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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6FB1 it is the complementary color #24904E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6FB1 shade: #E06FAC, #F181BF, #FF93D2, #FFA5E5 and #FFB7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6FB1 shade: #DB6FB1, #CA5D9E, #B94B8B, #A83978 and #972765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6FB1 shade: #DB70B2, #DB7095, #DB7078 and #DB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6FB1 shade: #DB70B2, #DB70CF, #CB70DB, #AE70DB and #9170DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6FB1 shade matches the following richer shades: #DB70B2, #EA62B5 and #F853B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6FB1 shade: #DB70B2, #CD7FAE, #BE8DAB, #B09CA8 and #A2AAA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6FB1 shade: #CB70DB, #DB70CF, #DB70B2, #DB7096 and #DB7079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6FB1 shade: #C7328D, #D34FA0, #DB70B2, #E491C4 and #ECB2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6FB1 shade: #DB6FB1, #DBAF70 and #70DBDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6FB1 shade: #DB6FB1, #B2DB70 and #70B2DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6FB1 shade: #DB6FB1, #DBAF70, #70DB99 and #709DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6FB1 shade: #DB6FB1, #DBCF70, #70DB99 and #707DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

Complementary color

CMYK 75 / 0 / 46 / 44

HEX #24904E

RGB 36 144 78

HSL 143.33, 0.6%, 0.35%

LAB 52.81, -45.23, 26.63

 

CMYK 0 / 50 / 23 / 12

HEX #E06FAC

RGB 224 111 172

HSL 327.61, 0.65%, 0.66%

LAB 61.82, 50.97, -12.04

 

CMYK 0 / 46 / 21 / 5

HEX #F181BF

RGB 241 129 191

HSL 326.79, 0.8%, 0.73%

LAB 68.14, 50.24, -13.08

 

CMYK 0 / 42 / 18 / 0

HEX #FF93D2

RGB 255 147 210

HSL 325, 1%, 0.79%

LAB 74.05, 48.51, -14.57

 

CMYK 0 / 35 / 10 / 0

HEX #FFA5E5

RGB 255 165 229

HSL 317.33, 1%, 0.82%

LAB 78.36, 42.29, -18.45

 

CMYK 0 / 28 / 3 / 0

HEX #FFB7F8

RGB 255 183 248

HSL 305.83, 1%, 0.86%

LAB 82.86, 36.15, -21.86

 

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

CMYK 0 / 54 / 22 / 21

HEX #CA5D9E

RGB 202 93 158

HSL 324.22, 0.51%, 0.58%

LAB 54.92, 50.77, -14.65

 

CMYK 0 / 59 / 25 / 27

HEX #B94B8B

RGB 185 75 139

HSL 325.09, 0.44%, 0.51%

LAB 48.52, 51.31, -13.33

 

CMYK 0 / 66 / 29 / 34

HEX #A83978

RGB 168 57 120

HSL 325.95, 0.49%, 0.44%

LAB 42.17, 51.57, -11.66

 

CMYK 0 / 74 / 33 / 41

HEX #972765

RGB 151 39 101

HSL 326.79, 0.59%, 0.37%

LAB 35.93, 51.32, -9.48

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 49 / 32 / 14

HEX #DB7095

RGB 219 112 149

HSL 339.25, 0.6%, 0.65%

LAB 60.62, 45.78, -0.68

 

CMYK 0 / 49 / 45 / 14

HEX #DB7078

RGB 219 112 120

HSL 355.51, 0.6%, 0.65%

LAB 59.89, 42.5, 15.02

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 49 / 5 / 14

HEX #DB70CF

RGB 219 112 207

HSL 306.73, 0.6%, 0.65%

LAB 62.64, 54.38, -30.73

 

CMYK 7 / 49 / 0 / 14

HEX #CB70DB

RGB 203 112 219

HSL 291.03, 0.6%, 0.65%

LAB 61.13, 51.99, -39.97

 

CMYK 21 / 49 / 0 / 14

HEX #AE70DB

RGB 174 112 219

HSL 274.77, 0.6%, 0.65%

LAB 57.75, 43.98, -45.52

 

CMYK 34 / 49 / 0 / 14

HEX #9170DB

RGB 145 112 219

HSL 258.5, 0.6%, 0.65%

LAB 54.79, 36.29, -50.41

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 58 / 23 / 8

HEX #EA62B5

RGB 234 98 181

HSL 323.38, 0.76%, 0.65%

LAB 61.28, 61.29, -17.88

 

CMYK 0 / 67 / 26 / 3

HEX #F853B8

RGB 248 83 184

HSL 323.27, 0.92%, 0.65%

LAB 61.31, 71.62, -19.34

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 38 / 15 / 20

HEX #CD7FAE

RGB 205 127 174

HSL 323.85, 0.44%, 0.65%

LAB 62.69, 36.79, -12.13

 

