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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEEBF it is the complementary color #311140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEEBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEEBF shade: #D3EEBA, #E4FFCD, #F5FFE0, #FFFFF3 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEEBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEEBF shade: #CEEEBF, #BDDCAC, #ACCA99, #9BB886 and #8AA673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEEBF shade: #CEEEBF, #DAEEBF, #E7EEBF, #EEE8BF and #EEDBBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEEBF shade: #CEEEBF, #C1EEBF, #BFEEC9, #BFEED6 and #BFEEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEEBF shade matches the following richer shades: #CEEEBF, #CBF4B8 and #C9FBB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEEBF shade: #CEEEBF, #D0E7C5, #D2E1CC, #D5DAD2 and #D7D3D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEEBF shade: #E8EEBF, #DBEEBF, #CEEEBF, #C2EEBF and #BFEEC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEEBF shade: #9CDD7D, #B5E59E, #CEEEBF, #E7F7DF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEEBF shade: #CEEEBF, #BFEEE8 and #EEBFE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEEBF shade: #CEEEBF, #BFCEEE and #EEBFCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEEBF shade: #CEEEBF, #BFEEE8, #DEBFEE and #EEBFC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEEBF shade: #CEEEBF, #BFE6EE, #DEBFEE and #EEC6BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

Complementary color

CMYK 23 / 73 / 0 / 75

HEX #311140

RGB 49 17 64

HSL 280.85, 0.58%, 0.16%

LAB 12.12, 25.34, -23.14

 

CMYK 11 / 0 / 22 / 7

HEX #D3EEBA

RGB 211 238 186

HSL 91.15, 0.6%, 0.83%

LAB 91.03, -17.89, 22.29

 

CMYK 11 / 0 / 20 / 0

HEX #E4FFCD

RGB 228 255 205

HSL 92.4, 1%, 0.9%

LAB 96.99, -17.37, 21.02

 

CMYK 4 / 0 / 12 / 0

HEX #F5FFE0

RGB 245 255 224

HSL 79.35, 1%, 0.94%

LAB 98.56, -8.55, 13.7

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 14 / 0 / 22 / 14

HEX #BDDCAC

RGB 189 220 172

HSL 98.75, 0.41%, 0.77%

LAB 84.48, -18.9, 20.26

 

CMYK 15 / 0 / 24 / 21

HEX #ACCA99

RGB 172 202 153

HSL 96.73, 0.32%, 0.7%

LAB 78.06, -18.98, 21.22

 

CMYK 16 / 0 / 27 / 28

HEX #9BB886

RGB 155 184 134

HSL 94.8, 0.26%, 0.62%

LAB 71.54, -19.06, 22.23

 

CMYK 17 / 0 / 31 / 35

HEX #8AA673

RGB 138 166 115

HSL 92.94, 0.22%, 0.55%

LAB 64.89, -19.14, 23.31

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 8 / 0 / 20 / 7

HEX #DAEEBF

RGB 218 238 191

HSL 85.53, 0.58%, 0.84%

LAB 91.6, -14.66, 20.59

 

CMYK 3 / 0 / 20 / 7

HEX #E7EEBF

RGB 231 238 191

HSL 68.94, 0.58%, 0.84%

LAB 92.53, -10.05, 22.02

 

CMYK 0 / 3 / 20 / 7

HEX #EEE8BF

RGB 238 232 191

HSL 52.34, 0.58%, 0.84%

LAB 91.53, -4.51, 20.71

 

CMYK 0 / 8 / 20 / 7

HEX #EEDBBF

RGB 238 219 191

HSL 35.74, 0.58%, 0.84%

LAB 88.26, 2.14, 16.14

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 19 / 0 / 20 / 7

HEX #C1EEBF

RGB 193 238 191

HSL 117.45, 0.58%, 0.84%

LAB 89.97, -23.22, 18.07

 

CMYK 20 / 0 / 16 / 7

HEX #BFEEC9

RGB 191 238 201

HSL 132.77, 0.58%, 0.84%

LAB 90.06, -22.14, 13

 

CMYK 20 / 0 / 10 / 7

HEX #BFEED6

RGB 191 238 214

HSL 149.36, 0.58%, 0.84%

LAB 90.36, -19.75, 6.66

 

CMYK 20 / 0 / 5 / 7

HEX #BFEEE2

RGB 191 238 226

HSL 164.68, 0.58%, 0.84%

LAB 90.65, -17.41, 0.83

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 17 / 0 / 25 / 4

HEX #CBF4B8

RGB 203 244 184

HSL 101, 0.73%, 0.84%

LAB 92.07, -23.88, 24.67

 

