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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE5A1 it is the complementary color #251A5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE5A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE5A1 shade: #DFE59C, #F0F7AF, #FFFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE5A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE5A1 shade: #DAE5A1, #C9D38E, #B8C17B, #A7AF68 and #969D55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE5A1 shade: #D9E49E, #E4DD9E, #E4CA9E, #E4B79E and #E4A49E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE5A1 shade: #D9E49E, #C6E49E, #B3E49E, #A0E49E and #9EE4AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE5A1 shade matches the following richer shades: #D9E49E, #E0EE95 and #E6F88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE5A1 shade: #D9E49E, #D2DAA8, #CBD0B2, #C5C6BC and #BEBDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE5A1 shade: #E4C99E, #E4DC9E, #DAE49E, #C7E49E and #B5E49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE5A1 shade: #C0D25E, #CCDB7E, #D9E49E, #E6EDBF and #F2F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE5A1 shade: #DAE5A1, #9EE4B7 and #D39EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE5A1 shade: #DAE5A1, #9EDAE4 and #E49EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE5A1 shade: #DAE5A1, #9EE4B7, #A99EE4 and #E49ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE5A1 shade: #DAE5A1, #9EE4CC, #A99EE4 and #E49EB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

Complementary color

CMYK 61 / 72 / 0 / 63

HEX #251A5E

RGB 37 26 94

HSL 249.71, 0.57%, 0.24%

LAB 15.17, 26.3, -38.83

 

CMYK 3 / 0 / 32 / 10

HEX #DFE59C

RGB 223 229 156

HSL 64.93, 0.58%, 0.75%

LAB 88.98, -13.24, 35

 

CMYK 3 / 0 / 29 / 3

HEX #F0F7AF

RGB 240 247 175

HSL 65.83, 0.82%, 0.83%

LAB 95.22, -13.42, 33.92

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

CMYK 5 / 0 / 33 / 17

HEX #C9D38E

RGB 201 211 142

HSL 68.7, 0.44%, 0.69%

LAB 82.36, -14.32, 33.1

 

CMYK 5 / 0 / 36 / 24

HEX #B8C17B

RGB 184 193 123

HSL 67.71, 0.36%, 0.62%

LAB 75.92, -14.14, 34.23

 

CMYK 5 / 0 / 41 / 31

HEX #A7AF68

RGB 167 175 104

HSL 66.76, 0.31%, 0.55%

LAB 69.38, -13.9, 35.42

 

CMYK 4 / 0 / 46 / 38

HEX #969D55

RGB 150 157 85

HSL 65.83, 0.3%, 0.47%

LAB 62.72, -13.6, 36.64

 

CMYK 5 / 0 / 31 / 11

HEX #D9E49E

RGB 217 228 158

HSL 69.43, 0.56%, 0.76%

LAB 88.31, -14.74, 33.01

 

CMYK 0 / 3 / 31 / 11

HEX #E4DD9E

RGB 228 221 158

HSL 54, 0.56%, 0.76%

LAB 87.33, -7.08, 31.85

 

CMYK 0 / 11 / 31 / 11

HEX #E4CA9E

RGB 228 202 158

HSL 37.71, 0.56%, 0.76%

LAB 82.49, 2.69, 25.34

 

CMYK 0 / 20 / 31 / 11

HEX #E4B79E

RGB 228 183 158

HSL 21.43, 0.56%, 0.76%

LAB 77.77, 12.71, 18.87

 

CMYK 0 / 28 / 31 / 11

HEX #E4A49E

RGB 228 164 158

HSL 5.14, 0.56%, 0.76%

LAB 73.23, 22.86, 12.51

 

CMYK 5 / 0 / 31 / 11

HEX #D9E49E

RGB 217 228 158

HSL 69.43, 0.56%, 0.76%

LAB 88.31, -14.74, 33.01

 

CMYK 13 / 0 / 31 / 11

HEX #C6E49E

RGB 198 228 158

HSL 85.71, 0.56%, 0.76%

LAB 86.98, -21.72, 31

 

CMYK 21 / 0 / 31 / 11

HEX #B3E49E

RGB 179 228 158

HSL 102, 0.56%, 0.76%

LAB 85.78, -28.43, 29.18

 

CMYK 30 / 0 / 31 / 11

HEX #A0E49E

RGB 160 228 158

HSL 118.29, 0.56%, 0.76%

LAB 84.7, -34.76, 27.55

 

CMYK 31 / 0 / 23 / 11

HEX #9EE4AF

RGB 158 228 175

HSL 134.57, 0.56%, 0.76%

LAB 84.92, -32.5, 19.03

 

CMYK 5 / 0 / 31 / 11

HEX #D9E49E

RGB 217 228 158

HSL 69.43, 0.56%, 0.76%

LAB 88.31, -14.74, 33.01

 

CMYK 6 / 0 / 37 / 7

HEX #E0EE95

RGB 224 238 149

HSL 69.44, 0.72%, 0.76%

LAB 91.31, -18.13, 41.54

 

