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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA56DCE it is the complementary color #245A92CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA56DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA56DCE shade: #E0A568CE, #F1B77BCE, #FFC98ECE, #FFDBA1CE and #FFEDB4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA56DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA56DCE shade: #DBA56DCE, #CA935ACE, #B98147CE, #A86F34CE and #975D21CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA56DCE shade: #DAA46C, #DA876C and #DA6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA56DCE shade: #DAA46C, #DAC26C, #D5DA6C, #B7DA6C and #9ADA6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA56DCE shade matches the following richer shades: #DAA46C, #E9A45D and #F8A54E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA56DCE shade: #DAA46C, #CBA47B, #BDA48A, #AEA399 and #9FA3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA56DCE shade: #DA6C70, #DA866C, #DAA36C, #DAC16C and #D7DA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA56DCE shade: #C37B31, #D2904B, #DAA46C, #E3B98D and #EBCDAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA56DCE shade: #DBA56D, #8DDA6C and #776CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA56DCE shade: #DBA56D, #6CDAA3 and #A36CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA56DCE shade: #DBA56D, #8DDA6C, #6CA3DA and #B96CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA56DCE shade: #DBA56D, #6CDA6C, #6CA3DA and #DA6CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 41 / 11

HEX #DBA56DCE

RGBA 219 165 109 0.81

HSLA 30.55, 0.6%, 0.64%, 0.81

LABA 71.61, 13.32, 36.62, 0.81

 

Complementary color

CMYK 61 / 31 / 0 / 35

HEX #245A92CE

RGBA 36 90 146 0.81

HSLA 210.55, 0.6%, 0.36%, 0.81

LABA 37.41, 2.4, -35.95, 0.81

 

CMYK 0 / 21 / 43 / 10

HEX #E0A568CE

RGBA 224 165 104 0.81

HSLA 30.5, 0.66%, 0.64%, 0.81

LABA 72.07, 14.93, 39.92, 0.81

 

CMYK 0 / 19 / 40 / 4

HEX #F1B77BCE

RGBA 241 183 123 0.81

HSLA 30.51, 0.81%, 0.71%, 0.81

LABA 78.46, 13.96, 38.52, 0.81

 

CMYK 0 / 17 / 36 / 0

HEX #FFC98ECE

RGBA 255 201 142 0.81

HSLA 31.33, 1%, 0.78%, 0.81

LABA 84.48, 11.92, 36.75, 0.81

 

CMYK 0 / 11 / 30 / 0

HEX #FFDBA1CE

RGBA 255 219 161 0.81

HSLA 37.02, 1%, 0.82%, 0.81

LABA 89.16, 4.64, 33.16, 0.81

 

CMYK 0 / 6 / 24 / 0

HEX #FFEDB4CE

RGBA 255 237 180 0.81

HSLA 45.6, 1%, 0.85%, 0.81

LABA 93.94, -2.25, 29.87, 0.81

HEX #FFEDB4CE

CMYK 0 / 20 / 41 / 11

HEX #DBA56DCE

RGBA 219 165 109 0.81

HSLA 30.55, 0.6%, 0.64%, 0.81

LABA 71.61, 13.32, 36.62, 0.81

 

CMYK 0 / 22 / 45 / 17

HEX #CA935ACE

RGBA 202 147 90 0.81

HSLA 30.54, 0.51%, 0.57%, 0.81

LABA 65.09, 14.35, 38.07, 0.81

 

CMYK 0 / 25 / 50 / 22

HEX #B98147CE

RGBA 185 129 71 0.81

HSLA 30.53, 0.45%, 0.5%, 0.81

LABA 58.48, 15.55, 39.58, 0.81

 

CMYK 0 / 27 / 56 / 28

HEX #A86F34CE

RGBA 168 111 52 0.81

HSLA 30.52, 0.53%, 0.43%, 0.81

LABA 51.77, 16.97, 41.1, 0.81

 

CMYK 0 / 31 / 63 / 33

HEX #975D21CE

RGBA 151 93 33 0.81

HSLA 30.51, 0.64%, 0.36%, 0.81

LABA 44.97, 18.66, 42.46, 0.81

 

