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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E59F it is the complementary color #4A1A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E59F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E59F shade: #BAE59A, #CBF7AD, #DCFFC0, #EDFFD3 and #FEFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E59F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E59F shade: #B5E59F, #A4D38C, #93C179, #82AF66 and #719D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E59F shade: #B4E49E, #C7E49E, #DAE49E, #E4DC9E and #E4C99E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E59F shade: #B4E49E, #A2E49E, #9EE4AE, #9EE4C1 and #9EE4D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E59F shade matches the following richer shades: #B4E49E, #B1EE95 and #ADF88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E59F shade: #B4E49E, #B8DAA8, #BCD0B2, #BFC6BC and #C3BDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E59F shade: #DAE49E, #C7E49E, #B5E49E, #A2E49E and #9EE4AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E59F shade: #82D25E, #9BDB7E, #B4E49E, #CDEDBF and #E6F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E59F shade: #B5E59F, #9EE4DC and #E49ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E59F shade: #B5E59F, #9EB5E4 and #E49EB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E59F shade: #B5E59F, #9EE4DC, #CE9EE4 and #E49EA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E59F shade: #B5E59F, #9ED7E4, #CE9EE4 and #E4AB9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

Complementary color

CMYK 23 / 73 / 0 / 62

HEX #4A1A60

RGB 74 26 96

HSL 281.14, 0.57%, 0.24%

LAB 20.2, 35.04, -31.78

 

CMYK 19 / 0 / 33 / 10

HEX #BAE59A

RGB 186 229 154

HSL 94.4, 0.59%, 0.75%

LAB 86.41, -27.05, 32.14

 

CMYK 18 / 0 / 30 / 3

HEX #CBF7AD

RGB 203 247 173

HSL 95.68, 0.82%, 0.82%

LAB 92.68, -26.95, 31.09

 

CMYK 14 / 0 / 25 / 0

HEX #DCFFC0

RGB 220 255 192

HSL 93.33, 1%, 0.88%

LAB 96.22, -22.11, 26.47

 

CMYK 7 / 0 / 17 / 0

HEX #EDFFD3

RGB 237 255 211

HSL 84.55, 1%, 0.91%

LAB 97.72, -13.35, 19.08

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE6

RGB 254 255 230

HSL 62.4, 1%, 0.95%

LAB 99.34, -4.51, 11.83

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

CMYK 22 / 0 / 34 / 17

HEX #A4D38C

RGB 164 211 140

HSL 99.72, 0.45%, 0.69%

LAB 79.83, -28.21, 30.32

 

CMYK 24 / 0 / 37 / 24

HEX #93C179

RGB 147 193 121

HSL 98.33, 0.37%, 0.62%

LAB 73.37, -28.34, 31.46

 

CMYK 26 / 0 / 42 / 31

HEX #82AF66

RGB 130 175 102

HSL 96.99, 0.31%, 0.54%

LAB 66.8, -28.47, 32.64

 

CMYK 28 / 0 / 47 / 38

HEX #719D53

RGB 113 157 83

HSL 95.68, 0.31%, 0.47%

LAB 60.11, -28.57, 33.87

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 4 / 0 / 31 / 11

HEX #DAE49E

RGB 218 228 158

HSL 68.57, 0.56%, 0.76%

LAB 88.38, -14.36, 33.12

 

CMYK 0 / 4 / 31 / 11

HEX #E4DC9E

RGB 228 220 158

HSL 53.14, 0.56%, 0.76%

LAB 87.07, -6.57, 31.51

 

CMYK 0 / 12 / 31 / 11

HEX #E4C99E

RGB 228 201 158

HSL 36.86, 0.56%, 0.76%

LAB 82.24, 3.22, 25

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 29 / 0 / 31 / 11

HEX #A2E49E

RGB 162 228 158

HSL 116.57, 0.56%, 0.76%

LAB 84.81, -34.12, 27.71

 

CMYK 31 / 0 / 24 / 11

HEX #9EE4AE

RGB 158 228 174

HSL 133.71, 0.56%, 0.76%

LAB 84.9, -32.68, 19.52

 

CMYK 31 / 0 / 15 / 11

HEX #9EE4C1

RGB 158 228 193

HSL 150, 0.56%, 0.76%

LAB 85.3, -29.11, 10.15

 

CMYK 31 / 0 / 7 / 11

HEX #9EE4D4

RGB 158 228 212

HSL 166.29, 0.56%, 0.76%

LAB 85.76, -25.2, 0.82

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 26 / 0 / 37 / 7

HEX #B1EE95

RGB 177 238 149

HSL 101.12, 0.72%, 0.76%

LAB 88.29, -35.07, 37.04

 

