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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEEE6 it is the complementary color #251119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEEE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEEE6 shade: #DFEEE1 and #F0FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEEE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEEE6 shade: #DAEEE6, #C9DCD3, #B8CAC0, #A7B8AD and #96A69A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEEE6 shade: #D8EDE5, #D8EDDF, #D8EDD9, #DCEDD8 and #E2EDD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEEE6 shade: #D8EDE5, #D8EDEA, #D8EAED, #D8E4ED and #D8DFED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEEE6 shade matches the following richer shades: #D8EDE5, #D4F1E5, #CFF6E6 and #CAFAE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEEE6 shade: #D8EDE5, #DDE8E4, #E1E4E3, #E6DFE2 and #EADBE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEEE6 shade: #D8EDD9, #D8EDDF, #D8EDE5, #D8EDEA and #D8EAED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEEE6 shade: #A0D3BE, #BCE0D1, #D8EDE5 and #F4FAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEEE6 shade: #DAEEE6, #D8DCED and #EDDCD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEEE6 shade: #DAEEE6, #E5D8ED and #EDE5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEEE6 shade: #DAEEE6, #D8DCED, #EDD8E0 and #EDE9D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEEE6 shade: #DAEEE6, #DAD8ED, #EDD8E0 and #EBEDD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

Complementary color

CMYK 0 / 54 / 32 / 85

HEX #251119

RGB 37 17 25

HSL 336, 0.37%, 0.11%

LAB 7.81, 11.79, -1.2

 

CMYK 6 / 0 / 5 / 7

HEX #DFEEE1

RGB 223 238 225

HSL 128, 0.31%, 0.9%

LAB 92.7, -7.31, 4.57

 

CMYK 6 / 0 / 4 / 0

HEX #F0FFF4

RGB 240 255 244

HSL 136, 1%, 0.97%

LAB 98.66, -6.86, 3.55

 

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

CMYK 9 / 0 / 4 / 14

HEX #C9DCD3

RGB 201 220 211

HSL 151.58, 0.21%, 0.83%

LAB 86.16, -8.03, 2.24

 

CMYK 9 / 0 / 5 / 21

HEX #B8CAC0

RGB 184 202 192

HSL 146.67, 0.15%, 0.76%

LAB 79.75, -8, 2.89

 

CMYK 9 / 0 / 6 / 28

HEX #A7B8AD

RGB 167 184 173

HSL 141.18, 0.11%, 0.69%

LAB 73.23, -7.99, 3.58

 

CMYK 10 / 0 / 7 / 35

HEX #96A69A

RGB 150 166 154

HSL 135, 0.08%, 0.62%

LAB 66.59, -7.98, 4.29

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 9 / 0 / 6 / 7

HEX #D8EDDF

RGB 216 237 223

HSL 140, 0.37%, 0.89%

LAB 91.91, -9.48, 4.41

 

CMYK 9 / 0 / 8 / 7

HEX #D8EDD9

RGB 216 237 217

HSL 122.86, 0.37%, 0.89%

LAB 91.76, -10.56, 7.33

 

CMYK 7 / 0 / 9 / 7

HEX #DCEDD8

RGB 220 237 216

HSL 108.57, 0.37%, 0.89%

LAB 92.02, -9.39, 8.25

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 9 / 0 / 1 / 7

HEX #D8EDEA

RGB 216 237 234

HSL 171.43, 0.37%, 0.89%

LAB 92.18, -7.45, -0.92

 

CMYK 9 / 1 / 0 / 7

HEX #D8EAED

RGB 216 234 237

HSL 188.57, 0.37%, 0.89%

LAB 91.49, -5.35, -3.5

 

CMYK 9 / 4 / 0 / 7

HEX #D8E4ED

RGB 216 228 237

HSL 205.71, 0.37%, 0.89%

LAB 89.95, -2.28, -5.76

 

CMYK 9 / 6 / 0 / 7

HEX #D8DFED

RGB 216 223 237

HSL 220, 0.37%, 0.89%

LAB 88.68, 0.31, -7.64

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 12 / 0 / 5 / 5

HEX #D4F1E5

RGB 212 241 229

HSL 155.17, 0.51%, 0.89%

LAB 92.82, -11.7, 2.59

 

CMYK 16 / 0 / 7 / 4

HEX #CFF6E6

RGB 207 246 230

HSL 155.38, 0.68%, 0.89%

LAB 93.84, -15.6, 3.5

 