CMYK 0 / 25 / 50 / 15

HEX #DAA46C

RGB 218 164 108

HSL 30.55, 0.6%, 0.64%

LAB 71.24, 13.36, 36.67

 

CMYK 0 / 38 / 50 / 15

HEX #DA876C

RGB 218 135 108

HSL 14.73, 0.6%, 0.64%

LAB 64.42, 28.96, 27.89

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6C

RGB 218 108 108

HSL 0, 0.6%, 0.64%

LAB 58.71, 43.01, 20.29

 

CMYK 0 / 25 / 50 / 15

HEX #DAA46C

RGB 218 164 108

HSL 30.55, 0.6%, 0.64%

LAB 71.24, 13.36, 36.67

 

CMYK 0 / 11 / 50 / 15

HEX #DAC26C

RGB 218 194 108

HSL 46.91, 0.6%, 0.64%

LAB 78.79, -2.53, 46.01

 

CMYK 2 / 0 / 50 / 15

HEX #D5DA6C

RGB 213 218 108

HSL 62.73, 0.6%, 0.64%

LAB 84.67, -16.74, 52.94

 

CMYK 16 / 0 / 50 / 15

HEX #B7DA6C

RGB 183 218 108

HSL 79.09, 0.6%, 0.64%

LAB 82.54, -28.48, 49.88

 

CMYK 29 / 0 / 50 / 15

HEX #9ADA6C

RGB 154 218 108

HSL 94.91, 0.6%, 0.64%

LAB 80.79, -39.09, 47.37

 

CMYK 0 / 25 / 50 / 15

HEX #DAA46C

RGB 218 164 108

HSL 30.55, 0.6%, 0.64%

LAB 71.24, 13.36, 36.67

 

CMYK 0 / 30 / 60 / 9

HEX #E9A45D

RGB 233 164 93

HSL 30.43, 0.76%, 0.64%

LAB 72.67, 18.32, 46.46

 

CMYK 0 / 33 / 69 / 3

HEX #F8A54E

RGB 248 165 78

HSL 30.71, 0.92%, 0.64%

LAB 74.46, 23.05, 56.14

 

CMYK 0 / 25 / 50 / 15

HEX #DAA46C

RGB 218 164 108

HSL 30.55, 0.6%, 0.64%

LAB 71.24, 13.36, 36.67

 

CMYK 0 / 19 / 39 / 20

HEX #CBA47B

RGB 203 164 123

HSL 30.75, 0.43%, 0.64%

LAB 69.95, 8.79, 26.7

 

CMYK 0 / 13 / 27 / 26

HEX #BDA48A

RGB 189 164 138

HSL 30.59, 0.28%, 0.64%

LAB 68.9, 5.12, 16.87

 

CMYK 0 / 6 / 12 / 32

HEX #AEA399

RGB 174 163 153

HSL 28.57, 0.11%, 0.64%

LAB 67.65, 2.23, 6.61

 

CMYK 5 / 3 / 0 / 34

HEX #9FA3A8

RGB 159 163 168

HSL 213.33, 0.05%, 0.64%

LAB 66.82, -0.44, -3.09

 

CMYK 0 / 50 / 49 / 15

HEX #DA6C70

RGB 218 108 112

HSL 357.82, 0.6%, 0.64%

LAB 58.79, 43.37, 18.09

 

CMYK 0 / 39 / 50 / 15

HEX #DA866C

RGB 218 134 108

HSL 14.18, 0.6%, 0.64%

LAB 64.19, 29.49, 27.59

 

CMYK 0 / 25 / 50 / 15

HEX #DAA36C

RGB 218 163 108

HSL 30, 0.6%, 0.64%

LAB 71, 13.9, 36.36

 

CMYK 0 / 11 / 50 / 15

HEX #DAC16C

RGB 218 193 108

HSL 46.36, 0.6%, 0.64%

LAB 78.54, -2.01, 45.7

 

