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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB9AF it is the complementary color #244650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB9AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DBB9AF: #E0B9AA, #F1CBBD, #FFDDD0, #FFEFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB9AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DBB9AF: #DBB9AF, #CAA79C, #B99589, #A88376 and #977163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

Complementary color

CMYK 55 / 13 / 0 / 69

HEX #244650

RGB 36 70 80

HSL 193.64, 0.38%, 0.23%

LAB 27.67, -9.16, -9.81

 

CMYK 0 / 17 / 24 / 12

HEX #E0B9AA

RGB 224 185 170

HSL 16.67, 0.47%, 0.77%

LAB 78.14, 11.76, 12.86

 

CMYK 0 / 16 / 22 / 5

HEX #F1CBBD

RGB 241 203 189

HSL 16.15, 0.65%, 0.84%

LAB 84.53, 11.27, 11.96

 

CMYK 0 / 13 / 18 / 0

HEX #FFDDD0

RGB 255 221 208

HSL 16.6, 1%, 0.91%

LAB 90.56, 9.75, 10.7

 

CMYK 0 / 6 / 11 / 0

HEX #FFEFE3

RGB 255 239 227

HSL 25.71, 1%, 0.95%

LAB 95.39, 3.43, 7.73

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 0 / 17 / 23 / 21

HEX #CAA79C

RGB 202 167 156

HSL 14.35, 0.3%, 0.7%

LAB 71.28, 11.1, 10.48

 

CMYK 0 / 19 / 26 / 27

HEX #B99589

RGB 185 149 137

HSL 15, 0.26%, 0.63%

LAB 64.66, 11.65, 11.43

 

CMYK 0 / 22 / 30 / 34

HEX #A88376

RGB 168 131 118

HSL 15.6, 0.22%, 0.56%

LAB 57.91, 12.27, 12.46

 

CMYK 0 / 25 / 34 / 41

HEX #977163

RGB 151 113 99

HSL 16.15, 0.21%, 0.49%

LAB 51.03, 12.98, 13.6

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 0 / 12 / 20 / 15

HEX #DABFAE

RGB 218 191 174

HSL 23.18, 0.37%, 0.77%

LAB 79.17, 6.91, 12.09

 

CMYK 0 / 9 / 20 / 15

HEX #DAC6AE

RGB 218 198 174

HSL 32.73, 0.37%, 0.77%

LAB 80.93, 3.21, 14.58

 

CMYK 0 / 6 / 20 / 15

HEX #DACEAE

RGB 218 206 174

HSL 43.64, 0.37%, 0.77%

LAB 82.97, -0.97, 17.43

 

CMYK 0 / 2 / 20 / 15

HEX #DAD5AE

RGB 218 213 174

HSL 53.18, 0.37%, 0.77%

LAB 84.77, -4.59, 19.93

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 0 / 13 / 20 / 94

HEX #0F0D0C

RGB 15 13 12

HSL 20, 0.11%, 0.05%

LAB 3.76, 0.49, 0.66

 

CMYK 0 / 15 / 20 / 74

HEX #423835

RGB 66 56 53

HSL 13.85, 0.11%, 0.23%

LAB 24.46, 3.81, 3.49

 

CMYK 0 / 15 / 21 / 54

HEX #75635D

RGB 117 99 93

HSL 15, 0.11%, 0.41%

LAB 43.5, 6.16, 6.08

 

CMYK 0 / 15 / 20 / 34

HEX #A88E86

RGB 168 142 134

HSL 14.12, 0.16%, 0.59%

LAB 61.13, 8.46, 7.89

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 8 / 0 / 20 / 15

HEX #C8DAAE

RGB 200 218 174

HSL 84.55, 0.37%, 0.77%

LAB 84.73, -13.69, 19.68

 

CMYK 20 / 17 / 0 / 15

HEX #AEB6DA

RGB 174 182 218

HSL 229.09, 0.37%, 0.77%

LAB 74.52, 4.77, -19

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 20 / 0 / 16 / 15

HEX #AEDAB7

RGB 174 218 183

HSL 132.27, 0.37%, 0.77%

LAB 83.21, -21.13, 12.56

 

CMYK 16 / 20 / 0 / 15

HEX #B7AEDA

RGB 183 174 218

HSL 252.27, 0.37%, 0.77%

LAB 73.16, 11.99, -21.01

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 8 / 0 / 20 / 15

HEX #C8DAAE

RGB 200 218 174

HSL 84.55, 0.37%, 0.77%

LAB 84.73, -13.69, 19.68

 

CMYK 20 / 5 / 0 / 15

HEX #AED0DA

RGB 174 208 218

HSL 193.64, 0.37%, 0.77%

LAB 81.39, -9.09, -8.7

 

CMYK 12 / 20 / 0 / 15

HEX #C0AEDA

RGB 192 174 218

HSL 264.55, 0.37%, 0.77%

LAB 73.89, 14.88, -19.82

 

CMYK 0 / 16 / 20 / 14

HEX #DBB9AF

RGB 219 185 175

HSL 13.64, 0.38%, 0.77%

LAB 77.79, 10.62, 9.6

 

CMYK 15 / 0 / 20 / 15

HEX #BADAAE

RGB 186 218 174

HSL 103.64, 0.37%, 0.77%

LAB 83.78, -18.63, 18.21

 

CMYK 20 / 5 / 0 / 15

HEX #AED0DA

RGB 174 208 218

HSL 193.64, 0.37%, 0.77%

LAB 81.39, -9.09, -8.7

 

CMYK 6 / 20 / 0 / 15

HEX #CEAEDA

RGB 206 174 218

HSL 283.64, 0.37%, 0.77%

LAB 75.11, 19.45, -17.86

 

Description

Color code: HEX #DBB9AF | qconv.com Color code: HEX #DBB9AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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