0.72%, 0.52%

LAB 66.84, 19.82, 61.7

 

CMYK 0 / 12 / 80 / 13

HEX #DDC32C

RGB 221 195 44

HSL 51.19, 0.72%, 0.52%

LAB 78.8, -5.57, 72.34

 

CMYK 10 / 0 / 80 / 13

HEX #C7DD2C

RGB 199 221 44

HSL 67.46, 0.72%, 0.52%

LAB 83.98, -27.71, 76.19

 

CMYK 0 / 76 / 80 / 13

HEX #DD342C

RGB 221 52 44

HSL 2.71, 0.72%, 0.52%

LAB 49.51, 63.66, 45.38

 

CMYK 0 / 86 / 90 / 5

HEX #F12219

RGB 241 34 25

HSL 2.5, 0.89%, 0.52%

LAB 51.74, 73.17, 57.67

 

CMYK 0 / 76 / 80 / 13

HEX #DD342C

RGB 221 52 44

HSL 2.71, 0.72%, 0.52%

LAB 49.51, 63.66, 45.38

 

CMYK 0 / 65 / 68 / 21

HEX #C94640

RGB 201 70 64

HSL 2.63, 0.56%, 0.52%

LAB 48.47, 51.61, 32.08

 

CMYK 0 / 51 / 54 / 29

HEX #B55854

RGB 181 88 84

HSL 2.47, 0.4%, 0.52%

LAB 48.81, 37.3, 20.09

 

CMYK 0 / 34 / 35 / 37

HEX #A16A68

RGB 161 106 104

HSL 2.11, 0.23%, 0.52%

LAB 50.55, 21.76, 10.17

 

CMYK 0 / 13 / 13 / 44

HEX #8E7C7C

RGB 142 124 124

HSL 0, 0.07%, 0.52%

LAB 53.62, 6.9, 2.53

 

CMYK 0 / 80 / 40 / 13

HEX #DD2C85

RGB 221 44 133

HSL 329.83, 0.72%, 0.52%

LAB 50.53, 71.45, -6.09

 

CMYK 0 / 80 / 61 / 13

HEX #DD2C56

RGB 221 44 86

HSL 345.76, 0.72%, 0.52%

LAB 49.31, 67.78, 20.77

 

CMYK 0 / 77 / 80 / 13

HEX #DD322C

RGB 221 50 44

HSL 2.03, 0.72%, 0.52%

LAB 49.3, 64.25, 45.17

 

CMYK 0 / 56 / 80 / 13

HEX #DD612C

RGB 221 97 44

HSL 17.97, 0.72%, 0.52%

LAB 56.19, 45.66, 51.84

 

CMYK 0 / 35 / 80 / 13

HEX #DD902C

RGB 221 144 44

HSL 33.9, 0.72%, 0.52%

LAB 66.14, 21.43, 61.06

 

CMYK 0 / 80 / 83 / 38

HEX #9D201A

RGB 157 32 26

HSL 2.75, 0.72%, 0.36%

LAB 34.55, 49.93, 36.16

 

CMYK 0 / 80 / 84 / 24

HEX #C1271F

RGB 193 39 31

HSL 2.96, 0.72%, 0.44%

LAB 42.59, 58.86, 43.63

 

CMYK 0 / 76 / 80 / 13

HEX #DD342C

RGB 221 52 44

HSL 2.71, 0.72%, 0.52%

LAB 49.51, 63.66, 45.38

 

CMYK 0 / 62 / 65 / 11

HEX #E35750

RGB 227 87 80

HSL 2.86, 0.72%, 0.6%

LAB 55.81, 54.01, 32.85

 

CMYK 0 / 48 / 50 / 9

HEX #E87973

RGB 232 121 115

HSL 3.08, 0.72%, 0.68%

LAB 63.4, 42.22, 22.96

 

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

CMYK 19 / 0 / 80 / 13

HEX #B4DD2C

RGB 180 221 44

HSL 73.9, 0.72%, 0.52%

LAB 82.7, -35.34, 74.57

 

CMYK 80 / 51 / 0 / 13

HEX #2C6DDD

RGB 44 109 221

HSL 217.97, 0.72%, 0.52%

LAB 47.87, 19.88, -62.98

 

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

CMYK 80 / 0 / 77 / 13

HEX #2CDD32

RGB 44 221 50

HSL 122.03, 0.72%, 0.52%

LAB 77.57, -72.72, 66.24

 

CMYK 77 / 80 / 0 / 13

HEX #322CDD

RGB 50 44 221

HSL 242.03, 0.72%, 0.52%

LAB 33.35, 59.08, -86.78

 

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

CMYK 19 / 0 / 80 / 13

HEX #B4DD2C

RGB 180 221 44

HSL 73.9, 0.72%, 0.52%

LAB 82.7, -35.34, 74.57

 

CMYK 80 / 3 / 0 / 13

HEX #2CD7DD

RGB 44 215 221

HSL 182.03, 0.72%, 0.52%

LAB 78.67, -38.46, -14.87

 

CMYK 61 / 80 / 0 / 13

HEX #562CDD

RGB 86 44 221

HSL 254.24, 0.72%, 0.52%

LAB 35.98, 61.94, -82.33

 

CMYK 0 / 77 / 80 / 14

HEX #DC332B

RGB 220 51 43

HSL 2.71, 0.72%, 0.52%

LAB 49.2, 63.63, 45.53

 

CMYK 43 / 0 / 80 / 13

HEX #7FDD2C

RGB 127 221 44

HSL 91.86, 0.72%, 0.52%

LAB 79.84, -54.53, 70.92

 

CMYK 80 / 3 / 0 / 13

HEX #2CD7DD

RGB 44 215 221

HSL 182.03, 0.72%, 0.52%

LAB 78.67, -38.46, -14.87

 

CMYK 38 / 80 / 0 / 13

HEX #8A2CDD

RGB 138 44 221

HSL 271.86, 0.72%, 0.52%

LAB 41.88, 68.42, -72.42

 

Description

Color code: HEX #DC332B | qconv.com Color code: HEX #DC332B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 51 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 51 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 80% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - Encontrando os usuár...
Link: http://www.chaordicsystems.com

Verification of their color palette as a manufacturer!

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