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Color name
RGB 221 100 44

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 100 44 it is the complementary color RGB 34 155 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 100 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 100 44 shade: RGB 226 100 39, RGB 243 118 58, RGB 255 136 77, RGB 255 154 96 and RGB 255 172 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 100 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 204 82 25, RGB 187 64 6, RGB 170 46 0 and RGB 153 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 221 53 44 and RGB 221 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 221 148 44, RGB 221 195 44, RGB 199 221 44 and RGB 151 221 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 100 44 shade matches the following richer shades: RGB 221 100 44 and RGB 241 93 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 201 108 64, RGB 181 115 84, RGB 161 122 104 and RGB 142 129 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 100 44 shade: RGB 221 44 86, RGB 221 50 44, RGB 221 97 44, RGB 221 144 44 and RGB 221 191 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 100 44 shade: RGB 157 67 26, RGB 193 82 31, RGB 221 100 44, RGB 227 126 80 and RGB 232 152 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 133 221 44 and RGB 44 62 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 44 221 97 and RGB 97 44 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 133 221 44, RGB 44 168 221 and RGB 133 44 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 100 44 shade: RGB 221 100 44, RGB 80 221 44, RGB 44 168 221 and RGB 185 44 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

Complementary color

CMYK 84 / 27 / 0 / 17

HEX #229BD3

RGB 34 155 211

HSL 198.98, 0.72%, 0.48%

LAB 60.33, -12.35, -37.54

 

CMYK 0 / 56 / 83 / 11

HEX #E26427

RGB 226 100 39

HSL 19.57, 0.76%, 0.52%

LAB 57.49, 45.95, 55.5

 

CMYK 0 / 51 / 76 / 5

HEX #F3763A

RGB 243 118 58

HSL 19.46, 0.89%, 0.59%

LAB 63.6, 44.27, 53.79

 

CMYK 0 / 47 / 70 / 0

HEX #FF884D

RGB 255 136 77

HSL 19.89, 1%, 0.65%

LAB 69.04, 40.75, 50.95

 

CMYK 0 / 40 / 62 / 0

HEX #FF9A60

RGB 255 154 96

HSL 21.89, 1%, 0.69%

LAB 73.03, 32.66, 46.02

 

CMYK 0 / 33 / 55 / 0

HEX #FFAC73

RGB 255 172 115

HSL 24.43, 1%, 0.73%

LAB 77.28, 24.65, 41.47

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 60 / 88 / 20

HEX #CC5219

RGB 204 82 25

HSL 19.11, 0.78%, 0.45%

LAB 50.62, 45.91, 53.82

 

CMYK 0 / 66 / 97 / 27

HEX #BB4006

RGB 187 64 6

HSL 19.23, 0.94%, 0.38%

LAB 44.58, 47.53, 54.04

 

CMYK 0 / 73 / 100 / 33

HEX #AA2E00

RGB 170 46 0

HSL 16.24, 1%, 0.33%

LAB 38.73, 48.86, 51.1

 

CMYK 0 / 82 / 100 / 40

HEX #991C00

RGB 153 28 0

HSL 10.98, 1%, 0.3%

LAB 33.14, 49.39, 46.37

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 76 / 80 / 13

HEX #DD352C

RGB 221 53 44

HSL 3.05, 0.72%, 0.52%

LAB 49.62, 63.35, 45.48

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 33 / 80 / 13

HEX #DD942C

RGB 221 148 44

HSL 35.25, 0.72%, 0.52%

LAB 67.08, 19.28, 61.91

 

CMYK 0 / 12 / 80 / 13

HEX #DDC32C

RGB 221 195 44

HSL 51.19, 0.72%, 0.52%

LAB 78.8, -5.57, 72.34

 

CMYK 10 / 0 / 80 / 13

HEX #C7DD2C

RGB 199 221 44

HSL 67.46, 0.72%, 0.52%

LAB 83.98, -27.71, 76.19

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2C

RGB 151 221 44

HSL 83.73, 0.72%, 0.52%

LAB 81, -46.33, 72.4

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 61 / 90 / 5

HEX #F15D19

RGB 241 93 25

HSL 18.89, 0.89%, 0.52%

LAB 58.6, 54.27, 62.55

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 46 / 68 / 21

HEX #C96C40

RGB 201 108 64

HSL 19.27, 0.56%, 0.52%

LAB 55.6, 33.24, 40.42

 