CMYK 19 / 0 / 8 / 2

HEX #CAFAE7

RGB 202 250 231

HSL 156.25, 0.83%, 0.89%

LAB 94.61, -18.94, 4.07

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 5 / 0 / 2 / 9

HEX #DDE8E4

RGB 221 232 228

HSL 158.18, 0.19%, 0.89%

LAB 91.09, -4.38, 0.66

 

CMYK 1 / 0 / 0 / 11

HEX #E1E4E3

RGB 225 228 227

HSL 160, 0.05%, 0.89%

LAB 90.34, -1.18, 0.12

 

CMYK 0 / 3 / 2 / 10

HEX #E6DFE2

RGB 230 223 226

HSL 334.29, 0.12%, 0.89%

LAB 89.43, 2.91, -0.63

 

CMYK 0 / 6 / 4 / 8

HEX #EADBE1

RGB 234 219 225

HSL 336, 0.26%, 0.89%

LAB 88.73, 6.17, -1.1

 

CMYK 9 / 0 / 8 / 7

HEX #D8EDD9

RGB 216 237 217

HSL 122.86, 0.37%, 0.89%

LAB 91.76, -10.56, 7.33

 

CMYK 9 / 0 / 6 / 7

HEX #D8EDDF

RGB 216 237 223

HSL 140, 0.37%, 0.89%

LAB 91.91, -9.48, 4.41

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 9 / 0 / 1 / 7

HEX #D8EDEA

RGB 216 237 234

HSL 171.43, 0.37%, 0.89%

LAB 92.18, -7.45, -0.92

 

CMYK 9 / 1 / 0 / 7

HEX #D8EAED

RGB 216 234 237

HSL 188.57, 0.37%, 0.89%

LAB 91.49, -5.35, -3.5

 

CMYK 24 / 0 / 10 / 17

HEX #A0D3BE

RGB 160 211 190

HSL 155.29, 0.37%, 0.73%

LAB 80.62, -20.82, 5.03

 

CMYK 16 / 0 / 7 / 12

HEX #BCE0D1

RGB 188 224 209

HSL 155, 0.37%, 0.81%

LAB 86.31, -14.7, 3.4

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 2 / 0 / 1 / 2

HEX #F4FAF8

RGB 244 250 248

HSL 160, 0.37%, 0.97%

LAB 97.79, -2.33, 0.26

 

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

CMYK 9 / 7 / 0 / 7

HEX #D8DCED

RGB 216 220 237

HSL 228.57, 0.37%, 0.89%

LAB 87.92, 1.87, -8.77

 

CMYK 0 / 7 / 9 / 7

HEX #EDDCD8

RGB 237 220 216

HSL 11.43, 0.37%, 0.89%

LAB 88.99, 5.16, 4.05

 

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

CMYK 3 / 9 / 0 / 7

HEX #E5D8ED

RGB 229 216 237

HSL 277.14, 0.37%, 0.89%

LAB 87.91, 8.22, -8.67

 

CMYK 0 / 3 / 9 / 7

HEX #EDE5D8

RGB 237 229 216

HSL 37.14, 0.37%, 0.89%

LAB 91.23, 0.51, 7.29

 

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

CMYK 9 / 7 / 0 / 7

HEX #D8DCED

RGB 216 220 237

HSL 228.57, 0.37%, 0.89%

LAB 87.92, 1.87, -8.77

 

CMYK 0 / 9 / 5 / 7

HEX #EDD8E0

RGB 237 216 224

HSL 337.14, 0.37%, 0.89%

LAB 88.21, 8.59, -1.3

 

CMYK 0 / 2 / 9 / 7

HEX #EDE9D8

RGB 237 233 216

HSL 48.57, 0.37%, 0.89%

LAB 92.24, -1.53, 8.73

 

CMYK 8 / 0 / 3 / 7

HEX #DAEEE6

RGB 218 238 230

HSL 156, 0.37%, 0.89%

LAB 92.47, -8.05, 1.61

 

CMYK 8 / 9 / 0 / 7

HEX #DAD8ED

RGB 218 216 237

HSL 245.71, 0.37%, 0.89%

LAB 87.06, 4.61, -10.03

 

CMYK 0 / 9 / 5 / 7

HEX #EDD8E0

RGB 237 216 224

HSL 337.14, 0.37%, 0.89%

LAB 88.21, 8.59, -1.3

 

CMYK 1 / 0 / 9 / 7

HEX #EBEDD8

RGB 235 237 216

HSL 65.71, 0.37%, 0.89%

LAB 93.1, -4.26, 9.94

 

Description

Color code: HEX #DAEEE6 | qconv.com Color code: HEX #DAEEE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 238 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 238 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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