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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADB9C it is the complementary color #252463. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADB9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADB9C shade: #DFDB97, #F0EDAA, #FFFFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADB9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADB9C shade: #DADB9C, #C9C989, #B8B776, #A7A563 and #969350

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADB9C shade: #DBDC9E, #DCCC9E, #DCBB9E, #DCAA9E and #DC9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADB9C shade: #DBDC9E, #CADC9E, #B9DC9E, #A8DC9E and #9EDCA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADB9C shade matches the following richer shades: #DBDC9E, #E5E793, #F0F188 and #FAFC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADB9C shade: #DBDC9E, #D0D1A8, #C6C6B3, #BCBCBE and #B1B1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADB9C shade: #DCBB9E, #DCCB9E, #DCDC9E, #CBDC9E and #BBDC9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADB9C shade: #C4C661, #D0D17F, #DBDC9E, #E6E7BC and #F1F2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADB9C shade: #DADB9C, #9EDCAA and #C39EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADB9C shade: #DADB9C, #9EDCDC and #DC9EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADB9C shade: #DADB9C, #9EDCAA, #9E9EDC and #DC9ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADB9C shade: #DADB9C, #9EDCBD, #9E9EDC and #DC9EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

Complementary color

CMYK 63 / 64 / 0 / 61

HEX #252463

RGB 37 36 99

HSL 240.95, 0.47%, 0.26%

LAB 18.17, 21.34, -37.26

 

CMYK 0 / 2 / 32 / 13

HEX #DFDB97

RGB 223 219 151

HSL 56.67, 0.53%, 0.73%

LAB 86.3, -8.83, 34

 

CMYK 0 / 1 / 29 / 6

HEX #F0EDAA

RGB 240 237 170

HSL 57.43, 0.7%, 0.8%

LAB 92.57, -9.1, 32.91

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

CMYK 0 / 0 / 32 / 21

HEX #C9C989

RGB 201 201 137

HSL 60, 0.37%, 0.66%

LAB 79.61, -9.87, 32.06

 

CMYK 0 / 1 / 36 / 28

HEX #B8B776

RGB 184 183 118

HSL 59.09, 0.32%, 0.59%

LAB 73.13, -9.59, 33.22

 

CMYK 0 / 1 / 41 / 35

HEX #A7A563

RGB 167 165 99

HSL 58.24, 0.28%, 0.52%

LAB 66.54, -9.24, 34.43

 

CMYK 0 / 2 / 47 / 41

HEX #969350

RGB 150 147 80

HSL 57.43, 0.3%, 0.45%

LAB 59.83, -8.8, 35.67

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 0 / 7 / 28 / 14

HEX #DCCC9E

RGB 220 204 158

HSL 44.52, 0.47%, 0.74%

LAB 82.31, -1.41, 24.98

 

CMYK 0 / 15 / 28 / 14

HEX #DCBB9E

RGB 220 187 158

HSL 28.06, 0.47%, 0.74%

LAB 78.01, 7.52, 19.08

 

CMYK 0 / 23 / 28 / 14

HEX #DCAA9E

RGB 220 170 158

HSL 11.61, 0.47%, 0.74%

LAB 73.83, 16.61, 13.24

 

CMYK 0 / 28 / 28 / 14

HEX #DC9E9E

RGB 220 158 158

HSL 0, 0.47%, 0.74%

LAB 70.97, 23.08, 9.18

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 8 / 0 / 28 / 14

HEX #CADC9E

RGB 202 220 158

HSL 77.42, 0.47%, 0.74%

LAB 85.1, -16.32, 28.53

 

CMYK 16 / 0 / 28 / 14

HEX #B9DC9E

RGB 185 220 158

HSL 93.87, 0.47%, 0.74%

LAB 83.95, -22.48, 26.78

 

CMYK 24 / 0 / 28 / 14

HEX #A8DC9E

RGB 168 220 158

HSL 110.32, 0.47%, 0.74%

LAB 82.9, -28.37, 25.18

 

CMYK 28 / 0 / 26 / 14

HEX #9EDCA3

RGB 158 220 163

HSL 124.84, 0.47%, 0.74%

LAB 82.43, -30.85, 21.84

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 1 / 0 / 36 / 9

HEX #E5E793

RGB 229 231 147

HSL 61.43, 0.64%, 0.74%

LAB 89.82, -13.01, 40.69

 

CMYK 0 / 0 / 44 / 5

HEX #F0F188

RGB 240 241 136

HSL 60.57, 0.79%, 0.74%

LAB 93.11, -14.85, 50.38

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7D

RGB 250 252 125

HSL 60.94, 0.95%, 0.74%

LAB 96.58, -17.29, 59.85

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 0 / 0 / 20 / 18

HEX #D0D1A8

RGB 208 209 168

HSL 61.46, 0.31%, 0.74%

LAB 82.83, -7.11, 20.28

 

