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Color name
HEX #DC2BC9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2BC9 it is the complementary color #23D436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2BC9 shade: #E12BC4, #F23DD7, #FF4FEA, #FF61FD and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2BC9 shade: #DC2BC9, #CB19B6, #BA07A3, #A90090 and #98007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2BC9 shade: #DD2CCA, #DD2C9A, #DD2C6B, #DD2C3B and #DD2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2BC9 shade: #DD2CCA, #C02CDD, #912CDD, #612CDD and #322CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2BC9 shade matches the following richer shades: #DD2CCA and #F119D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2BC9 shade: #DD2CCA, #C940BA, #B554AB, #A1689B and #8E7C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2BC9 shade: #902CDD, #BF2CDD, #DD2CCB, #DD2C9C and #DD2C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2BC9 shade: #9D1A8F, #C11FAF, #DD2CCA, #E350D3 and #E873DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2BC9 shade: #DC2BC9, #DD612C and #2CDDA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2BC9 shade: #DC2BC9, #CBDD2C and #2CCBDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2BC9 shade: #DC2BC9, #DD612C, #2CDD3E and #2CA8DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2BC9 shade: #DC2BC9, #DD962C, #2CDD3E and #2C73DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

Complementary color

CMYK 83 / 0 / 75 / 17

HEX #23D436

RGB 35 212 54

HSL 126.44, 0.72%, 0.48%

LAB 74.64, -70.76, 62.05

 

CMYK 0 / 81 / 13 / 12

HEX #E12BC4

RGB 225 43 196

HSL 309.56, 0.75%, 0.53%

LAB 53.73, 79.91, -38.29

 

CMYK 0 / 75 / 11 / 5

HEX #F23DD7

RGB 242 61 215

HSL 308.95, 0.87%, 0.59%

LAB 59.09, 81.46, -40.53

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEA

RGB 255 79 234

HSL 307.16, 1%, 0.65%

LAB 63.99, 81.45, -43.35

 

CMYK 0 / 62 / 1 / 0

HEX #FF61FD

RGB 255 97 253

HSL 300.76, 1%, 0.69%

LAB 67.2, 77.88, -48.8

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

CMYK 0 / 88 / 10 / 20

HEX #CB19B6

RGB 203 25 182

HSL 307.08, 0.78%, 0.45%

LAB 47.97, 77.18, -39.49

 

CMYK 0 / 96 / 12 / 27

HEX #BA07A3

RGB 186 7 163

HSL 307.71, 0.93%, 0.38%

LAB 43.12, 73.62, -36.1

 

CMYK 0 / 100 / 15 / 34

HEX #A90090

RGB 169 0 144

HSL 308.88, 1%, 0.33%

LAB 38.64, 68.66, -31.88

 

CMYK 0 / 100 / 18 / 40

HEX #98007D

RGB 152 0 125

HSL 310.66, 1%, 0.3%

LAB 34.31, 62.93, -27.14

 

CMYK 0 / 80 / 9 / 13

HEX #DD2CCA

RGB 221 44 202

HSL 306.44, 0.72%, 0.52%

LAB 53.43, 79.71, -42.27

 

CMYK 0 / 80 / 30 / 13

HEX #DD2C9A

RGB 221 44 154

HSL 322.71, 0.72%, 0.52%

LAB 51.27, 73.63, -17.55

 

CMYK 0 / 80 / 52 / 13

HEX #DD2C6B

RGB 221 44 107

HSL 338.64, 0.72%, 0.52%

LAB 49.78, 69.21, 8.6

 

CMYK 0 / 80 / 73 / 13

HEX #DD2C3B

RGB 221 44 59

HSL 354.92, 0.72%, 0.52%

LAB 48.87, 66.43, 36.37

 

CMYK 0 / 80 / 80 / 13

HEX #DD2C2C

RGB 221 44 44

HSL 0, 0.72%, 0.52%

LAB 48.7, 65.92, 44.58

 

CMYK 0 / 80 / 9 / 13

HEX #DD2CCA

RGB 221 44 202

HSL 306.44, 0.72%, 0.52%

LAB 53.43, 79.71, -42.27

 

CMYK 13 / 80 / 0 / 13

HEX #C02CDD

RGB 192 44 221

HSL 290.17, 0.72%, 0.52%

LAB 49.77, 77.22, -59.25

 

CMYK 34 / 80 / 0 / 13

HEX #912CDD

RGB 145 44 221

HSL 274.24, 0.72%, 0.52%

LAB 42.83, 69.46, -70.84

 

CMYK 56 / 80 / 0 / 13

HEX #612CDD

RGB 97 44 221

HSL 257.97, 0.72%, 0.52%

LAB 37.05, 63.09, -80.54

 

CMYK 77 / 80 / 0 / 13

HEX #322CDD

RGB 50 44 221

HSL 242.03, 0.72%, 0.52%

LAB 33.35, 59.08, -86.78

 

CMYK 0 / 80 / 9 / 13

HEX #DD2CCA

RGB 221 44 202

HSL 306.44, 0.72%, 0.52%

LAB 53.43, 79.71, -42.27

 

CMYK 0 / 90 / 10 / 5

HEX #F119D9

RGB 241 25 217

HSL 306.67, 0.89%, 0.52%

LAB 56.49, 88.86, -45.77

 