CMYK 0 / 36 / 54 / 29

HEX #B57354

RGB 181 115 84

HSL 19.18, 0.4%, 0.52%

LAB 54.79, 22.7, 27.89

 

CMYK 0 / 24 / 35 / 37

HEX #A17A68

RGB 161 122 104

HSL 18.95, 0.23%, 0.52%

LAB 54.55, 12.62, 15.73

 

CMYK 0 / 9 / 13 / 44

HEX #8E817C

RGB 142 129 124

HSL 16.67, 0.07%, 0.52%

LAB 54.98, 4.03, 4.49

 

CMYK 0 / 80 / 61 / 13

HEX #DD2C56

RGB 221 44 86

HSL 345.76, 0.72%, 0.52%

LAB 49.31, 67.78, 20.77

 

CMYK 0 / 77 / 80 / 13

HEX #DD322C

RGB 221 50 44

HSL 2.03, 0.72%, 0.52%

LAB 49.3, 64.25, 45.17

 

CMYK 0 / 56 / 80 / 13

HEX #DD612C

RGB 221 97 44

HSL 17.97, 0.72%, 0.52%

LAB 56.19, 45.66, 51.84

 

CMYK 0 / 35 / 80 / 13

HEX #DD902C

RGB 221 144 44

HSL 33.9, 0.72%, 0.52%

LAB 66.14, 21.43, 61.06

 

CMYK 0 / 14 / 80 / 13

HEX #DDBF2C

RGB 221 191 44

HSL 49.83, 0.72%, 0.52%

LAB 77.77, -3.51, 71.43

 

CMYK 0 / 57 / 83 / 38

HEX #9D431A

RGB 157 67 26

HSL 18.78, 0.72%, 0.36%

LAB 40.01, 35.22, 41.27

 

CMYK 0 / 58 / 84 / 24

HEX #C1521F

RGB 193 82 31

HSL 18.89, 0.72%, 0.44%

LAB 48.85, 41.94, 49.22

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 0 / 44 / 65 / 11

HEX #E37E50

RGB 227 126 80

HSL 18.78, 0.72%, 0.6%

LAB 63.2, 35.12, 41.76

 

CMYK 0 / 34 / 50 / 9

HEX #E89873

RGB 232 152 115

HSL 18.97, 0.72%, 0.68%

LAB 70.07, 26.07, 31.76

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 40 / 0 / 80 / 13

HEX #85DD2C

RGB 133 221 44

HSL 89.83, 0.72%, 0.52%

LAB 80.11, -52.57, 71.27

 

CMYK 80 / 72 / 0 / 13

HEX #2C3EDD

RGB 44 62 221

HSL 233.9, 0.72%, 0.52%

LAB 36.37, 49.27, -81.79

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 80 / 0 / 56 / 13

HEX #2CDD61

RGB 44 221 97

HSL 137.97, 0.72%, 0.52%

LAB 77.94, -68.11, 48.22

 

CMYK 56 / 80 / 0 / 13

HEX #612CDD

RGB 97 44 221

HSL 257.97, 0.72%, 0.52%

LAB 37.05, 63.09, -80.54

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 40 / 0 / 80 / 13

HEX #85DD2C

RGB 133 221 44

HSL 89.83, 0.72%, 0.52%

LAB 80.11, -52.57, 71.27

 

CMYK 80 / 24 / 0 / 13

HEX #2CA8DD

RGB 44 168 221

HSL 197.97, 0.72%, 0.52%

LAB 64.77, -15.1, -36.14

 

CMYK 40 / 80 / 0 / 13

HEX #852CDD

RGB 133 44 221

HSL 270.17, 0.72%, 0.52%

LAB 41.23, 67.69, -73.51

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 64 / 0 / 80 / 13

HEX #50DD2C

RGB 80 221 44

HSL 107.8, 0.72%, 0.52%

LAB 78.23, -67.17, 68.84

 

CMYK 80 / 24 / 0 / 13

HEX #2CA8DD

RGB 44 168 221

HSL 197.97, 0.72%, 0.52%

LAB 64.77, -15.1, -36.14

 

CMYK 16 / 80 / 0 / 13

HEX #B92CDD

RGB 185 44 221

HSL 287.8, 0.72%, 0.52%

LAB 48.68, 76, -61.06

 

Description

Color code: RGB 221 100 44 | qconv.com Color code: RGB 221 100 44 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 100 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 100 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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