CMYK 7 / 0 / 44 / 3

HEX #E6F88B

RGB 230 248 139

HSL 69.91, 0.89%, 0.76%

LAB 94.24, -21.78, 50.18

 

CMYK 5 / 0 / 31 / 11

HEX #D9E49E

RGB 217 228 158

HSL 69.43, 0.56%, 0.76%

LAB 88.31, -14.74, 33.01

 

CMYK 4 / 0 / 23 / 15

HEX #D2DAA8

RGB 210 218 168

HSL 69.6, 0.4%, 0.76%

LAB 85.34, -10.96, 23.76

 

CMYK 2 / 0 / 14 / 18

HEX #CBD0B2

RGB 203 208 178

HSL 70, 0.24%, 0.76%

LAB 82.39, -6.89, 14.33

 

CMYK 1 / 0 / 5 / 22

HEX #C5C6BC

RGB 197 198 188

HSL 66, 0.08%, 0.76%

LAB 79.55, -2.14, 4.88

 

CMYK 4 / 5 / 0 / 22

HEX #BEBDC6

RGB 190 189 198

HSL 246.67, 0.07%, 0.76%

LAB 76.93, 2.05, -4.41

 

CMYK 0 / 12 / 31 / 11

HEX #E4C99E

RGB 228 201 158

HSL 36.86, 0.56%, 0.76%

LAB 82.24, 3.22, 25

 

CMYK 0 / 4 / 31 / 11

HEX #E4DC9E

RGB 228 220 158

HSL 53.14, 0.56%, 0.76%

LAB 87.07, -6.57, 31.51

 

CMYK 4 / 0 / 31 / 11

HEX #DAE49E

RGB 218 228 158

HSL 68.57, 0.56%, 0.76%

LAB 88.38, -14.36, 33.12

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 9 / 0 / 55 / 18

HEX #C0D25E

RGB 192 210 94

HSL 69.31, 0.56%, 0.6%

LAB 80.8, -22.4, 54.47

 

CMYK 7 / 0 / 42 / 14

HEX #CCDB7E

RGB 204 219 126

HSL 69.68, 0.56%, 0.68%

LAB 84.49, -19.02, 43.93

 

CMYK 5 / 0 / 31 / 11

HEX #D9E49E

RGB 217 228 158

HSL 69.43, 0.56%, 0.76%

LAB 88.31, -14.74, 33.01

 

CMYK 3 / 0 / 19 / 7

HEX #E6EDBF

RGB 230 237 191

HSL 69.13, 0.56%, 0.84%

LAB 92.2, -9.91, 21.55

 

CMYK 2 / 0 / 9 / 4

HEX #F2F6DF

RGB 242 246 223

HSL 70.43, 0.56%, 0.92%

LAB 96.05, -5.24, 10.6

 

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

CMYK 31 / 0 / 20 / 11

HEX #9EE4B7

RGB 158 228 183

HSL 141.43, 0.56%, 0.76%

LAB 85.09, -31.04, 15.08

 

CMYK 7 / 31 / 0 / 11

HEX #D39EE4

RGB 211 158 228

HSL 285.43, 0.56%, 0.76%

LAB 72.16, 31.77, -27.76

 

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

CMYK 31 / 4 / 0 / 11

HEX #9EDAE4

RGB 158 218 228

HSL 188.57, 0.56%, 0.76%

LAB 83.45, -16.66, -11.06

 

CMYK 0 / 31 / 4 / 11

HEX #E49EDA

RGB 228 158 218

HSL 308.57, 0.56%, 0.76%

LAB 73.55, 35.34, -20.01

 

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

CMYK 31 / 0 / 20 / 11

HEX #9EE4B7

RGB 158 228 183

HSL 141.43, 0.56%, 0.76%

LAB 85.09, -31.04, 15.08

 

CMYK 26 / 31 / 0 / 11

HEX #A99EE4

RGB 169 158 228

HSL 249.43, 0.56%, 0.76%

LAB 68.38, 18.91, -33.92

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 5 / 0 / 30 / 10

HEX #DAE5A1

RGB 218 229 161

HSL 69.71, 0.57%, 0.76%

LAB 88.69, -14.47, 32.01

 

CMYK 31 / 0 / 11 / 11

HEX #9EE4CC

RGB 158 228 204

HSL 159.43, 0.56%, 0.76%

LAB 85.56, -26.89, 4.74

 

CMYK 26 / 31 / 0 / 11

HEX #A99EE4

RGB 169 158 228

HSL 249.43, 0.56%, 0.76%

LAB 68.38, 18.91, -33.92

 

CMYK 0 / 31 / 20 / 11

HEX #E49EB7

RGB 228 158 183

HSL 338.57, 0.56%, 0.76%

LAB 72.47, 29.6, -2.36

 

Description

Color code: HEX #DAE5A1 | qconv.com Color code: HEX #DAE5A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 229 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 229 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 30 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 30% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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