CMYK 30 / 0 / 44 / 3

HEX #ADF88B

RGB 173 248 139

HSL 101.28, 0.89%, 0.76%

LAB 90.73, -42.21, 45.03

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 16 / 0 / 23 / 15

HEX #B8DAA8

RGB 184 218 168

HSL 100.8, 0.4%, 0.76%

LAB 83.53, -20.3, 20.98

 

CMYK 10 / 0 / 14 / 18

HEX #BCD0B2

RGB 188 208 178

HSL 100, 0.24%, 0.76%

LAB 81.3, -12.22, 12.64

 

CMYK 4 / 0 / 5 / 22

HEX #BFC6BC

RGB 191 198 188

HSL 102, 0.08%, 0.76%

LAB 79.1, -4.24, 4.16

 

CMYK 2 / 5 / 0 / 22

HEX #C3BDC6

RGB 195 189 198

HSL 280, 0.07%, 0.76%

LAB 77.33, 3.76, -3.78

 

CMYK 4 / 0 / 31 / 11

HEX #DAE49E

RGB 218 228 158

HSL 68.57, 0.56%, 0.76%

LAB 88.38, -14.36, 33.12

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 29 / 0 / 31 / 11

HEX #A2E49E

RGB 162 228 158

HSL 116.57, 0.56%, 0.76%

LAB 84.81, -34.12, 27.71

 

CMYK 31 / 0 / 24 / 11

HEX #9EE4AE

RGB 158 228 174

HSL 133.71, 0.56%, 0.76%

LAB 84.9, -32.68, 19.52

 

CMYK 38 / 0 / 55 / 18

HEX #82D25E

RGB 130 210 94

HSL 101.38, 0.56%, 0.6%

LAB 77.07, -45.28, 49.19

 

CMYK 29 / 0 / 42 / 14

HEX #9BDB7E

RGB 155 219 126

HSL 101.29, 0.56%, 0.68%

LAB 81.37, -37, 39.33

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 14 / 0 / 19 / 7

HEX #CDEDBF

RGB 205 237 191

HSL 101.74, 0.56%, 0.84%

LAB 90.46, -18.68, 18.87

 

CMYK 7 / 0 / 9 / 4

HEX #E6F6DF

RGB 230 246 223

HSL 101.74, 0.56%, 0.92%

LAB 95.19, -9.33, 9.26

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

CMYK 31 / 0 / 4 / 11

HEX #9EE4DC

RGB 158 228 220

HSL 173.14, 0.56%, 0.76%

LAB 85.97, -23.46, -3.1

 

CMYK 0 / 31 / 9 / 11

HEX #E49ED0

RGB 228 158 208

HSL 317.14, 0.56%, 0.76%

LAB 73.22, 33.61, -15.03

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

CMYK 31 / 21 / 0 / 11

HEX #9EB5E4

RGB 158 181 228

HSL 220.29, 0.56%, 0.76%

LAB 73.49, 2.88, -26.11

 

CMYK 0 / 31 / 21 / 11

HEX #E49EB5

RGB 228 158 181

HSL 340.29, 0.56%, 0.76%

LAB 72.42, 29.3, -1.33

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

CMYK 31 / 0 / 4 / 11

HEX #9EE4DC

RGB 158 228 220

HSL 173.14, 0.56%, 0.76%

LAB 85.97, -23.46, -3.1

 

CMYK 10 / 31 / 0 / 11

HEX #CE9EE4

RGB 206 158 228

HSL 281.14, 0.56%, 0.76%

LAB 71.67, 30.2, -28.56

 

CMYK 0 / 31 / 27 / 11

HEX #E49EA7

RGB 228 158 167

HSL 352.29, 0.56%, 0.76%

LAB 72.05, 27.28, 5.88

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59F

RGB 181 229 159

HSL 101.14, 0.57%, 0.76%

LAB 86.19, -28.06, 29.24

 

CMYK 31 / 6 / 0 / 11

HEX #9ED7E4

RGB 158 215 228

HSL 191.14, 0.56%, 0.76%

LAB 82.63, -15.14, -12.28

 

CMYK 10 / 31 / 0 / 11

HEX #CE9EE4

RGB 206 158 228

HSL 281.14, 0.56%, 0.76%

LAB 71.67, 30.2, -28.56

 

CMYK 0 / 25 / 31 / 11

HEX #E4AB9E

RGB 228 171 158

HSL 11.14, 0.56%, 0.76%

LAB 74.88, 19.11, 14.84

 

Description

Color code: HEX #B5E59F | qconv.com Color code: HEX #B5E59F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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