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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 150 0 it is the complementary color RGB 105 105 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 150 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 150 0: RGB 155 150 0, RGB 172 168 14, RGB 189 186 33, RGB 206 204 52 and RGB 223 222 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 150 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 150 0: RGB 150 150 0, RGB 133 132 0, RGB 116 114 0, RGB 99 96 0 and RGB 82 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

Complementary color

CMYK 59 / 59 / 0 / 0

HEX #6969FF

RGB 105 105 255

HSL 240, 1%, 0.71%

LAB 52.2, 42.34, -74.85

 

CMYK 0 / 3 / 100 / 39

HEX #9B9600

RGB 155 150 0

HSL 58.06, 1%, 0.3%

LAB 60.59, -12.24, 64.11

 

CMYK 0 / 2 / 92 / 33

HEX #ACA80E

RGB 172 168 14

HSL 58.48, 0.85%, 0.36%

LAB 67.13, -13.8, 67.73

 

CMYK 0 / 2 / 83 / 26

HEX #BDBA21

RGB 189 186 33

HSL 58.85, 0.7%, 0.44%

LAB 73.58, -15.13, 69.71

 

CMYK 0 / 1 / 75 / 19

HEX #CECC34

RGB 206 204 52

HSL 59.22, 0.61%, 0.51%

LAB 79.93, -16.24, 70.44

 

CMYK 0 / 0 / 68 / 13

HEX #DFDE47

RGB 223 222 71

HSL 59.61, 0.7%, 0.58%

LAB 86.2, -17.17, 70.4

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 0 / 1 / 100 / 48

HEX #858400

RGB 133 132 0

HSL 59.55, 1%, 0.26%

LAB 53.48, -12.76, 58.05

 

CMYK 0 / 2 / 100 / 55

HEX #747200

RGB 116 114 0

HSL 58.97, 1%, 0.23%

LAB 46.64, -10.95, 52.38

 

CMYK 0 / 3 / 100 / 61

HEX #636000

RGB 99 96 0

HSL 58.18, 1%, 0.19%

LAB 39.61, -9.07, 46.54

 

CMYK 0 / 5 / 100 / 68

HEX #524E00

RGB 82 78 0

HSL 57.07, 1%, 0.16%

LAB 32.35, -7.1, 40.52

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 16 / 0 / 100 / 42

HEX #7B9300

RGB 123 147 0

HSL 69.8, 1%, 0.29%

LAB 57.15, -25.01, 60.42

 

CMYK 33 / 0 / 100 / 42

HEX #629300

RGB 98 147 0

HSL 80, 1%, 0.29%

LAB 55.55, -35.39, 58.5

 

CMYK 50 / 0 / 100 / 42

HEX #499300

RGB 73 147 0

HSL 90.2, 1%, 0.29%

LAB 54.33, -44.33, 57.02

 

CMYK 67 / 0 / 100 / 42

HEX #319300

RGB 49 147 0

HSL 100, 1%, 0.29%

LAB 53.51, -50.9, 56.04

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 0 / 0 / 100 / 21

HEX #C9C900

RGB 201 201 0

HSL 60, 1%, 0.39%

LAB 78.57, -18.02, 78.98

 

CMYK 0 / 0 / 100 / 1

HEX #FCFC00

RGB 252 252 0

HSL 60, 1%, 0.49%

LAB 96.13, -21.36, 93.64

 

CMYK 0 / 0 / 100 / 81

HEX #303000

RGB 48 48 0

HSL 60, 1%, 0.09%

LAB 18.98, -6.66, 26.87

 

CMYK 0 / 0 / 100 / 61

HEX #636300

RGB 99 99 0

HSL 60, 1%, 0.19%

LAB 40.53, -10.77, 47.21

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 100 / 0 / 80 / 42

HEX #00931D

RGB 0 147 29

HSL 131.84, 1%, 0.29%

LAB 52.9, -55.9, 48.91

 

CMYK 40 / 100 / 0 / 42

HEX #580093

RGB 88 0 147

HSL 275.92, 1%, 0.29%

LAB 24.26, 56.78, -57.65

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 100 / 0 / 0 / 42

HEX #009393

RGB 0 147 147

HSL 180, 1%, 0.29%

LAB 55.05, -31.89, -9.38

 

CMYK 0 / 100 / 0 / 42

HEX #930093

RGB 147 0 147

HSL 300, 1%, 0.29%

LAB 34.62, 65.17, -40.35

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 100 / 0 / 80 / 42

HEX #00931D

RGB 0 147 29

HSL 131.84, 1%, 0.29%

LAB 52.9, -55.9, 48.91

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 0 / 100 / 20 / 42

HEX #930076

RGB 147 0 118

HSL 311.84, 1%, 0.29%

LAB 32.94, 61.04, -24.94

 

CMYK 0 / 0 / 100 / 41

HEX #969600

RGB 150 150 0

HSL 60, 1%, 0.29%

LAB 60.16, -14.51, 63.6

 

CMYK 100 / 0 / 50 / 42

HEX #009349

RGB 0 147 73

HSL 149.8, 1%, 0.29%

LAB 53.33, -50.56, 29.87

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 0 / 100 / 50 / 42

HEX #930049

RGB 147 0 73

HSL 330.2, 1%, 0.29%

LAB 31.08, 56.24, 1.45

 

Description

Color code: RGB 150 150 0 | qconv.com Color code: RGB 150 150 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 150 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 150 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 100 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 100% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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