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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 57 / 71 / 21 it is the complementary color CMYK 73 / 15 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 57 / 71 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 57 / 71 / 21: CMYK 0 / 58 / 74 / 19, CMYK 0 / 53 / 68 / 13, CMYK 0 / 49 / 62 / 6, CMYK 0 / 45 / 57 / 0 and CMYK 0 / 38 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 57 / 71 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 57 / 71 / 21: CMYK 0 / 57 / 71 / 21, CMYK 0 / 63 / 79 / 28, CMYK 0 / 69 / 88 / 35, CMYK 0 / 78 / 99 / 41 and CMYK 0 / 89 / 100 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

Complementary color

CMYK 73 / 15 / 0 / 23

HEX #36A8C5

RGB 54 168 197

HSL 192.17, 0.57%, 0.49%

LAB 64.02, -21.98, -23.99

 

CMYK 0 / 58 / 74 / 19

HEX #CE5735

RGB 206 87 53

HSL 13.33, 0.61%, 0.51%

LAB 52.06, 45.2, 42.47

 

CMYK 0 / 53 / 68 / 13

HEX #DF6948

RGB 223 105 72

HSL 13.11, 0.7%, 0.58%

LAB 58.28, 43.76, 40.1

 

CMYK 0 / 49 / 62 / 6

HEX #F07B5B

RGB 240 123 91

HSL 12.89, 0.83%, 0.65%

LAB 64.52, 42.36, 37.92

 

CMYK 0 / 45 / 57 / 0

HEX #FF8D6E

RGB 255 141 110

HSL 12.83, 1%, 0.72%

LAB 70.48, 40.28, 35.55

 

CMYK 0 / 38 / 49 / 0

HEX #FF9F81

RGB 255 159 129

HSL 14.29, 1%, 0.75%

LAB 74.6, 32.61, 30.66

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 0 / 63 / 79 / 28

HEX #B84527

RGB 184 69 39

HSL 12.41, 0.65%, 0.44%

LAB 45.07, 44.97, 41.33

 

CMYK 0 / 69 / 88 / 35

HEX #A73314

RGB 167 51 20

HSL 12.65, 0.79%, 0.37%

LAB 38.96, 46.19, 43.75

 

CMYK 0 / 78 / 99 / 41

HEX #962101

RGB 150 33 1

HSL 12.89, 0.99%, 0.3%

LAB 33.08, 46.9, 45.61

 

CMYK 0 / 89 / 100 / 48

HEX #850F00

RGB 133 15 0

HSL 6.77, 1%, 0.26%

LAB 27.65, 46.66, 40.38

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 0 / 45 / 71 / 21

HEX #C96F3A

RGB 201 111 58

HSL 22.24, 0.57%, 0.51%

LAB 56.18, 31.33, 44.16

 

CMYK 0 / 33 / 71 / 21

HEX #C9863A

RGB 201 134 58

HSL 31.89, 0.57%, 0.51%

LAB 61.46, 18.88, 49.81

 

CMYK 0 / 21 / 71 / 21

HEX #C99E3A

RGB 201 158 58

HSL 41.96, 0.57%, 0.51%

LAB 67.41, 5.82, 55.97

 

CMYK 0 / 9 / 71 / 21

HEX #C9B63A

RGB 201 182 58

HSL 52.03, 0.57%, 0.51%

LAB 73.66, -6.91, 62.22

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 0 / 57 / 71 / 1

HEX #FC6D49

RGB 252 109 73

HSL 12.07, 0.97%, 0.64%

LAB 63.44, 52.47, 46.62

 

CMYK 0 / 56 / 71 / 81

HEX #30150E

RGB 48 21 14

HSL 12.35, 0.55%, 0.12%

LAB 10.53, 12.88, 10.09

 

CMYK 0 / 57 / 71 / 61

HEX #632B1D

RGB 99 43 29

HSL 12, 0.55%, 0.25%

LAB 25.17, 24.17, 21.02

 

CMYK 0 / 57 / 71 / 41

HEX #96412B

RGB 150 65 43

HSL 12.34, 0.55%, 0.38%

LAB 38.62, 34.2, 30.49

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 28 / 0 / 71 / 21

HEX #90C93A

RGB 144 201 58

HSL 83.92, 0.57%, 0.51%

LAB 74.83, -39.55, 62

 

CMYK 71 / 57 / 0 / 21

HEX #3A57C9

RGB 58 87 201

HSL 227.83, 0.57%, 0.51%

LAB 41.11, 28.15, -62.47

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 71 / 0 / 57 / 21

HEX #3AC957

RGB 58 201 87

HSL 132.17, 0.57%, 0.51%

LAB 71.8, -60.88, 45.61

 

CMYK 57 / 71 / 0 / 21

HEX #573AC9

RGB 87 58 201

HSL 252.17, 0.57%, 0.51%

LAB 36.5, 49.71, -69.92

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 28 / 0 / 71 / 21

HEX #90C93A

RGB 144 201 58

HSL 83.92, 0.57%, 0.51%

LAB 74.83, -39.55, 62

 

CMYK 71 / 14 / 0 / 21

HEX #3AACC9

RGB 58 172 201

HSL 192.17, 0.57%, 0.51%

LAB 65.45, -22.24, -24

 

CMYK 43 / 71 / 0 / 21

HEX #733AC9

RGB 115 58 201

HSL 263.92, 0.57%, 0.51%

LAB 39.39, 54.24, -65.07

 

CMYK 0 / 57 / 71 / 21

HEX #C9573A

RGB 201 87 58

HSL 12.17, 0.57%, 0.51%

LAB 51.31, 43.58, 38.76

 

CMYK 50 / 0 / 71 / 21

HEX #65C93A

RGB 101 201 58

HSL 101.96, 0.57%, 0.51%

LAB 72.79, -53.96, 59.28

 

CMYK 71 / 14 / 0 / 21

HEX #3AACC9

RGB 58 172 201

HSL 192.17, 0.57%, 0.51%

LAB 65.45, -22.24, -24

 

CMYK 21 / 71 / 0 / 21

HEX #9E3AC9

RGB 158 58 201

HSL 281.96, 0.57%, 0.51%

LAB 44.96, 62.47, -55.79

 

Description

Color code: CMYK 0 / 57 / 71 / 21 | qconv.com Color code: CMYK 0 / 57 / 71 / 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 87 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 87 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 71% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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