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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 237 216 it is the complementary color RGB 29 18 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 237 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 237 216 shade: RGB 231 237 211, RGB 248 255 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 237 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 209 219 197, RGB 192 201 178, RGB 175 183 159 and RGB 158 165 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 232 237 216, RGB 237 237 216, RGB 237 231 216 and RGB 237 225 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 220 237 216, RGB 216 237 217, RGB 216 237 223 and RGB 216 237 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 237 216 shade matches the following richer shades: RGB 226 237 216, RGB 226 241 212, RGB 226 246 207 and RGB 225 250 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 226 232 221, RGB 226 228 225, RGB 227 223 230 and RGB 227 219 234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 237 216 shade: RGB 237 236 216, RGB 232 237 216, RGB 226 237 216, RGB 221 237 216 and RGB 216 237 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 237 216 shade: RGB 184 211 160, RGB 205 224 188, RGB 226 237 216 and RGB 247 250 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 216 237 231 and RGB 237 216 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 216 226 237 and RGB 237 216 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 216 237 231, RGB 227 216 237 and RGB 237 216 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 237 216 shade: RGB 226 237 216, RGB 216 236 237, RGB 227 216 237 and RGB 237 216 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

Complementary color

CMYK 26 / 54 / 0 / 85

HEX #1D1227

RGB 29 18 39

HSL 271.43, 0.37%, 0.11%

LAB 7.59, 11.04, -12.31

 

CMYK 3 / 0 / 11 / 7

HEX #E7EDD3

RGB 231 237 211

HSL 73.85, 0.42%, 0.88%

LAB 92.69, -6.46, 11.91

 

CMYK 3 / 0 / 10 / 0

HEX #F8FFE6

RGB 248 255 230

HSL 76.8, 1%, 0.95%

LAB 98.9, -6.56, 11.15

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 5 / 0 / 10 / 14

HEX #D1DBC5

RGB 209 219 197

HSL 87.27, 0.23%, 0.82%

LAB 86.13, -7.28, 9.66

 

CMYK 4 / 0 / 11 / 21

HEX #C0C9B2

RGB 192 201 178

HSL 83.48, 0.18%, 0.74%

LAB 79.72, -7.21, 10.44

 

CMYK 4 / 0 / 13 / 28

HEX #AFB79F

RGB 175 183 159

HSL 80, 0.14%, 0.67%

LAB 73.21, -7.13, 11.26

 

CMYK 4 / 0 / 15 / 35

HEX #9EA58C

RGB 158 165 140

HSL 76.8, 0.12%, 0.6%

LAB 66.58, -7.05, 12.13

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 2 / 0 / 9 / 7

HEX #E8EDD8

RGB 232 237 216

HSL 74.29, 0.37%, 0.89%

LAB 92.88, -5.29, 9.59

 

CMYK 0 / 0 / 9 / 7

HEX #EDEDD8

RGB 237 237 216

HSL 60, 0.37%, 0.89%

LAB 93.25, -3.56, 10.17

 

CMYK 0 / 3 / 9 / 7

HEX #EDE7D8

RGB 237 231 216

HSL 42.86, 0.37%, 0.89%

LAB 91.74, -0.51, 8.01

 

CMYK 0 / 5 / 9 / 7

HEX #EDE1D8

RGB 237 225 216

HSL 25.71, 0.37%, 0.89%

LAB 90.24, 2.57, 5.85

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 7 / 0 / 9 / 7

HEX #DCEDD8

RGB 220 237 216

HSL 108.57, 0.37%, 0.89%

LAB 92.02, -9.39, 8.25

 

CMYK 9 / 0 / 8 / 7

HEX #D8EDD9

RGB 216 237 217

HSL 122.86, 0.37%, 0.89%

LAB 91.76, -10.56, 7.33

 

CMYK 9 / 0 / 6 / 7

HEX #D8EDDF

RGB 216 237 223

HSL 140, 0.37%, 0.89%

LAB 91.91, -9.48, 4.41

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE5

RGB 216 237 229

HSL 157.14, 0.37%, 0.89%

LAB 92.05, -8.39, 1.5

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 6 / 0 / 12 / 5

HEX #E2F1D4

RGB 226 241 212

HSL 91.03, 0.51%, 0.89%

LAB 93.38, -10.03, 12.32

 

CMYK 8 / 0 / 16 / 4

HEX #E2F6CF

RGB 226 246 207

HSL 90.77, 0.68%, 0.89%

LAB 94.56, -13.33, 16.58

 