CMYK 0 / 80 / 9 / 13

HEX #DD2CCA

RGB 221 44 202

HSL 306.44, 0.72%, 0.52%

LAB 53.43, 79.71, -42.27

 

CMYK 0 / 68 / 7 / 21

HEX #C940BA

RGB 201 64 186

HSL 306.57, 0.56%, 0.52%

LAB 51.42, 67.06, -36.41

 

CMYK 0 / 54 / 6 / 29

HEX #B554AB

RGB 181 84 171

HSL 306.19, 0.4%, 0.52%

LAB 50.81, 50.85, -28.83

 

CMYK 0 / 35 / 4 / 37

HEX #A1689B

RGB 161 104 155

HSL 306.32, 0.23%, 0.52%

LAB 51.66, 31.11, -18.35

 

CMYK 0 / 13 / 1 / 44

HEX #8E7C8C

RGB 142 124 140

HSL 306.67, 0.07%, 0.52%

LAB 54.09, 9.9, -6.11

 

CMYK 35 / 80 / 0 / 13

HEX #902CDD

RGB 144 44 221

HSL 273.9, 0.72%, 0.52%

LAB 42.69, 69.31, -71.07

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 80 / 8 / 13

HEX #DD2CCB

RGB 221 44 203

HSL 306.1, 0.72%, 0.52%

LAB 53.48, 79.85, -42.77

 

CMYK 0 / 80 / 29 / 13

HEX #DD2C9C

RGB 221 44 156

HSL 322.03, 0.72%, 0.52%

LAB 51.35, 73.85, -18.62

 

CMYK 0 / 80 / 51 / 13

HEX #DD2C6D

RGB 221 44 109

HSL 337.97, 0.72%, 0.52%

LAB 49.83, 69.36, 7.46

 

CMYK 0 / 83 / 9 / 38

HEX #9D1A8F

RGB 157 26 143

HSL 306.41, 0.72%, 0.36%

LAB 37.64, 62.31, -32.98

 

CMYK 0 / 84 / 9 / 24

HEX #C11FAF

RGB 193 31 175

HSL 306.67, 0.72%, 0.44%

LAB 46.19, 73.18, -38.29

 

CMYK 0 / 80 / 9 / 13

HEX #DD2CCA

RGB 221 44 202

HSL 306.44, 0.72%, 0.52%

LAB 53.43, 79.71, -42.27

 

CMYK 0 / 65 / 7 / 11

HEX #E350D3

RGB 227 80 211

HSL 306.53, 0.72%, 0.6%

LAB 58.76, 71.18, -38.94

 

CMYK 0 / 50 / 5 / 9

HEX #E873DC

RGB 232 115 220

HSL 306.15, 0.72%, 0.68%

LAB 65.42, 58.83, -33.56

 

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

CMYK 0 / 56 / 80 / 13

HEX #DD612C

RGB 221 97 44

HSL 17.97, 0.72%, 0.52%

LAB 56.19, 45.66, 51.84

 

CMYK 80 / 0 / 24 / 13

HEX #2CDDA8

RGB 44 221 168

HSL 162.03, 0.72%, 0.52%

LAB 79.08, -55.04, 13.99

 

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

CMYK 8 / 0 / 80 / 13

HEX #CBDD2C

RGB 203 221 44

HSL 66.1, 0.72%, 0.52%

LAB 84.27, -26.07, 76.56

 

CMYK 80 / 8 / 0 / 13

HEX #2CCBDD

RGB 44 203 221

HSL 186.1, 0.72%, 0.52%

LAB 75.12, -32.86, -20.23

 

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

CMYK 0 / 56 / 80 / 13

HEX #DD612C

RGB 221 97 44

HSL 17.97, 0.72%, 0.52%

LAB 56.19, 45.66, 51.84

 

CMYK 80 / 0 / 72 / 13

HEX #2CDD3E

RGB 44 221 62

HSL 126.1, 0.72%, 0.52%

LAB 77.64, -71.85, 62.34

 

CMYK 80 / 24 / 0 / 13

HEX #2CA8DD

RGB 44 168 221

HSL 197.97, 0.72%, 0.52%

LAB 64.77, -15.1, -36.14

 

CMYK 0 / 80 / 9 / 14

HEX #DC2BC9

RGB 220 43 201

HSL 306.44, 0.72%, 0.52%

LAB 53.12, 79.6, -42.18

 

CMYK 0 / 32 / 80 / 13

HEX #DD962C

RGB 221 150 44

HSL 35.93, 0.72%, 0.52%

LAB 67.55, 18.21, 62.34

 

CMYK 80 / 0 / 72 / 13

HEX #2CDD3E

RGB 44 221 62

HSL 126.1, 0.72%, 0.52%

LAB 77.64, -71.85, 62.34

 

CMYK 80 / 48 / 0 / 13

HEX #2C73DD

RGB 44 115 221

HSL 215.93, 0.72%, 0.52%

LAB 49.52, 16.08, -60.32

 

Description

Color code: HEX #DC2BC9 | qconv.com Color code: HEX #DC2BC9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 43 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 43 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 9% 14% C M Y K

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Provide designers and agencies with accurate color values.

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