CMYK 0 / 0 / 10 / 22

HEX #C6C6B3

RGB 198 198 179

HSL 60, 0.14%, 0.74%

LAB 79.41, -3.33, 9.52

 

CMYK 1 / 1 / 0 / 25

HEX #BCBCBE

RGB 188 188 190

HSL 240, 0.02%, 0.74%

LAB 76.3, 0.38, -1.02

 

CMYK 12 / 12 / 0 / 22

HEX #B1B1C8

RGB 177 177 200

HSL 240, 0.17%, 0.74%

LAB 72.87, 4.56, -11.65

 

CMYK 0 / 15 / 28 / 14

HEX #DCBB9E

RGB 220 187 158

HSL 28.06, 0.47%, 0.74%

LAB 78.01, 7.52, 19.08

 

CMYK 0 / 8 / 28 / 14

HEX #DCCB9E

RGB 220 203 158

HSL 43.55, 0.47%, 0.74%

LAB 82.05, -0.89, 24.63

 

CMYK 0 / 0 / 28 / 14

HEX #DCDC9E

RGB 220 220 158

HSL 60, 0.47%, 0.74%

LAB 86.44, -9.61, 30.56

 

CMYK 8 / 0 / 28 / 14

HEX #CBDC9E

RGB 203 220 158

HSL 76.45, 0.47%, 0.74%

LAB 85.18, -15.96, 28.64

 

CMYK 15 / 0 / 28 / 14

HEX #BBDC9E

RGB 187 220 158

HSL 91.94, 0.47%, 0.74%

LAB 84.08, -21.76, 26.98

 

CMYK 1 / 0 / 51 / 22

HEX #C4C661

RGB 196 198 97

HSL 61.19, 0.47%, 0.58%

LAB 77.87, -14.57, 49.77

 

CMYK 0 / 0 / 39 / 18

HEX #D0D17F

RGB 208 209 127

HSL 60.73, 0.47%, 0.66%

LAB 82.13, -12.37, 40.53

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 0 / 0 / 19 / 9

HEX #E6E7BC

RGB 230 231 188

HSL 61.4, 0.47%, 0.82%

LAB 90.6, -7.33, 20.88

 

CMYK 0 / 0 / 10 / 5

HEX #F1F2DA

RGB 241 242 218

HSL 62.5, 0.48%, 0.9%

LAB 94.85, -4.38, 11.47

 

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

CMYK 28 / 0 / 23 / 14

HEX #9EDCAA

RGB 158 220 170

HSL 131.61, 0.47%, 0.74%

LAB 82.57, -29.63, 18.37

 

CMYK 11 / 28 / 0 / 14

HEX #C39EDC

RGB 195 158 220

HSL 275.81, 0.47%, 0.74%

LAB 70.33, 25.08, -26.32

 

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

CMYK 28 / 0 / 0 / 14

HEX #9EDCDC

RGB 158 220 220

HSL 180, 0.47%, 0.74%

LAB 83.77, -19.5, -6.34

 

CMYK 0 / 28 / 0 / 14

HEX #DC9EDC

RGB 220 158 220

HSL 300, 0.47%, 0.74%

LAB 72.78, 33.11, -22.35

 

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

CMYK 28 / 0 / 23 / 14

HEX #9EDCAA

RGB 158 220 170

HSL 131.61, 0.47%, 0.74%

LAB 82.57, -29.63, 18.37

 

CMYK 28 / 28 / 0 / 14

HEX #9E9EDC

RGB 158 158 220

HSL 240, 0.47%, 0.74%

LAB 67.19, 13.73, -31.42

 

CMYK 0 / 28 / 6 / 14

HEX #DC9ECF

RGB 220 158 207

HSL 312.58, 0.47%, 0.74%

LAB 72.34, 30.76, -15.88

 

CMYK 0 / 0 / 29 / 14

HEX #DADB9C

RGB 218 219 156

HSL 60.95, 0.47%, 0.74%

LAB 85.99, -10.11, 30.96

 

CMYK 28 / 0 / 14 / 14

HEX #9EDCBD

RGB 158 220 189

HSL 150, 0.47%, 0.74%

LAB 82.98, -26.06, 8.94

 

CMYK 28 / 28 / 0 / 14

HEX #9E9EDC

RGB 158 158 220

HSL 240, 0.47%, 0.74%

LAB 67.19, 13.73, -31.42

 

CMYK 0 / 28 / 14 / 14

HEX #DC9EBD

RGB 220 158 189

HSL 330, 0.47%, 0.74%

LAB 71.79, 27.71, -6.78

 

Description

Color code: HEX #DADB9C | qconv.com Color code: HEX #DADB9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 219 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 219 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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