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Color name
HEX #BF2CDD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2CDD it is the complementary color #40D322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2CDD shade: #C42CD8, #D53EEB, #E650FE, #F762FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2CDD shade: #BF2CDD, #AE1ACA, #9D08B7, #8C00A4 and #7B0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2CDD shade: #BF2CDD, #DD2CCB, #DD2C9C, #DD2C6C and #DD2C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2CDD shade: #BF2CDD, #8F2CDD, #602CDD, #302CDD and #2C2CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2CDD shade matches the following richer shades: #BF2CDD and #CC19F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2CDD shade: #BF2CDD, #B240C9, #A554B5, #9868A1 and #8A7C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2CDD shade: #5E2CDD, #8D2CDD, #BC2CDD, #DD2CCE and #DD2C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2CDD shade: #871A9D, #A51FC1, #BF2CDD, #CA50E3 and #D473E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2CDD shade: #BF2CDD, #DD2F2C and #2CDD76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2CDD shade: #BF2CDD, #DDBC2C and #2CDDBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2CDD shade: #BF2CDD, #DD2F2C, #4DDD2C and #2CDADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2CDD shade: #BF2CDD, #DD642C, #4DDD2C and #2CA5DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

Complementary color

CMYK 70 / 0 / 84 / 17

HEX #40D322

RGB 64 211 34

HSL 109.83, 0.72%, 0.48%

LAB 74.69, -67.62, 68.03

 

CMYK 9 / 80 / 0 / 15

HEX #C42CD8

RGB 196 44 216

HSL 293.02, 0.69%, 0.51%

LAB 50.09, 77.09, -55.85

 

CMYK 9 / 74 / 0 / 8

HEX #D53EEB

RGB 213 62 235

HSL 292.37, 0.81%, 0.58%

LAB 55.67, 78.31, -57.51

 

CMYK 9 / 69 / 0 / 0

HEX #E650FE

RGB 230 80 254

HSL 291.72, 0.99%, 0.65%

LAB 61.41, 78.9, -58.77

 

CMYK 3 / 62 / 0 / 0

HEX #F762FF

RGB 247 98 255

HSL 296.94, 1%, 0.69%

LAB 66.31, 75.96, -51.38

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 14 / 87 / 0 / 21

HEX #AE1ACA

RGB 174 26 202

HSL 290.45, 0.77%, 0.45%

LAB 44.24, 74.97, -57.41

 

CMYK 14 / 96 / 0 / 28

HEX #9D08B7

RGB 157 8 183

HSL 291.09, 0.92%, 0.37%

LAB 39.17, 71.66, -54.6

 

CMYK 15 / 100 / 0 / 36

HEX #8C00A4

RGB 140 0 164

HSL 291.22, 1%, 0.32%

LAB 34.51, 66.82, -50.94

 

CMYK 15 / 100 / 0 / 43

HEX #7B0091

RGB 123 0 145

HSL 290.9, 1%, 0.28%

LAB 30.05, 60.97, -46.71

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 80 / 8 / 13

HEX #DD2CCB

RGB 221 44 203

HSL 306.1, 0.72%, 0.52%

LAB 53.48, 79.85, -42.77

 

CMYK 0 / 80 / 29 / 13

HEX #DD2C9C

RGB 221 44 156

HSL 322.03, 0.72%, 0.52%

LAB 51.35, 73.85, -18.62

 

CMYK 0 / 80 / 51 / 13

HEX #DD2C6C

RGB 221 44 108

HSL 338.31, 0.72%, 0.52%

LAB 49.81, 69.28, 8.03

 

CMYK 0 / 80 / 73 / 13

HEX #DD2C3C

RGB 221 44 60

HSL 354.58, 0.72%, 0.52%

LAB 48.88, 66.47, 35.8

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 35 / 80 / 0 / 13

HEX #8F2CDD

RGB 143 44 221

HSL 273.56, 0.72%, 0.52%

LAB 42.55, 69.16, -71.29

 

CMYK 57 / 80 / 0 / 13

HEX #602CDD

RGB 96 44 221

HSL 257.63, 0.72%, 0.52%

LAB 36.95, 62.98, -80.71

 

CMYK 78 / 80 / 0 / 13

HEX #302CDD

RGB 48 44 221

HSL 241.36, 0.72%, 0.52%

LAB 33.24, 58.97, -86.95

 

CMYK 80 / 80 / 0 / 13

HEX #2C2CDD

RGB 44 44 221

HSL 240, 0.72%, 0.52%

LAB 33.04, 58.75, -87.29

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 15 / 90 / 0 / 5

HEX #CC19F1

RGB 204 25 241

HSL 289.72, 0.89%, 0.52%

LAB 51.71, 86.35, -67.34

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 11 / 68 / 0 / 21

HEX #B240C9

RGB 178 64 201

HSL 289.93, 0.56%, 0.52%

LAB 48.7, 64.33, -49.63

 

