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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB694D it is the complementary color #2496B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB694D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB694D shade: #E06948, #F17B5B, #FF8D6E, #FF9F81 and #FFB194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB694D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB694D shade: #DB694D, #CA573A, #B94527, #A83314 and #972101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB694D shade: #DB694D and #DB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB694D shade: #DB694D, #DB8F4D, #DBB54D, #DADB4D and #B4DB4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB694D shade matches the following richer shades: #DB694D, #EC5F3C and #FD542B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB694D shade: #DB694D, #C9745F, #B87E70, #A78981 and #959393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB694D shade: #DB4D7F, #DB4D59, #DB674D, #DB8D4D and #DBB34D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB694D shade: #B14024, #D34C2B, #DB694D, #E2866F and #E9A392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB694D shade: #DB694D, #A4DB4D and #4D6CDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB694D shade: #DB694D, #4DDB67 and #674DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB694D shade: #DB694D, #A4DB4D, #4DC1DB and #834DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB694D shade: #DB694D, #7ADB4D, #4DC1DB and #AE4DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

Complementary color

CMYK 80 / 16 / 0 / 30

HEX #2496B2

RGB 36 150 178

HSL 191.83, 0.66%, 0.42%

LAB 57.47, -20.91, -23.39

 

CMYK 0 / 53 / 68 / 12

HEX #E06948

RGB 224 105 72

HSL 13.03, 0.71%, 0.58%

LAB 58.43, 44.13, 40.31

 

CMYK 0 / 49 / 62 / 5

HEX #F17B5B

RGB 241 123 91

HSL 12.8, 0.84%, 0.65%

LAB 64.66, 42.73, 38.12

 

CMYK 0 / 45 / 57 / 0

HEX #FF8D6E

RGB 255 141 110

HSL 12.83, 1%, 0.72%

LAB 70.48, 40.28, 35.55

 

CMYK 0 / 38 / 49 / 0

HEX #FF9F81

RGB 255 159 129

HSL 14.29, 1%, 0.75%

LAB 74.6, 32.61, 30.66

 

CMYK 0 / 31 / 42 / 0

HEX #FFB194

RGB 255 177 148

HSL 16.26, 1%, 0.79%

LAB 78.95, 25.08, 26.29

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 57 / 71 / 21

HEX #CA573A

RGB 202 87 58

HSL 12.08, 0.58%, 0.51%

LAB 51.47, 43.95, 38.98

 

CMYK 0 / 63 / 79 / 27

HEX #B94527

RGB 185 69 39

HSL 12.33, 0.65%, 0.44%

LAB 45.24, 45.33, 41.56

 

CMYK 0 / 70 / 88 / 34

HEX #A83314

RGB 168 51 20

HSL 12.57, 0.79%, 0.37%

LAB 39.14, 46.53, 43.98

 

CMYK 0 / 78 / 99 / 41

HEX #972101

RGB 151 33 1

HSL 12.8, 0.99%, 0.3%

LAB 33.28, 47.23, 45.84

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 65 / 65 / 14

HEX #DB4D4D

RGB 219 77 77

HSL 0, 0.66%, 0.58%

LAB 52.84, 55.41, 30.6

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 35 / 65 / 14

HEX #DB8F4D

RGB 219 143 77

HSL 27.89, 0.66%, 0.58%

LAB 65.94, 22.69, 46.2

 

CMYK 0 / 17 / 65 / 14

HEX #DBB54D

RGB 219 181 77

HSL 43.94, 0.66%, 0.58%

LAB 75.23, 2.37, 56.52

 

CMYK 0 / 0 / 65 / 14

HEX #DADB4D

RGB 218 219 77

HSL 60.42, 0.66%, 0.58%

LAB 85.05, -17.43, 66.84

 

CMYK 18 / 0 / 65 / 14

HEX #B4DB4D

RGB 180 219 77

HSL 76.48, 0.66%, 0.58%

LAB 82.33, -32.7, 63.16

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 60 / 75 / 7

HEX #EC5F3C

RGB 236 95 60

HSL 11.93, 0.82%, 0.58%

LAB 58.36, 52.6, 47.04

 

CMYK 0 / 67 / 83 / 1

HEX #FD542B

RGB 253 84 43

HSL 11.71, 0.98%, 0.58%

LAB 59.34, 62.38, 57.11

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 42 / 53 / 21

HEX #C9745F

RGB 201 116 95

HSL 11.89, 0.5%, 0.58%

LAB 57.78, 31.24, 26.06

 

