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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 50 / 22 it is the complementary color CMYK 64 / 32 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 50 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 50 / 22: CMYK 0 / 27 / 54 / 20, CMYK 0 / 24 / 49 / 13, CMYK 0 / 22 / 45 / 7, CMYK 0 / 20 / 41 / 0 and CMYK 0 / 13 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 50 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 50 / 22: CMYK 0 / 25 / 50 / 22, CMYK 0 / 28 / 56 / 29, CMYK 0 / 32 / 63 / 35, CMYK 0 / 36 / 72 / 42 and CMYK 0 / 41 / 82 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

Complementary color

CMYK 64 / 32 / 0 / 39

HEX #386A9C

RGB 56 106 156

HSL 210, 0.47%, 0.42%

LAB 43.58, -0.62, -32.15

 

CMYK 0 / 27 / 54 / 20

HEX #CC955E

RGB 204 149 94

HSL 30, 0.52%, 0.58%

LAB 65.86, 14.44, 36.96

 

CMYK 0 / 24 / 49 / 13

HEX #DDA771

RGB 221 167 113

HSL 30, 0.61%, 0.65%

LAB 72.36, 13.44, 35.53

 

CMYK 0 / 22 / 45 / 7

HEX #EEB984

RGB 238 185 132

HSL 30, 0.76%, 0.73%

LAB 78.78, 12.57, 34.19

 

CMYK 0 / 20 / 41 / 0

HEX #FFCB97

RGB 255 203 151

HSL 30, 1%, 0.8%

LAB 85.1, 11.81, 32.93

 

CMYK 0 / 13 / 33 / 0

HEX #FFDDAA

RGB 255 221 170

HSL 36, 1%, 0.83%

LAB 89.8, 4.66, 29.41

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 0 / 28 / 56 / 29

HEX #B68350

RGB 182 131 80

HSL 30, 0.41%, 0.51%

LAB 58.75, 13.86, 35.08

 

CMYK 0 / 32 / 63 / 35

HEX #A5713D

RGB 165 113 61

HSL 30, 0.46%, 0.44%

LAB 52, 15.11, 36.63

 

CMYK 0 / 36 / 72 / 42

HEX #945F2A

RGB 148 95 42

HSL 30, 0.56%, 0.37%

LAB 45.15, 16.61, 38.19

 

CMYK 0 / 41 / 82 / 49

HEX #834D17

RGB 131 77 23

HSL 30, 0.7%, 0.3%

LAB 38.19, 18.42, 39.48

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 0 / 17 / 51 / 22

HEX #C6A461

RGB 198 164 97

HSL 39.8, 0.47%, 0.58%

LAB 69.05, 4.05, 39.21

 

CMYK 0 / 9 / 51 / 22

HEX #C6B561

RGB 198 181 97

HSL 49.9, 0.47%, 0.58%

LAB 73.49, -4.99, 44.61

 

CMYK 0 / 0 / 51 / 22

HEX #C6C661

RGB 198 198 97

HSL 60, 0.47%, 0.58%

LAB 78.03, -13.75, 49.99

 

CMYK 9 / 0 / 51 / 22

HEX #B5C661

RGB 181 198 97

HSL 70.1, 0.47%, 0.58%

LAB 76.72, -20.63, 48.14

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 0 / 25 / 50 / 2

HEX #FABB7C

RGB 250 187 124

HSL 30, 0.93%, 0.73%

LAB 80.36, 15.55, 40.6

 

CMYK 0 / 26 / 50 / 82

HEX #2E2217

RGB 46 34 23

HSL 28.7, 0.33%, 0.14%

LAB 14.33, 3.86, 9.61

 

CMYK 0 / 25 / 51 / 62

HEX #614930

RGB 97 73 48

HSL 30.61, 0.34%, 0.28%

LAB 32.96, 6.66, 18.86

 

CMYK 0 / 25 / 50 / 42

HEX #946F4A

RGB 148 111 74

HSL 30, 0.33%, 0.44%

LAB 49.69, 9.89, 26.22

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 36 / 0 / 51 / 22

HEX #7FC661

RGB 127 198 97

HSL 102.18, 0.47%, 0.58%

LAB 73.39, -40.75, 43.34

 

CMYK 46 / 51 / 0 / 22

HEX #6B61C6

RGB 107 97 198

HSL 245.94, 0.47%, 0.58%

LAB 46.65, 29.97, -51.64

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 51 / 0 / 26 / 22

HEX #61C693

RGB 97 198 147

HSL 149.7, 0.47%, 0.58%

LAB 72.92, -41.35, 16.7

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 36 / 0 / 51 / 22

HEX #7FC661

RGB 127 198 97

HSL 102.18, 0.47%, 0.58%

LAB 73.39, -40.75, 43.34

 

CMYK 51 / 26 / 0 / 22

HEX #6193C6

RGB 97 147 198

HSL 210.3, 0.47%, 0.58%

LAB 59.42, -2.37, -31.51

 

CMYK 15 / 51 / 0 / 22

HEX #A861C6

RGB 168 97 198

HSL 282.18, 0.47%, 0.58%

LAB 52.9, 45.78, -41.32

 

CMYK 0 / 25 / 50 / 22

HEX #C79563

RGB 199 149 99

HSL 30, 0.47%, 0.58%

LAB 65.39, 12.8, 33.6

 

CMYK 51 / 0 / 51 / 22

HEX #61C661

RGB 97 198 97

HSL 120, 0.47%, 0.58%

LAB 72.09, -49.87, 41.46

 

CMYK 51 / 26 / 0 / 22

HEX #6193C6

RGB 97 147 198

HSL 210.3, 0.47%, 0.58%

LAB 59.42, -2.37, -31.51

 

CMYK 0 / 51 / 0 / 22

HEX #C661C6

RGB 198 97 198

HSL 300, 0.47%, 0.58%

LAB 56.72, 54.13, -35.05

 

Description

Color code: CMYK 0 / 25 / 50 / 22 | qconv.com Color code: CMYK 0 / 25 / 50 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 149 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 149 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 50% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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