CMYK 9 / 54 / 0 / 29

HEX #A554B5

RGB 165 84 181

HSL 290.1, 0.4%, 0.52%

LAB 49.1, 48.19, -37.5

 

CMYK 6 / 35 / 0 / 37

HEX #9868A1

RGB 152 104 161

HSL 290.53, 0.23%, 0.52%

LAB 50.86, 29.29, -23.19

 

CMYK 3 / 13 / 0 / 44

HEX #8A7C8E

RGB 138 124 142

HSL 286.67, 0.07%, 0.52%

LAB 53.78, 8.84, -7.77

 

CMYK 57 / 80 / 0 / 13

HEX #5E2CDD

RGB 94 44 221

HSL 256.95, 0.72%, 0.52%

LAB 36.75, 62.77, -81.05

 

CMYK 36 / 80 / 0 / 13

HEX #8D2CDD

RGB 141 44 221

HSL 272.88, 0.72%, 0.52%

LAB 42.28, 68.86, -71.75

 

CMYK 15 / 80 / 0 / 13

HEX #BC2CDD

RGB 188 44 221

HSL 288.81, 0.72%, 0.52%

LAB 49.15, 76.52, -60.29

 

CMYK 0 / 80 / 7 / 13

HEX #DD2CCE

RGB 221 44 206

HSL 305.08, 0.72%, 0.52%

LAB 53.63, 80.28, -44.24

 

CMYK 0 / 80 / 28 / 13

HEX #DD2C9F

RGB 221 44 159

HSL 321.02, 0.72%, 0.52%

LAB 51.47, 74.19, -20.22

 

CMYK 14 / 83 / 0 / 38

HEX #871A9D

RGB 135 26 157

HSL 289.92, 0.72%, 0.36%

LAB 34.65, 60.31, -46.52

 

CMYK 15 / 84 / 0 / 24

HEX #A51FC1

RGB 165 31 193

HSL 289.63, 0.72%, 0.44%

LAB 42.51, 70.86, -55.03

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 11 / 65 / 0 / 11

HEX #CA50E3

RGB 202 80 227

HSL 289.8, 0.72%, 0.6%

LAB 55.93, 68.04, -52.7

 

CMYK 9 / 50 / 0 / 9

HEX #D473E8

RGB 212 115 232

HSL 289.74, 0.72%, 0.68%

LAB 63.41, 55.45, -43.56

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 79 / 80 / 13

HEX #DD2F2C

RGB 221 47 44

HSL 1.02, 0.72%, 0.52%

LAB 48.99, 65.11, 44.86

 

CMYK 80 / 0 / 47 / 13

HEX #2CDD76

RGB 44 221 118

HSL 145.08, 0.72%, 0.52%

LAB 78.2, -64.99, 38.52

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 15 / 80 / 13

HEX #DDBC2C

RGB 221 188 44

HSL 48.81, 0.72%, 0.52%

LAB 76.99, -1.95, 70.75

 

CMYK 80 / 0 / 15 / 13

HEX #2CDDBC

RGB 44 221 188

HSL 168.81, 0.72%, 0.52%

LAB 79.55, -50.16, 4.05

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 79 / 80 / 13

HEX #DD2F2C

RGB 221 47 44

HSL 1.02, 0.72%, 0.52%

LAB 48.99, 65.11, 44.86

 

CMYK 65 / 0 / 80 / 13

HEX #4DDD2C

RGB 77 221 44

HSL 108.81, 0.72%, 0.52%

LAB 78.15, -67.79, 68.75

 

CMYK 80 / 1 / 0 / 13

HEX #2CDADD

RGB 44 218 221

HSL 181.02, 0.72%, 0.52%

LAB 79.56, -39.82, -13.54

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 0 / 55 / 80 / 13

HEX #DD642C

RGB 221 100 44

HSL 18.98, 0.72%, 0.52%

LAB 56.75, 44.22, 52.37

 

CMYK 65 / 0 / 80 / 13

HEX #4DDD2C

RGB 77 221 44

HSL 108.81, 0.72%, 0.52%

LAB 78.15, -67.79, 68.75

 

CMYK 80 / 25 / 0 / 13

HEX #2CA5DD

RGB 44 165 221

HSL 198.98, 0.72%, 0.52%

LAB 63.89, -13.47, -37.51

 

Description

Color code: HEX #BF2CDD | qconv.com Color code: HEX #BF2CDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 44 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 44 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 80 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 80% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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