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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADE35 it is the complementary color #2521CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADE35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADE35 shade: #DFDE30, #F0F043, #FFFF56, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADE35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADE35 shade: #DADE35, #C9CC22, #B8BA0F, #A7A800 and #969600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADE35 shade: #DADE35, #DEB535, #DE8735, #DE5A35 and #DE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADE35 shade: #DADE35, #ADDE35, #7FDE35, #52DE35 and #35DE47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADE35 shade matches the following richer shades: #DADE35 and #ECF122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADE35 shade: #DADE35, #C8CB48, #B6B85B, #A4A56E and #929281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADE35 shade: #DE8735, #DEB435, #DBDE35, #AEDE35 and #81DE35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADE35 shade: #A3A61B, #C5C921, #DADE35, #E1E459 and #E7EA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADE35 shade: #DADE35, #35DE5A and #9D35DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADE35 shade: #DADE35, #35DBDE and #DE35DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADE35 shade: #DADE35, #35DE5A, #3835DE and #DE35BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADE35 shade: #DADE35, #35DE8D, #3835DE and #DE3587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

Complementary color

CMYK 82 / 84 / 0 / 21

HEX #2521CA

RGB 37 33 202

HSL 241.42, 0.72%, 0.46%

LAB 28.76, 57.67, -83.41

 

CMYK 0 / 0 / 78 / 13

HEX #DFDE30

RGB 223 222 48

HSL 59.66, 0.73%, 0.53%

LAB 86.08, -18.13, 77.67

 

CMYK 0 / 0 / 72 / 6

HEX #F0F043

RGB 240 240 67

HSL 60, 0.85%, 0.6%

LAB 92.24, -19.14, 78.09

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 1 / 0 / 83 / 20

HEX #C9CC22

RGB 201 204 34

HSL 61.06, 0.71%, 0.47%

LAB 79.45, -18.96, 74.81

 

CMYK 1 / 0 / 92 / 27

HEX #B8BA0F

RGB 184 186 15

HSL 60.7, 0.85%, 0.39%

LAB 73.12, -17.69, 72.65

 

CMYK 1 / 0 / 100 / 34

HEX #A7A800

RGB 167 168 0

HSL 60.36, 1%, 0.33%

LAB 66.69, -16.21, 69.02

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 0 / 18 / 76 / 13

HEX #DEB535

RGB 222 181 53

HSL 45.44, 0.72%, 0.54%

LAB 75.35, 2.46, 66.36

 

CMYK 0 / 39 / 76 / 13

HEX #DE8735

RGB 222 135 53

HSL 29.11, 0.72%, 0.54%

LAB 64.25, 26.99, 55.73

 

CMYK 0 / 59 / 76 / 13

HEX #DE5A35

RGB 222 90 53

HSL 13.14, 0.72%, 0.54%

LAB 55.17, 49.62, 46.55

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 22 / 0 / 76 / 13

HEX #ADDE35

RGB 173 222 53

HSL 77.4, 0.72%, 0.54%

LAB 82.58, -38.15, 71.75

 

CMYK 43 / 0 / 76 / 13

HEX #7FDE35

RGB 127 222 53

HSL 93.73, 0.72%, 0.54%

LAB 80.19, -54.46, 68.63

 

CMYK 63 / 0 / 76 / 13

HEX #52DE35

RGB 82 222 53

HSL 109.7, 0.72%, 0.54%

LAB 78.63, -66.55, 66.6

 

CMYK 76 / 0 / 68 / 13

HEX #35DE47

RGB 53 222 71

HSL 126.39, 0.72%, 0.54%

LAB 78.14, -70.24, 59.56

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 2 / 0 / 86 / 5

HEX #ECF122

RGB 236 241 34

HSL 61.45, 0.88%, 0.54%

LAB 92.07, -22.3, 86.29

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 1 / 0 / 65 / 20

HEX #C8CB48

RGB 200 203 72

HSL 61.37, 0.56%, 0.54%

LAB 79.3, -17.25, 62.44

 

CMYK 1 / 0 / 51 / 28

HEX #B6B85B

RGB 182 184 91

HSL 61.29, 0.4%, 0.54%

LAB 72.88, -13.73, 46.48

 