CMYK 20 / 0 / 29 / 2

HEX #C9FBB1

RGB 201 251 177

HSL 100.54, 0.9%, 0.84%

LAB 93.7, -28.94, 30.43

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 10 / 0 / 15 / 9

HEX #D0E7C5

RGB 208 231 197

HSL 100.59, 0.41%, 0.84%

LAB 89.2, -13.7, 14.01

 

CMYK 7 / 0 / 9 / 12

HEX #D2E1CC

RGB 210 225 204

HSL 102.86, 0.26%, 0.84%

LAB 87.93, -8.79, 8.55

 

CMYK 2 / 0 / 4 / 15

HEX #D5DAD2

RGB 213 218 210

HSL 97.5, 0.1%, 0.84%

LAB 86.48, -3.13, 3.33

 

CMYK 1 / 3 / 0 / 15

HEX #D7D3D9

RGB 215 211 217

HSL 280, 0.07%, 0.84%

LAB 85.02, 2.46, -2.48

 

CMYK 3 / 0 / 20 / 7

HEX #E8EEBF

RGB 232 238 191

HSL 67.66, 0.58%, 0.84%

LAB 92.6, -9.69, 22.13

 

CMYK 8 / 0 / 20 / 7

HEX #DBEEBF

RGB 219 238 191

HSL 84.26, 0.58%, 0.84%

LAB 91.67, -14.31, 20.7

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 18 / 0 / 20 / 7

HEX #C2EEBF

RGB 194 238 191

HSL 116.17, 0.58%, 0.84%

LAB 90.04, -22.89, 18.17

 

CMYK 20 / 0 / 16 / 7

HEX #BFEEC8

RGB 191 238 200

HSL 131.49, 0.58%, 0.84%

LAB 90.04, -22.32, 13.49

 

CMYK 29 / 0 / 43 / 13

HEX #9CDD7D

RGB 156 221 125

HSL 100.63, 0.59%, 0.68%

LAB 81.98, -37.69, 40.62

 

CMYK 21 / 0 / 31 / 10

HEX #B5E59E

RGB 181 229 158

HSL 100.56, 0.58%, 0.76%

LAB 86.17, -28.21, 29.73

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 6 / 0 / 10 / 3

HEX #E7F7DF

RGB 231 247 223

HSL 100, 0.6%, 0.92%

LAB 95.51, -9.49, 9.74

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 20 / 0 / 3 / 7

HEX #BFEEE8

RGB 191 238 232

HSL 172.34, 0.58%, 0.84%

LAB 90.8, -16.2, -2.08

 

CMYK 0 / 20 / 5 / 7

HEX #EEBFE1

RGB 238 191 225

HSL 316.6, 0.58%, 0.84%

LAB 82.31, 22.3, -10.54

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 20 / 13 / 0 / 7

HEX #BFCEEE

RGB 191 206 238

HSL 220.85, 0.58%, 0.84%

LAB 82.59, 1.54, -17.46

 

CMYK 0 / 20 / 13 / 7

HEX #EEBFCE

RGB 238 191 206

HSL 340.85, 0.58%, 0.84%

LAB 81.78, 19.12, -1.12

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 20 / 0 / 3 / 7

HEX #BFEEE8

RGB 191 238 232

HSL 172.34, 0.58%, 0.84%

LAB 90.8, -16.2, -2.08

 

CMYK 7 / 20 / 0 / 7

HEX #DEBFEE

RGB 222 191 238

HSL 279.57, 0.58%, 0.84%

LAB 81.27, 19.4, -19.21

 

CMYK 0 / 20 / 17 / 7

HEX #EEBFC5

RGB 238 191 197

HSL 352.34, 0.58%, 0.84%

LAB 81.55, 17.7, 3.38

 

CMYK 13 / 0 / 20 / 7

HEX #CEEEBF

RGB 206 238 191

HSL 100.85, 0.58%, 0.84%

LAB 90.79, -18.83, 19.34

 

CMYK 20 / 3 / 0 / 7

HEX #BFE6EE

RGB 191 230 238

HSL 190.21, 0.58%, 0.84%

LAB 88.85, -10.93, -8.1

 

CMYK 7 / 20 / 0 / 7

HEX #DEBFEE

RGB 222 191 238

HSL 279.57, 0.58%, 0.84%

LAB 81.27, 19.4, -19.21

 

CMYK 0 / 17 / 20 / 7

HEX #EEC6BF

RGB 238 198 191

HSL 8.94, 0.58%, 0.84%

LAB 83.09, 13.1, 8.8

 

Description

Color code: HEX #CEEEBF | qconv.com Color code: HEX #CEEEBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 238 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 238 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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