CMYK 0 / 32 / 39 / 28

HEX #B87E70

RGB 184 126 112

HSL 11.67, 0.34%, 0.58%

LAB 58.3, 20.73, 16.72

 

CMYK 0 / 18 / 23 / 35

HEX #A78981

RGB 167 137 129

HSL 12.63, 0.18%, 0.58%

LAB 59.61, 10.1, 8.56

 

CMYK 0 / 1 / 1 / 42

HEX #959393

RGB 149 147 147

HSL 0, 0.01%, 0.58%

LAB 61.1, 0.73, 0.25

 

CMYK 0 / 65 / 42 / 14

HEX #DB4D7F

RGB 219 77 127

HSL 338.87, 0.66%, 0.58%

LAB 53.92, 59.37, 2.44

 

CMYK 0 / 65 / 59 / 14

HEX #DB4D59

RGB 219 77 89

HSL 354.93, 0.66%, 0.58%

LAB 53.05, 56.17, 23.84

 

CMYK 0 / 53 / 65 / 14

HEX #DB674D

RGB 219 103 77

HSL 10.99, 0.66%, 0.58%

LAB 57.36, 43.53, 36.14

 

CMYK 0 / 36 / 65 / 14

HEX #DB8D4D

RGB 219 141 77

HSL 27.04, 0.66%, 0.58%

LAB 65.47, 23.77, 45.67

 

CMYK 0 / 18 / 65 / 14

HEX #DBB34D

RGB 219 179 77

HSL 43.1, 0.66%, 0.58%

LAB 74.72, 3.43, 55.97

 

CMYK 0 / 64 / 80 / 31

HEX #B14024

RGB 177 64 36

HSL 11.91, 0.66%, 0.42%

LAB 42.98, 44.59, 40.37

 

CMYK 0 / 64 / 80 / 17

HEX #D34C2B

RGB 211 76 43

HSL 11.79, 0.66%, 0.5%

LAB 50.91, 51.58, 46.65

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 0 / 41 / 51 / 11

HEX #E2866F

RGB 226 134 111

HSL 12, 0.66%, 0.66%

LAB 65.25, 32.89, 27.51

 

CMYK 0 / 30 / 37 / 9

HEX #E9A392

RGB 233 163 146

HSL 11.72, 0.66%, 0.74%

LAB 73.28, 23.82, 19.24

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 25 / 0 / 65 / 14

HEX #A4DB4D

RGB 164 219 77

HSL 83.24, 0.66%, 0.58%

LAB 81.34, -38.8, 61.82

 

CMYK 65 / 51 / 0 / 14

HEX #4D6CDB

RGB 77 108 219

HSL 226.9, 0.66%, 0.58%

LAB 48.78, 24.04, -60.31

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 65 / 0 / 53 / 14

HEX #4DDB67

RGB 77 219 103

HSL 130.99, 0.66%, 0.58%

LAB 78, -61.61, 45.65

 

CMYK 53 / 65 / 0 / 14

HEX #674DDB

RGB 103 77 219

HSL 250.99, 0.66%, 0.58%

LAB 43.22, 47.17, -69.25

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 25 / 0 / 65 / 14

HEX #A4DB4D

RGB 164 219 77

HSL 83.24, 0.66%, 0.58%

LAB 81.34, -38.8, 61.82

 

CMYK 65 / 12 / 0 / 14

HEX #4DC1DB

RGB 77 193 219

HSL 190.99, 0.66%, 0.58%

LAB 72.78, -24.58, -22.64

 

CMYK 40 / 65 / 0 / 14

HEX #834DDB

RGB 131 77 219

HSL 262.82, 0.66%, 0.58%

LAB 45.97, 52.39, -64.65

 

CMYK 0 / 52 / 65 / 14

HEX #DB694D

RGB 219 105 77

HSL 11.83, 0.66%, 0.58%

LAB 57.75, 42.54, 36.61

 

CMYK 44 / 0 / 65 / 14

HEX #7ADB4D

RGB 122 219 77

HSL 100.99, 0.66%, 0.58%

LAB 79.23, -53.15, 58.94

 

CMYK 65 / 12 / 0 / 14

HEX #4DC1DB

RGB 77 193 219

HSL 190.99, 0.66%, 0.58%

LAB 72.78, -24.58, -22.64

 

CMYK 21 / 65 / 0 / 14

HEX #AE4DDB

RGB 174 77 219

HSL 280.99, 0.66%, 0.58%

LAB 51.18, 61.5, -55.99

 

Description

Color code: HEX #DB694D | qconv.com Color code: HEX #DB694D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 105 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 105 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 65 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 65% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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