CMYK 1 / 0 / 50 / 15

HEX #D7DA6C

RGB 215 218 108

HSL 61.64, 0.6%, 0.64%

LAB 84.83, -15.94, 53.16

 

CMYK 0 / 37 / 75 / 24

HEX #C37B31

RGB 195 123 49

HSL 30.41, 0.6%, 0.48%

LAB 58.03, 21.89, 50.14

 

CMYK 0 / 31 / 64 / 18

HEX #D2904B

RGB 210 144 75

HSL 30.67, 0.6%, 0.56%

LAB 65.09, 18.26, 45.94

 

CMYK 0 / 25 / 50 / 15

HEX #DAA46C

RGB 218 164 108

HSL 30.55, 0.6%, 0.64%

LAB 71.24, 13.36, 36.67

 

CMYK 0 / 19 / 38 / 11

HEX #E3B98D

RGB 227 185 141

HSL 30.7, 0.61%, 0.72%

LAB 77.85, 9.18, 28.03

 

CMYK 0 / 13 / 26 / 8

HEX #EBCDAE

RGB 235 205 174

HSL 30.49, 0.6%, 0.8%

LAB 84.16, 5.89, 19.31

 

CMYK 0 / 25 / 50 / 14

HEX #DBA56D

RGB 219 165 109

HSL 30.55, 0.6%, 0.64%

LAB 71.61, 13.32, 36.62

 

CMYK 35 / 0 / 50 / 15

HEX #8DDA6C

RGB 141 218 108

HSL 102, 0.6%, 0.64%

LAB 80.12, -43.51, 46.39

 

CMYK 45 / 50 / 0 / 15

HEX #776CDA

RGB 119 108 218

HSL 246, 0.6%, 0.64%

LAB 51.51, 32.03, -55.22

 

CMYK 0 / 25 / 50 / 14

HEX #DBA56D

RGB 219 165 109

HSL 30.55, 0.6%, 0.64%

LAB 71.61, 13.32, 36.62

 

CMYK 50 / 0 / 25 / 15

HEX #6CDAA3

RGB 108 218 163

HSL 150, 0.6%, 0.64%

LAB 79.6, -44.16, 17.57

 

CMYK 25 / 50 / 0 / 15

HEX #A36CDA

RGB 163 108 218

HSL 270, 0.6%, 0.64%

LAB 55.66, 42.98, -48.35

 

CMYK 0 / 25 / 50 / 14

HEX #DBA56D

RGB 219 165 109

HSL 30.55, 0.6%, 0.64%

LAB 71.61, 13.32, 36.62

 

CMYK 35 / 0 / 50 / 15

HEX #8DDA6C

RGB 141 218 108

HSL 102, 0.6%, 0.64%

LAB 80.12, -43.51, 46.39

 

CMYK 50 / 25 / 0 / 15

HEX #6CA3DA

RGB 108 163 218

HSL 210, 0.6%, 0.64%

LAB 65.31, -2.89, -33.48

 

CMYK 15 / 50 / 0 / 15

HEX #B96CDA

RGB 185 108 218

HSL 282, 0.6%, 0.64%

LAB 58.13, 48.88, -44.27

 

CMYK 0 / 25 / 50 / 14

HEX #DBA56D

RGB 219 165 109

HSL 30.55, 0.6%, 0.64%

LAB 71.61, 13.32, 36.62

 

CMYK 50 / 0 / 50 / 15

HEX #6CDA6C

RGB 108 218 108

HSL 120, 0.6%, 0.64%

LAB 78.7, -53.39, 44.34

 

CMYK 50 / 25 / 0 / 15

HEX #6CA3DA

RGB 108 163 218

HSL 210, 0.6%, 0.64%

LAB 65.31, -2.89, -33.48

 

CMYK 0 / 50 / 0 / 15

HEX #DA6CDA

RGB 218 108 218

HSL 300, 0.6%, 0.64%

LAB 62.25, 57.92, -37.52

 

Description

Color code: HEX #DBA56DCE | qconv.com Color code: HEX #DBA56DCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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