CMYK 1 / 0 / 33 / 35

HEX #A4A56E

RGB 164 165 110

HSL 61.09, 0.23%, 0.54%

LAB 66.47, -9.15, 28.45

 

CMYK 0 / 0 / 12 / 43

HEX #929281

RGB 146 146 129

HSL 60, 0.07%, 0.54%

LAB 60.12, -3.12, 9.02

 

CMYK 0 / 39 / 76 / 13

HEX #DE8735

RGB 222 135 53

HSL 29.11, 0.72%, 0.54%

LAB 64.25, 26.99, 55.73

 

CMYK 0 / 19 / 76 / 13

HEX #DEB435

RGB 222 180 53

HSL 45.09, 0.72%, 0.54%

LAB 75.09, 2.98, 66.13

 

CMYK 1 / 0 / 76 / 13

HEX #DBDE35

RGB 219 222 53

HSL 61.07, 0.72%, 0.54%

LAB 85.79, -19.62, 75.87

 

CMYK 22 / 0 / 76 / 13

HEX #AEDE35

RGB 174 222 53

HSL 77.04, 0.72%, 0.54%

LAB 82.65, -37.77, 71.83

 

CMYK 42 / 0 / 76 / 13

HEX #81DE35

RGB 129 222 53

HSL 93.02, 0.72%, 0.54%

LAB 80.27, -53.82, 68.75

 

CMYK 2 / 0 / 84 / 35

HEX #A3A61B

RGB 163 166 27

HSL 61.29, 0.72%, 0.38%

LAB 65.86, -16.46, 63.8

 

CMYK 2 / 0 / 84 / 21

HEX #C5C921

RGB 197 201 33

HSL 61.43, 0.72%, 0.46%

LAB 78.32, -19.2, 73.96

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 1 / 0 / 61 / 11

HEX #E1E459

RGB 225 228 89

HSL 61.29, 0.72%, 0.62%

LAB 88.07, -18.25, 65.37

 

CMYK 1 / 0 / 47 / 8

HEX #E7EA7C

RGB 231 234 124

HSL 61.64, 0.72%, 0.7%

LAB 90.45, -16.06, 52.67

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 76 / 0 / 59 / 13

HEX #35DE5A

RGB 53 222 90

HSL 133.14, 0.72%, 0.54%

LAB 78.31, -68.22, 51.84

 

CMYK 29 / 76 / 0 / 13

HEX #9D35DE

RGB 157 53 222

HSL 276.92, 0.72%, 0.54%

LAB 45.62, 68.53, -66.79

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 76 / 1 / 0 / 13

HEX #35DBDE

RGB 53 219 222

HSL 181.07, 0.72%, 0.54%

LAB 80.01, -39.18, -13.38

 

CMYK 0 / 76 / 1 / 13

HEX #DE35DB

RGB 222 53 219

HSL 301.07, 0.72%, 0.54%

LAB 55.27, 80.14, -49.05

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 76 / 0 / 59 / 13

HEX #35DE5A

RGB 53 222 90

HSL 133.14, 0.72%, 0.54%

LAB 78.31, -68.22, 51.84

 

CMYK 75 / 76 / 0 / 13

HEX #3835DE

RGB 56 53 222

HSL 241.07, 0.72%, 0.54%

LAB 35.32, 55.37, -84.07

 

CMYK 0 / 76 / 16 / 13

HEX #DE35BA

RGB 222 53 186

HSL 312.78, 0.72%, 0.54%

LAB 53.62, 75.41, -32.71

 

CMYK 2 / 0 / 76 / 13

HEX #DADE35

RGB 218 222 53

HSL 61.42, 0.72%, 0.54%

LAB 85.71, -20.04, 75.77

 

CMYK 76 / 0 / 36 / 13

HEX #35DE8D

RGB 53 222 141

HSL 151.24, 0.72%, 0.54%

LAB 79, -60.2, 27.98

 

CMYK 75 / 76 / 0 / 13

HEX #3835DE

RGB 56 53 222

HSL 241.07, 0.72%, 0.54%

LAB 35.32, 55.37, -84.07

 

CMYK 0 / 76 / 39 / 13

HEX #DE3587

RGB 222 53 135

HSL 330.89, 0.72%, 0.54%

LAB 51.64, 69.45, -5.63

 

Description

Color code: HEX #DADE35 | qconv.com Color code: HEX #DADE35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 222 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 222 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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