CMYK 0 / 26 / 10 / 25

HEX #BE8DAB

RGB 190 141 171

HSL 323.27, 0.27%, 0.65%

LAB 64.11, 23.4, -8.47

 

CMYK 0 / 11 / 5 / 31

HEX #B09CA8

RGB 176 156 168

HSL 324, 0.11%, 0.65%

LAB 66.39, 9.48, -3.55

 

CMYK 5 / 0 / 3 / 33

HEX #A2AAA5

RGB 162 170 165

HSL 142.5, 0.04%, 0.65%

LAB 68.86, -3.78, 1.59

 

CMYK 7 / 49 / 0 / 14

HEX #CB70DB

RGB 203 112 219

HSL 291.03, 0.6%, 0.65%

LAB 61.13, 51.99, -39.97

 

CMYK 0 / 49 / 5 / 14

HEX #DB70CF

RGB 219 112 207

HSL 306.73, 0.6%, 0.65%

LAB 62.64, 54.38, -30.73

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 49 / 32 / 14

HEX #DB7096

RGB 219 112 150

HSL 338.69, 0.6%, 0.65%

LAB 60.65, 45.9, -1.21

 

CMYK 0 / 49 / 45 / 14

HEX #DB7079

RGB 219 112 121

HSL 354.95, 0.6%, 0.65%

LAB 59.91, 42.6, 14.47

 

CMYK 0 / 75 / 29 / 22

HEX #C7328D

RGB 199 50 141

HSL 323.36, 0.6%, 0.49%

LAB 47.43, 65.15, -15.98

 

CMYK 0 / 63 / 24 / 17

HEX #D34FA0

RGB 211 79 160

HSL 323.18, 0.6%, 0.57%

LAB 54, 60.04, -17.09

 

CMYK 0 / 49 / 19 / 14

HEX #DB70B2

RGB 219 112 178

HSL 322.99, 0.6%, 0.65%

LAB 61.54, 49.76, -15.97

 

CMYK 0 / 36 / 14 / 11

HEX #E491C4

RGB 228 145 196

HSL 323.13, 0.61%, 0.73%

LAB 69.99, 38.53, -13.26

 

CMYK 0 / 25 / 10 / 7

HEX #ECB2D5

RGB 236 178 213

HSL 323.79, 0.6%, 0.81%

LAB 78.74, 26.49, -9.41

 

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

CMYK 0 / 20 / 49 / 14

HEX #DBAF70

RGB 219 175 112

HSL 35.33, 0.6%, 0.65%

LAB 74.12, 8.25, 38.24

 

CMYK 49 / 0 / 0 / 14

HEX #70DBDA

RGB 112 219 218

HSL 179.44, 0.6%, 0.65%

LAB 81.38, -31.02, -9.04

 

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

CMYK 19 / 0 / 49 / 14

HEX #B2DB70

RGB 178 219 112

HSL 82.99, 0.6%, 0.65%

LAB 82.54, -30.43, 47.91

 

CMYK 49 / 19 / 0 / 14

HEX #70B2DB

RGB 112 178 219

HSL 202.99, 0.6%, 0.65%

LAB 69.75, -9.92, -27.16

 

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

CMYK 0 / 20 / 49 / 14

HEX #DBAF70

RGB 219 175 112

HSL 35.33, 0.6%, 0.65%

LAB 74.12, 8.25, 38.24

 

CMYK 49 / 0 / 30 / 14

HEX #70DB99

RGB 112 219 153

HSL 142.99, 0.6%, 0.65%

LAB 79.85, -45.55, 23.17

 

CMYK 49 / 28 / 0 / 14

HEX #709DDB

RGB 112 157 219

HSL 214.77, 0.6%, 0.65%

LAB 63.9, 1.73, -36.22

 

CMYK 0 / 49 / 19 / 14

HEX #DB6FB1

RGB 219 111 177

HSL 323.33, 0.6%, 0.65%

LAB 61.31, 50.11, -15.74

 

CMYK 0 / 5 / 49 / 14

HEX #DBCF70

RGB 219 207 112

HSL 53.27, 0.6%, 0.65%

LAB 82.3, -8.45, 48.33

 

CMYK 49 / 0 / 30 / 14

HEX #70DB99

RGB 112 219 153

HSL 142.99, 0.6%, 0.65%

LAB 79.85, -45.55, 23.17

 

CMYK 49 / 43 / 0 / 14

HEX #707DDB

RGB 112 125 219

HSL 232.71, 0.6%, 0.65%

LAB 55.3, 20.53, -49.75

 

Description

Color code: HEX #DB6FB1 | qconv.com Color code: HEX #DB6FB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 111 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 111 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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