CMYK 10 / 0 / 19 / 2

HEX #E1FACA

RGB 225 250 202

HSL 91.25, 0.83%, 0.89%

LAB 95.43, -16.43, 20.35

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 3 / 0 / 5 / 9

HEX #E2E8DD

RGB 226 232 221

HSL 92.73, 0.19%, 0.89%

LAB 91.28, -3.96, 4.64

 

CMYK 1 / 0 / 1 / 11

HEX #E2E4E1

RGB 226 228 225

HSL 100, 0.05%, 0.89%

LAB 90.36, -1.2, 1.21

 

CMYK 1 / 3 / 0 / 10

HEX #E3DFE6

RGB 227 223 230

HSL 274.29, 0.12%, 0.89%

LAB 89.31, 2.61, -2.94

 

CMYK 3 / 6 / 0 / 8

HEX #E3DBEA

RGB 227 219 234

HSL 272, 0.26%, 0.89%

LAB 88.42, 5.43, -6.36

 

CMYK 0 / 0 / 9 / 7

HEX #EDECD8

RGB 237 236 216

HSL 57.14, 0.37%, 0.89%

LAB 92.99, -3.06, 9.81

 

CMYK 2 / 0 / 9 / 7

HEX #E8EDD8

RGB 232 237 216

HSL 74.29, 0.37%, 0.89%

LAB 92.88, -5.29, 9.59

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 7 / 0 / 9 / 7

HEX #DDEDD8

RGB 221 237 216

HSL 105.71, 0.37%, 0.89%

LAB 92.09, -9.05, 8.36

 

CMYK 9 / 0 / 8 / 7

HEX #D8EDD9

RGB 216 237 217

HSL 122.86, 0.37%, 0.89%

LAB 91.76, -10.56, 7.33

 

CMYK 13 / 0 / 24 / 17

HEX #B8D3A0

RGB 184 211 160

HSL 91.76, 0.37%, 0.73%

LAB 81.47, -18.09, 22.34

 

CMYK 8 / 0 / 16 / 12

HEX #CDE0BC

RGB 205 224 188

HSL 91.67, 0.37%, 0.81%

LAB 86.96, -12.71, 15.52

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 1 / 0 / 2 / 2

HEX #F7FAF4

RGB 247 250 244

HSL 90, 0.37%, 0.97%

LAB 97.9, -2.04, 2.51

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE7

RGB 216 237 231

HSL 162.86, 0.37%, 0.89%

LAB 92.1, -8.01, 0.53

 

CMYK 0 / 9 / 1 / 7

HEX #EDD8EA

RGB 237 216 234

HSL 308.57, 0.37%, 0.89%

LAB 88.47, 10.34, -6.19

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 9 / 5 / 0 / 7

HEX #D8E2ED

RGB 216 226 237

HSL 211.43, 0.37%, 0.89%

LAB 89.44, -1.24, -6.51

 

CMYK 0 / 9 / 5 / 7

HEX #EDD8E2

RGB 237 216 226

HSL 331.43, 0.37%, 0.89%

LAB 88.26, 8.93, -2.28

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 9 / 0 / 3 / 7

HEX #D8EDE7

RGB 216 237 231

HSL 162.86, 0.37%, 0.89%

LAB 92.1, -8.01, 0.53

 

CMYK 4 / 9 / 0 / 7

HEX #E3D8ED

RGB 227 216 237

HSL 271.43, 0.37%, 0.89%

LAB 87.75, 7.56, -8.92

 

CMYK 0 / 9 / 6 / 7

HEX #EDD8DE

RGB 237 216 222

HSL 342.86, 0.37%, 0.89%

LAB 88.16, 8.25, -0.33

 

CMYK 5 / 0 / 9 / 7

HEX #E2EDD8

RGB 226 237 216

HSL 91.43, 0.37%, 0.89%

LAB 92.44, -7.35, 8.91

 

CMYK 9 / 0 / 0 / 7

HEX #D8ECED

RGB 216 236 237

HSL 182.86, 0.37%, 0.89%

LAB 92, -6.37, -2.75

 

CMYK 4 / 9 / 0 / 7

HEX #E3D8ED

RGB 227 216 237

HSL 271.43, 0.37%, 0.89%

LAB 87.75, 7.56, -8.92

 

CMYK 0 / 9 / 9 / 7

HEX #EDD8D8

RGB 237 216 216

HSL 0, 0.37%, 0.89%

LAB 88, 7.24, 2.62

 

Description

Color code: RGB 226 237 216 | qconv.com Color code: RGB 226 237 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 237 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 237 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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